Argot and Slang. Albert Barrere. Читать онлайн. Newlib. NEWLIB.NET

Автор: Albert Barrere
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664634542
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       Albert Barrère

      Argot and Slang

      A New French and English Dictionary of the Cant Words, Quaint Expressions, Slang Terms and Flash Phrases Used in the High and Low Life of Old and New Paris

      Published by Good Press, 2019

       [email protected]

      EAN 4057664634542

       INTRODUCTION.

       Fifteenth Century. LE JARGON OU JOBELIN DE MAISTRE FRANÇOIS VILLON.

       Sixteenth Century. SONNET EN AUTHENTIQUE LANGAGE SOUDARDANT . [1]

       Sixteenth Century. DIALOGUE BETWEEN A HEADMAN IN THE CANTING CREW AND A VAGABOND.

       Seventeenth Century. DIALOGUE DE DEUX ARGOTIERS . [101]

       Seventeenth Century. ENGLISH GIPSIES’ OATH.

       Eighteenth Century. JERRY JUNIPER’S CHANT.

       Eighteenth Century. CHANSON.

       Beginning of Nineteenth Century. VIDOCQ ’S SLANG SONG.

       Beginning of Nineteenth Century. THE SAME SONG VERSIFIED BY WILLIAM MAGINN.

       Nineteenth Century. AUTOBIOGRAPHY OF A THIEF IN THIEVES’ LANGUAGE.

       A

       B

       C

       D

       E

       F

       G

       H

       I

       J

       K

       L

       M

       N

       O

       P

       Q

       R

       S

       T

       U

       V

       W

       X

       Y

       Z

       Table of Contents

      Argot pervades the whole of French society. It may be heard everywhere, and it is now difficult to peruse a newspaper or open a new novel without meeting with a sprinkling of some of the jargon dialects of the day. These take their rise in the slums, on the boulevards, in workshops, barracks, and studios, and even in the lobbies of the Houses of Legislature. From the beggar to the diplomatist, every class possesses its own vernacular, borrowed more or less from its special avocations. The language of the dangerous classes, which so often savours of evil or bloody deeds, of human suffering, and also of the anguish and fears of the ever-tracked and ever-watchful criminal, though often disguised under a would-be humorous garb, cannot but be interesting to the philosopher. “Everybody,” says Charles Nodier, “must feel that there is more ingenuity in argot than in algebra itself, and that this quality is due to the power it possesses of making language figurative and graphic. With algebra, only calculations can be achieved; with argot, however ignoble and impure its source, a nation and society might be renovated. … Argot is generally formed with ability because it is the outcome of the urgent necessities of a class of men not lacking in brains. … The jargon of the lower classes, which is due to the inventive genius of thieves, is redundant with sparkling wit, and gives evidence of wonderfully imaginative powers.”

      If criminals are odious, they are not always vulgar, and a study of their mode of expression possesses certain features of interest. The ordinary slang of the higher strata of French society, as compared with that of the lower classes, being based often on mere distortion of words or misappropriation of meaning, is in many cases vulgar and silly; it casts a stain over a language which has already suffered so much at the hands of the lesser stars of the Naturalistic School. A coarse sentiment, a craving for more violent sensations, will find expression in the jargon of the day. People are no longer content with being astonished, they must be crushed or flattened (épatés), or knocked over (renversés), and so forth; and the silly “on dirait du veau,” repeated ad nauseam, seldom fails to raise a laugh. Our English neighbours do not seem to be better off. “So universal,” says a writer in Household Words, September 24, 1853, “has the use of slang terms become, that in all societies they are substituted for, and have almost usurped the place of wit. An audience will sit in a theatre and listen to a string