Annals of the Bodleian Library, Oxford, A.D. 1598-A.D. 1867. William Dunn Macray

in consequence of the book being in the possession of the Princess Mary, has entirely escaped the defacement and obliteration ordered by her father to be made in all Service-books where the office for S. Thomas of Canterbury occurred. The following inscription (nearly effaced at its close by over-much handling in former years), addressed by Mary to one of her ladies, whose name does not appear, to whom probably she presented the book, occurs in the blank portion of one of the leaves:—

      'Geate you such riches as when the shype is broken, may swyme away wythe the Master. For dyverse chances take away the goods of fortune; but the goods of the soule whyche bee only the trewe goods, nother fyer nor water can take away. Yf you take labour and payne to doo a vertuous thyng, the labour goeth away, and the vertue remaynethe. Yf through pleasure you do any vicious thyng, the pleasure goeth away and the vice remaynethe. Good Madame, for my sake remembre thys.

      'Your lovyng mystres,

       'Marye Princesse.'

This inscription (which does so much credit to its writer) was first printed by Hearne at the end of Titi Livii Forojulien. Vita Hen. V. (p. 228) and last, in Bliss' Reliquiæ Hearn. i. 105. Mr. Coxe has noted (from Alstedii Systema Mnemonicum, 1610, i. 705) that the latter part is taken directly and literally from Musonius, while indirectly it comes from an oration by Cato[68]. Probably the first part may be traced to some similar source.

      Another autograph inscription by Mary while Princess is found in a small book (Laud MS. Miscell. i.) of private prayers in Latin and English, which belonged to Jane Wriothesley, wife of Thomas Earl of Southampton, and which she seems to have employed as a kind of album. At f. 45^a are these lines, which appear to form a triplet, although not written in metrical form by the Princess:—

      'Good Madame, I do desyer you most hartly to pray,

       That in prosperyte and adversyte I may

       Have grace to keep the trewe way.

      'Your lovyng frend,

       to my … [power?]'

      Unfortunately the conclusion, with the signature, has been cut off. A couplet, signed by Queen Katherine Parr, has an equal, and most regal, disregard of the restraints of metrical rhythm (f. 8^b.):—

      'Madam, althowe I have differred writtyng in your booke,

       I am no lesse your frend than you do looke.

      'Kateryn the Quene KP.'

      

      Other inscriptions are inserted by Margaret Queen of Scotland, Mary Countess of Lennox and mother of Lord Darnley, and by the Countess of Southampton's daughters, Elizabeth, Mary, and Anne.

      James Button, Esq., of the county of Worcester, gave, on March 28, a curious relic of the ancient language of Cornwall, being three Miracle-Plays of the Creation, the Passion, and the Resurrection, in Cornish, contained in a MS. on vellum, small folio, eighty-three leaves, written in the fifteenth century; now numbered Bodl. 791. A copy on paper of the Play of the Creation, written by John Jordan in 1611, is also in the Library, numbered Bodl. 219, which appears to have come from the library of King James I, having the royal crown stamped on the parchment cover, with the initials I.K. A second modern copy has also been recently presented (in 1849) by Edwin Ley, Esq., of Bosahan, Cornwall, which is accompanied by a translation by John Keigwyn, made in 1695. The dramas were printed in two volumes at the University Press, with a translation, notes, and glossary, by Mr. Edwin Norris, in 1859.

      Some MSS. were given about this time by the three sons of Rich. Colf, D.D., and in 1618 twenty Greek volumes by Cecil, Earl of Exeter.

[67] The gift is omitted in the Benefaction-Register, apparently because it was a rule not to record donations of single volumes [Reliquiæ Bodl. pp. 91, 283]; consequently several books of the greatest value are omitted.

[68] George Herbert expresses the same idea at the end of his Church Porch:—

      'If thou do ill, the joy fades, not the pains;

       If well, the pain doth fade, the joy remains.'

A.D. 1620.

       Table of Contents

      At the beginning of May, James resigned the office of Librarian, but not as Wood says, on account of his promotion to the Subdeanery of Wells, since that took place in the year 1614. His appointment to the rectory of Mongeham, Kent (also mentioned by Wood), was in 1617. He continued, however, to reside in Oxford, and dying there in August, 1629, was buried in New College Chapel.

On the 9th of the same month of May, John Rouse, M.A., Fellow of Oriel, was elected James' successor. No account of him is given by Wood, possibly from dislike of his Puritanical principles, and of his continuing to hold office during the usurpation. He appears to have discharged his trust in the Library with faithfulness, and, at least, to have deserved some mention at the historiographer's hands for the Appendix to the Catalogue which he issued in the year 1635 (q.v.)[69] He is best known as the friend of Milton, who, on Rouse's application to him for a copy of his Poems both English and Latin, published in 1645, in the place of one previously given by Milton which had been lost, sent the volume, together with a long autograph Latin Ode, dated Jan. 23, 1646 (-7), and bearing the following title: 'Ad Joannem Rousium, Oxoniensis Academiæ Bibliothecarium, de libro poematum amisso quem ille sibi denuo mitti postulabat, ut cum aliis nostris in Bibliotheca publica reponeret, Ode Joannis Miltonj[70].' The volume is now numbered 8^o. M. 168 Art. A facsimile of a considerable portion of the Ode (which Cowper translated into English, and which is said to have been the last of Milton's Latin poetical effusions) is given in plate xvii. of Sam. Leigh Sotheby's sumptuous volume, entitled Ramblings in the Elucidation of the Autograph of Milton, 4^o. Lond. 1861; and at p. 120 there is a facsimile in full of Milton's inscription in another volume (4^o. F. 56 Th.) which contains a collection of the political and polemical treatises published by him in the years 1641–5. This latter inscription, which gives a list of the contents of the volume, is addressed as follows: 'Doctissimo viro proboque librorum æstimatori Joanni Rousio, Oxoniensis academiæ Bibliothecario, gratum hoc sibi fore testanti, Joannes Miltonius opuscula hæc sua in Bibliothecam antiquissimam atque celeberrimam adsciscenda libens tradit, tanquam in memoriæ perpetuæ Fanum, emeritamque, uti sperat, invidiæ calumniæque vacationem; si Veritati, Bonoque simul Eventui satis litatum sit.' Warton tells the almost incredible story, in his edition of Milton's Poems, that about the year 1720 these two volumes were thrown out into a heap of duplicates, from which Nathaniel Crynes, who afterwards bequeathed his own collection to the Library[71], was permitted to pick out what he pleased for himself; fortunately, however, he was too good a royalist and churchman to choose anything that bore the name of Milton, and so the books, despised and rejected on both sides, by mere chance remained in the place of their original deposit! Such an incident, if true, goes far to justify the charges of ignorance and neglect of the Library which Hearne in his Diary constantly brings against Hudson, the Librarian at that time, and those whom he employed.

The second edition of the Catalogue was issued by James, shortly after his resignation of his office, with a Dedication to Prince Charles, and a Preface dated June 30. It consists of 539 quarto pages, in double columns. It abandons the classified arrangement of the former Catalogue, and adopts that (followed ever since) of one alphabet of names. James, in his Preface, gives as his reason for this course, the frequent difficulty (already experienced even in so small a collection) of deciding to what class a book should be assigned,