“Why should we separate?” said he: “our heart are united; in the eye of reason and honor we are as one. What need is there of sordid forms to bind high souls together?”
The stranger listened with emotion: she had evidently received illumination at the same school.
“You have no home nor family,” continued he: “let me be everything to you, or rather let us be everything to one another. If form is necessary, form shall be observed — there is my hand. I pledge myself to you forever.”
“Forever?” said the stranger, solemnly.
“Forever!” repeated Wolfgang.
The stranger clasped the hand extended to her: “Then I am yours,” murmured she, and sank upon his bosom.
The next morning the student left his bride sleeping, and sallied forth at an early hour to seek more spacious apartments suitable to the change in his situation. When he returned, he found the stranger lying with her head hanging over the bed, and one arm thrown over it. He spoke to her, but received no reply. He advanced to awaken her from her uneasy posture. On taking her hand, it was cold — there was no pulsation — her face was pallid and ghastly. In a word, she was a corpse.
Horrified and frantic, he alarmed the house. A scene of confusion ensued. The police was summoned. As the officer of police entered the room, he started back on beholding the corpse.
“Great heaven!” cried he, “how did this woman come here?”
“Do you know anything about her?” said Wolfgang eagerly.
“Do I?” exclaimed the officer: “she was guillotined yesterday.”
He stepped forward; undid the black collar round the neck of the corpse, and the head rolled on the floor!
The student burst into a frenzy. “The fiend! the fiend has gained possession of me!” shrieked he; “I am lost forever.”
They tried to soothe him, but in vain. He was possessed with the frightful belief that an evil spirit had reanimated the dead body to ensnare him. He went distracted, and died in a madhouse.
Here the old gentleman with the haunted head finished his narrative.
“And is this really a fact?” said the inquisitive gentleman.
“A fact not to be doubted,” replied the other. “I had it from the best authority. The student told it me himself. I saw him in a madhouse in Paris.”
THE ADVENTURE OF THE MYSTERIOUS PICTURE.
As one story of the kind produces another, and as all the company seemed fully engrossed by the topic, and disposed to bring their relatives and ancestors upon the scene, there is no knowing how many more ghost adventures we might have heard, had not a corpulent old fox-hunter, who had slept soundly through the whole, now suddenly awakened, with a loud and long-drawn yawn. The sound broke the charm; the ghosts took to flight as though it had been cock-crowing, and there was a universal move for bed.
“And now for the haunted chamber,” said the Irish captain, taking his candle.
“Aye, who’s to be the hero of the night?” said the gentleman with the ruined head.
“That we shall see in the morning,” said the old gentleman with the nose: “whoever looks pale and grizzly will have seen the ghost.”
“Well, gentlemen,” said the Baronet, “there’s many a true thing said in jest. In fact, one of you will sleep in a room tonight—”
“What — a haunted room? a haunted room? I claim the adventure — and I — and I — and I,” cried a dozen guests, talking and laughing at the same time.
“No — no,” said mine host, “there is a secret about one of my rooms on which I feel disposed to try an experiment. So, gentlemen, none of you shall know who has the haunted chamber, until circumstances reveal it. I will not even know it myself, but will leave it to chance and the allotment of the housekeeper. At the same time, if it will be any satisfaction to you, I will observe, for the honor of my paternal mansion, that there’s scarcely a chamber in it but is well worthy of being haunted.”
We now separated for the night, and each went to his allotted room. Mine was in one wing of the building, and I could not but smile at its resemblance in style to those eventful apartments described in the tales of the supper table. It was spacious and gloomy, decorated with lampblack portraits, a bed of ancient damask, with a tester sufficiently lofty to grace a couch of state, and a number of massive pieces of old-fashioned furniture. I drew a great claw-footed armchair before the wide fireplace; stirred up the fire; sat looking into it, and musing upon the odd stories I had heard; until, partly overcome by the fatigue of the day’s hunting, and partly by the wine and wassail of mine host, I fell asleep in my chair.
The uneasiness of my position made my slumber troubled, and laid me at the mercy of all kinds of wild and fearful dreams; now it was that my perfidious dinner and supper rose in rebellion against my peace. I was hag-ridden by a fat saddle of mutton; a plum pudding weighed like lead upon my conscience; the merry thought of a capon filled me with horrible suggestions; and a devilled leg of a turkey stalked in all kinds of diabolical shapes through my imagination. In short, I had a violent fit of the nightmare. Some strange indefinite evil seemed hanging over me that I could not avert; something terrible and loathsome oppressed me that I could not shake off. I was conscious of being asleep, and strove to rouse myself, but every effort redoubled the evil; until gasping, struggling, almost strangling, I suddenly sprang bolt upright in my chair, and awoke.
The light on the mantelpiece had burnt low, and the wick was divided; there was a great winding sheet made by the dripping wax, on the side towards me. The disordered taper emitted a broad flaring flame, and threw a strong light on a painting over the fireplace, which I had not hitherto observed.
It consisted merely of a head, or rather a face, that appeared to be staring full upon me, and with an expression that was startling. It was without a frame, and at the first glance I could hardly persuade myself that it was not a real face, thrusting itself out of the dark oaken pannel. I sat in my chair gazing at it, and the more I gazed the more it disquieted me. I had never before been affected in the same way by any painting. The emotions it caused were strange and indefinite. They were something like what I have heard ascribed to the eyes of the basilisk; or like that mysterious influence in reptiles termed fascination. I passed my hand over my eyes several times, as if seeking instinctively to brush away this allusion — in vain — they instantly reverted to the picture, and its chilling, creeping influence over my flesh was redoubled.
I looked around the room on other pictures, either to divert my attention, or to see whether the same effect would be produced by them. Some of them were grim enough to produce the effect, if the mere grimness of the painting produced it — no such thing. My eye passed over them all with perfect indifference, but the moment it reverted to this visage over the fireplace, it was as if an electric shock darted through me. The other pictures were dim and faded; but this one protruded from a plain black ground in the strongest relief, and with wonderful truth of coloring. The expression was that of agony — the agony of intense bodily pain; but a menace scowled upon the brow, and a few sprinklings of blood added to its ghastliness. Yet it was not all these characteristics — it was some horror of the mind, some inscrutable antipathy awakened by this picture, which harrowed up my feelings.
I tried to persuade myself that this was chimerical; that my brain was confused by the fumes of mine host’s good cheer, and, in some measure, by the odd stories about paintings which had been told at supper. I determined to shake off these vapors of the mind; rose from my chair, and walked about the