But, exerting a sudden energy that made all the beholders stand aghast, Father Hooper snatched both his hands from beneath the bedclothes and pressed them strongly on the black veil, resolute to struggle if the minister of Westbury would contend with a dying man.
“Never!” cried the veiled clergyman. “On earth, never!”
“Dark old man,” exclaimed the affrighted minister, “with what horrible crime upon your soul are you now passing to the judgment?”
Father Hooper’s breath heaved: it rattled in his throat; but, with a mighty effort grasping forward with his hands, he caught hold of life and held it back till he should speak. He even raised himself in bed, and there he sat shivering with the arms of Death around him, while the black veil hung down, awful at that last moment in the gathered terrors of a lifetime. And yet the faint, sad smile so often there now seemed to glimmer from its obscurity and linger on Father Hooper’s lips.
“Why do you tremble at me alone?” cried he, turning his veiled face round the circle of pale spectators. “Tremble also at each other. Have men avoided me and women shown no pity and children screamed and fled only for my black veil? What but the mystery which it obscurely typifies has made this piece of crape so awful? When the friend shows his inmost heart to his friend, the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin, — then deem me a monster for the symbol beneath which I have lived and die. I look around me, and, lo! on every visage a black veil!”
While his auditors shrank from one another in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse with a faint smile lingering on the lips. Still veiled, they laid him in his coffin, and a veiled corpse they bore him to the grave. The grass of many years has sprung up and withered on that grave, the burial-stone is mossgrown, and good Mr. Hooper’s face is dust; but awful is still the thought that it mouldered beneath the black veil.
THE MAYPOLE OF MERRY MOUNT
There is an admirable foundation for a philosophic romance in the curious history of the early settlement of Mount Wollaston, or Merry Mount. In the slight sketch here attempted the facts recorded on the grave pages of our New England annalists have wrought themselves almost spontaneously into a sort of allegory. The masques, mummeries and festive customs described in the text are in accordance with the manners of the age. Authority on these points may be found in Strutt’s Book of English Sports and Pastimes.
Bright were the days at Merry Mount when the Maypole was the banner-staff of that gay colony. They who reared it, should their banner be triumphant, were to pour sunshine over New England’s rugged hills and scatter flower-seeds throughout the soil. Jollity and gloom were contending for an empire. Midsummer eve had come, bringing deep verdure to the forest, and roses in her lap of a more vivid hue than the tender buds of spring. But May, or her mirthful spirit, dwelt all the year round at Merry Mount, sporting with the summer months and revelling with autumn and basking in the glow of winter’s fireside. Through a world of toil and care she flitted with a dreamlike smile, and came hither to find a home among the lightsome hearts of Merry Mount.
Never had the Maypole been so gayly decked as at sunset on Midsummer eve. This venerated emblem was a pine tree which had preserved the slender grace of youth, while it equalled the loftiest height of the old wood-monarchs. From its top streamed a silken banner colored like the rainbow. Down nearly to the ground the pole was dressed with birchen boughs, and others of the liveliest green, and some with silvery leaves fastened by ribbons that fluttered in fantastic knots of twenty different colors, but no sad ones. Garden-flowers and blossoms of the wilderness laughed gladly forth amid the verdure, so fresh and dewy that they must have grown by magic on that happy pine tree. Where this green and flowery splendor terminated the shaft of the Maypole was stained with the seven brilliant hues of the banner at its top. On the lowest green bough hung an abundant wreath of roses — some that had been gathered in the sunniest spots of the forest, and others, of still richer blush, which the colonists had reared from English seed. O people of the Golden Age, the chief of your husbandry was to raise flowers!
But what was the wild throng that stood hand in hand about the Maypole? It could not be that the fauns and nymphs, when driven from their classic groves and homes of ancient fable, had sought refuge, as all the persecuted did, in the fresh woods of the West. These were Gothic monsters, though perhaps of Grecian ancestry. On the shoulders of a comely youth uprose the head and branching antlers of a stag; a second, human in all other points, had the grim visage of a wolf; a third, still with the trunk and limbs of a mortal man, showed the beard and horns of a venerable he-goat. There was the likeness of a bear erect, brute in all but his hind legs, which were adorned with pink silk stockings. And here, again, almost as wondrous, stood a real bear of the dark forest, lending each of his forepaws to the grasp of a human hand and as ready for the dance as any in that circle. His inferior nature rose halfway to meet his companions as they stooped. Other faces wore the similitude of man or woman, but distorted or extravagant, with red noses pendulous before their mouths, which seemed of awful depth and stretched from ear to ear in an eternal fit of laughter. Here might be seen the salvage man — well known in heraldry — hairy as a baboon and girdled with green leaves. By his side — a nobler figure, but still a counterfeit — appeared an Indian hunter with feathery crest and wampum-belt. Many of this strange company wore foolscaps and had little bells appended to their garments, tinkling with a silvery sound responsive to the inaudible music of their gleesome spirits. Some youths and maidens were of soberer garb, yet well maintained their places in the irregular throng by the expression of wild revelry upon their features.
Such were the colonists of Merry Mount as they stood in the broad smile of sunset round their venerated Maypole. Had a wanderer bewildered in the melancholy forest heard their mirth and stolen a half-affrighted glance, he might have fancied them the crew of Comus, some already transformed to brutes, some midway between man and beast, and the others rioting in the flow of tipsy jollity that foreran the change; but a band of Puritans who watched the scene, invisible themselves, compared the masques to those devils and ruined souls with whom their superstition peopled the black wilderness.
Within the ring of monsters appeared the two airiest forms that had ever trodden on any more solid footing than a purple-and-golden cloud. One was a youth in glistening apparel with a scarf of the rainbow pattern crosswise on his breast. His right hand held a gilded staff — the ensign of high dignity among the revellers — and his left grasped the slender fingers of a fair maiden not less gayly decorated than himself. Bright roses glowed in contrast with the dark and glossy curls of each, and were scattered round their feet or had sprung up spontaneously there. Behind this lightsome couple, so close to the Maypole that its boughs shaded his jovial face, stood the figure of an English priest, canonically dressed, yet decked with flowers, in heathen fashion, and wearing a chaplet of the native vine leaves. By the riot of his rolling eye and the pagan decorations of his holy garb, he seemed the wildest monster there, and the very Comus of the crew.
“Votaries of the Maypole,” cried the flower-decked priest, “merrily all day long have the woods echoed to your mirth. But be this your merriest hour, my hearts! Lo! here stand the Lord and Lady of the May, whom I, a clerk of Oxford and high priest of Merry Mount, am presently to join in holy matrimony. — Up with your nimble spirits, ye morrice-dancers, green men and glee-maidens, bears and wolves and horned gentlemen! Come! a chorus now rich with the old mirth of Merry England and the wilder glee of this fresh forest, and then a dance, to show the youthful pair what life is made of and how airily they should go through it! — All ye that love the Maypole, lend your voices to the nuptial song of the Lord and Lady of the May!”
This wedlock was more serious than most affairs of Merry Mount, where jest and delusion, trick and fantasy, kept up a continual carnival. The Lord and