“A hunting party, you mean? To think that men could stand such brutishness, even to please the Intendant!”
“Stand! your Honor. I wager my gown that most of the chasseurs are lying under the table by this time, although by the noise they make it must be allowed there are some burly fellows upon their legs yet, who keep the wine flowing like the cow of Montmorency.”
“'Tis horrible! 'tis damnable!” Philibert grew pale with passion and struck his thigh with his palm, as was his wont when very angry. “Rioting in drunkenness when the Colony demands the cool head, the strong arm, and the true heart of every man among us! Oh, my country! my dear country! what fate is thine to expect when men like these are thy rulers?”
“Your Honor must be a stranger in New France or you would not express such hasty, honest sentiments upon the Intendant's hospitality. It is not the fashion, except among plain-spoken habitans, who always talk downright Norman.” Master Pothier looked approvingly at Colonel Philibert, who, listening with indignant ears, scarcely heeded his guide.
“That is a jolly song, your Honor,” continued Pothier, waving one hand in cadence to a ditty in praise of wine, which a loud voice was heard singing in the Château, accompanied by a rousing chorus which startled the very pigeons on the roof and chimney-stacks. Colonel Philibert recognized the song as one he had heard in the Quartier Latin, during his student life in Paris—he fancied he recognized the voice also:
“'Pour des vins de prix
Vendons tous nos livres!
C'est pen d'être gris,
Amis, soyons ivres!
Bon.
La Faridondaine!
Gai.
La Faridondé!'”
A roar of voices and a clash of glasses followed the refrain. Master Pothier's eyes winked and blinked in sympathy. The old notary stood on tiptoe, with outspread palms, as with ore rotundo he threw in a few notes of his own to fill up the chorus.
Philibert cast upon his guide a look of scorn, biting his lip angrily. “Go,” said he, “knock at the door—it needs God's thunder to break in upon that infamous orgie. Say that Colonel Philibert brings orders from His Excellency the Governor to the Chevalier Intendant.”
“And be served with a writ of ejectment! Pardon me! Be not angry, sir,” pleaded Pothier supplicatingly, “I dare not knock at the door when they are at the devil's mass inside. The valets! I know them all! They would duck me in the brook, or drag me into the hall to make sport for the Philistines. And I am not much of a Samson, your Honor. I could not pull the Château down upon their heads—I wish I could!”
Master Pothier's fears did not appear ill-grounded to Philibert as a fresh burst of drunken uproar assailed his ears. “Wait my return,” said he, “I will knock on the door myself.” He left his guide, ran up the broad stone steps, and knocked loudly upon the door again and again! He tried it at last, and to his surprise found it unlatched; he pushed it open, no servitor appearing to admit him. Colonel Philibert went boldly in. A blaze of light almost dazzled his eyes. The Château was lit up with lamps and candelabra in every part. The bright rays of the sun beat in vain for admittance upon the closed doors and blinded windows, but the splendor of midnight oil pervaded the interior of the stately mansion, making an artificial night that prolonged the wild orgies of the Intendant into the hours of day.
CHAPTER VII. THE INTENDANT BIGOT.
The Château of Beaumanoir had, since the advent of the Intendant Bigot, been the scene of many a festive revelry that matched, in bacchanalian frenzy, the wild orgies of the Regency and the present debaucheries of Croisy and the petits appartements of Versailles. Its splendor, its luxury, its riotous feasts lasting without intermission sometimes for days, were the themes of wonder and disgust to the unsophisticated people of New France, and of endless comparison between the extravagance of the Royal Intendant and the simple manners and inflexible morals of the Governor-General.
The great hall of the Château, the scene of the gorgeous feasts of the Intendant, was brilliantly illuminated with silver lamps, glowing like globes of sunlight as they hung from the lofty ceiling, upon which was painted a fresco of the apotheosis of Louis XIV., where the Grand Monarque was surrounded by a cloud of Condés, Orléanois, and Bourbons, of near and more remote consanguinity. At the head of the room hung a full-length portrait of Marquise de Pompadour, the mistress of Louis XV., and the friend and patroness of the Intendant Bigot; her bold, voluptuous beauty seemed well fitted to be the presiding genius of his house. The walls bore many other paintings of artistic and historic value. The King and Queen; the dark-eyed Montespan; the crafty Maintenon; and the pensive beauty of Louise de la Vallière, the only mistress of Louis XIV. who loved him for his own sake, and whose portrait, copied from this picture, may still be seen in the chapel of the Ursulines of Quebec, where the fair Louise is represented as St. Thais kneeling at prayer among the nuns.
The table in the great hall, a masterpiece of workmanship, was made of a dark Canadian wood then newly introduced, and stretched the length of the hall. A massive gold epergne of choicest Italian art, the gift of La Pompadour, stood on the centre of the table. It represented Bacchus enthroned on a tun of wine, presenting flowing cups to a dance of fauns and satyrs.
Silver cups of Venetian sculpture and goblets of Bohemian manufacture sparkled like stars upon the brilliant table, brimming over with the gold and ruby vintages of France and Spain; or lay overturned amid pools of wine that ran down upon the velvet carpet. Dishes of Parmesan cheese, caviare, and other provocatives to thirst stood upon the table, amid vases of flowers and baskets of the choicest fruits of the Antilles.
Round this magnificent table sat a score or more of revellers—in the garb of gentlemen, but all in disorder and soiled with wine; their countenances were inflamed, their eyes red and fiery, their tongues loose and loquacious. Here and there a vacant or overturned chair showed where a guest had fallen in the debauch and been carried off by the valets, who in gorgeous liveries waited on the table. A band of musicians sat up in a gallery at the end of the hall, and filled the pauses of the riotous feast with the ravishing strains of Lulli and Destouches.
At the head of the table, first in place as in rank, sat François Bigot, Intendant of New France. His low, well-set figure, dark hair, small, keen black eyes, and swarthy features full of fire and animation, bespoke his Gascon blood. His countenance was far from comely—nay, when in repose, even ugly and repulsive—but his eyes were magnets that drew men's looks towards him, for in them lay the force of a powerful will and a depth and subtlety of intellect that made men fear, if they could not love him. Yet when he chose—and it was his usual mood—to exercise his blandishments on men, he rarely failed to captivate them, while his pleasant wit, courtly ways, and natural gallantry towards women, exercised with the polished seductiveness he had learned in the Court of Louis XV., made François Bigot the most plausible and dangerous man in New France.
He was fond of wine and music, passionately addicted to gambling, and devoted to the pleasant vices that were rampant in the Court of France, finely educated, able in the conduct of affairs, and fertile in expedients to accomplish his ends. François Bigot might have saved New France, had he been honest as he was clever; but he was unprincipled and corrupt: no conscience checked his ambition or his love of pleasure. He ruined New France for the sake of himself and his patroness and the crowd of courtiers and frail beauties who surrounded the King, whose arts and influence kept him in his high office despite all the efforts of the Honnêtes Gens, the good and true men of the Colony, to remove him.
He had already ruined and lost the ancient Colony of Acadia, through his defrauds and malversations as Chief Commissary of the Army, and instead of trial and punishment, had lately been exalted to the higher and still more important