Joe Wainsworth began to fumble with the tools on his bench. Then he turned to look the farmer in the eye and to do what he later spoke of to his cronies as "laying down the law." "When the cheap things begin to go to pieces take them somewhere else to have them repaired," he said sharply. He grew furiously angry. "Take the damn things to Philadelphia where you got 'em," he shouted at the back of the farmer who had turned to go out of the shop.
Joe Wainsworth was upset and thought about the incident all the afternoon. When farmer-customers came in and stood about to talk of their affairs he had nothing to say. He was a talkative man and his apprentice, Will Sellinger, son of the Bidwell house painter, was puzzled by his silence. When the boy and the man were alone in the shop, it was Joe Wainsworth's custom to talk of his days as a journeyman workman when he had gone from place to place working at his trade. If a trace were being stitched or a bridle fashioned, he told how the thing was done at a shop where he had worked in the city of Boston and in another shop at Providence, Rhode Island. Getting a piece of paper he made drawings illustrating the cuts of leather that were made in the other places and the methods of stitching. He claimed to have worked out his own method for doing things, and that his method was better than anything he had seen in all his travels. To the men who came into the shop to loaf during winter afternoons he presented a smiling front and talked of their affairs, of the price of cabbage in Cleveland or the effect of a cold snap on the winter wheat, but alone with the boy, he talked only of harness making. "I don't say anything about it. What's the good bragging? Just the same, I could learn something to all the harness makers I've ever seen, and I've seen the best of them," he declared emphatically.
During the afternoon, after he had heard of the four factory-made work harnesses brought into what he had always thought of as a trade that belonged to him by the rights of a first-class workman, Joe remained silent for two or three hours. He thought of the words of old Judge Hanby and the constant talk of the new times now coming. Turning suddenly to his apprentice, who was puzzled by his long silence and who knew nothing of the incident that had disturbed his employer, he broke forth into words. He was defiant and expressed his defiance. "Well, then, let 'em go to Philadelphia, let 'em go any damn place they please," he growled, and then, as though his own words had re-established his self-respect, he straightened his shoulders and glared at the puzzled and alarmed boy. "I know my trade and do not have to bow down to any man," he declared. He expressed the old tradesman's faith in his craft and the rights it gave the craftsman. "Learn your trade. Don't listen to talk," he said earnestly. "The man who knows his trade is a man. He can tell every one to go to the devil."
CHAPTER IV
Hugh McVey was twenty-three years old when he went to live in Bidwell. The position of telegraph operator at the Wheeling station a mile north of town became vacant and, through an accidental encounter with a former resident of a neighboring town, he got the place.
The Missourian had been at work during the winter in a sawmill in the country near a northern Indiana town. During the evenings he wandered on country roads and in the town streets, but he did not talk to any one. As had happened to him in other places, he had the reputation of being queer. His clothes were worn threadbare and, although he had money in his pockets, he did not buy new ones. In the evening when he went through the town streets and saw the smartly dressed clerks standing before the stores, he looked at his own shabby person and was ashamed to enter. In his boyhood Sarah Shepard had always attended to the buying of his clothes, and he made up his mind that he would go to the place in Michigan to which she and her husband had retired, and pay her a visit. He wanted Sarah Shepard to buy him a new outfit of clothes, but wanted also to talk with her.
Out of the three years of going from place to place and working with other men as a laborer, Hugh had got no big impulse that he felt would mark the road his life should take; but the study of mathematical problems, taken up to relieve his loneliness and to cure his inclination to dreams, was beginning to have an effect on his character. He thought that if he saw Sarah Shepard again he could talk to her and through her get into the way of talking to others. In the sawmill where he worked he answered the occasional remarks made to him by his fellow workers in a slow, hesitating drawl, and his body was still awkward and his gait shambling, but he did his work more quickly and accurately. In the presence of his foster-mother and garbed in new clothes, he believed he could now talk to her in a way that had been impossible during his youth. She would see the change in his character and would be encouraged about him. They would get on to a new basis and he would feel respect for himself in another.
Hugh went to the railroad station to make inquiry regarding the fare to the Michigan town and there had the adventure that upset his plans. As he stood at the window of the ticket office, the ticket seller, who was also the telegraph operator, tried to engage him in conversation. When he had given the information asked, he followed Hugh out of the building and into the darkness of a country railroad station at night, and the two men stopped and stood together beside an empty baggage truck. The ticket agent spoke of the loneliness of life in the town and said he wished he could go back to his own place and be again with his own people. "It may not be any better in my own town, but I know everybody there," he said. He was curious concerning Hugh as were all the people of the Indiana town, and hoped to get him into talk in order that he might find out why he walked alone at night, why he sometimes worked all evening over books and figures in his room at the country hotel, and why he had so little to say to his fellows. Hoping to fathom Hugh's silence he abused the town in which they both lived. "Well," he began, "I guess I understand how you feel. You want to get out of this place." He explained his own predicament in life. "I got married," he said. "Already I have three children. Out here a man can make more money railroading than he can in my state, and living is pretty cheap. Just to-day I had an offer of a job in a good town near my own place in Ohio, but I can't take it. The job only pays forty a month. The town's all right, one of the best in the northern part of the State, but you see the job's no good. Lord, I wish I could go. I'd like to live again among people such as live in that part of the country."
The railroad man and Hugh walked along the street that ran from the station up into the main street of the town. Wanting to meet the advances that had been made by his companion and not knowing how to go about it, Hugh adopted the method he had heard his fellow laborers use with one another. "Well," he said slowly, "come have a drink."
The two men went into a saloon and stood by the bar. Hugh made a tremendous effort to overcome his embarrassment. As he and the railroad man drank foaming glasses of beer he explained that he also had once been a railroad man and knew telegraphy, but that for several years he had been doing other work. His companion looked at his shabby clothes and nodded his head. He made a motion with his head to indicate that he wanted Hugh to come with him outside into the darkness. "Well, well," he exclaimed, when they had again got outside and had started along the street toward the station. "I understand now. They've all been wondering about you and I've heard lots of talk. I won't say anything, but I'm going to do something for you."
Hugh went to the station with his new-found friend and sat down in the lighted office. The railroad man got out a sheet of paper and began to write a letter. "I'm going to get you that job," he said. "I'm writing the letter now and I'll get it off on the midnight train. You've got to get on your feet. I was a boozer myself, but I cut it all out. A glass of beer now and then, that's my limit."
He began to talk of the town in Ohio where he proposed to get Hugh the job that would set him up in the world and save him from the habit of drinking, and described it as an earthly paradise in which lived bright, clear-thinking men and beautiful women. Hugh was reminded sharply of the talk he had heard from the lips of Sarah Shepard, when in his youth she spent long evenings telling him of the wonder of her own Michigan and New England towns and people, and contrasted the life lived there with that lived by the people of his own place.
Hugh decided