Medinet Habû, Edfû, and Denderah. Though for the most part half in ruins, they affect one with a strange and disquieting sense of oppression. As mystery was a favourite attribute of the Egyptian gods, even so the plan of their temples is in such wise devised as to lead gradually from the full sunshine of the outer world to the obscurity of their retreats.
Fig 80.--The Ramesseum restored, to show the rising of the ground. At the entrance we find large open spaces, where air and light stream freely in. The hypostyle hall is pervaded by a sober twilight; the sanctuary is more than half lost in a vague darkness; and at the end of the building, in the farthest of the chambers, night all but reigns completely. The effect of distance which was produced by this gradual diminution of light, was still further heightened by various structural artifices.
Fig 81.--Crypts in the thickness of the walls, round the sanctuary at Denderah. The parts, for instance, are not on the same level. The ground rises from the entrance (fig. 80), and there are always a few steps to mount in passing from one part to another. In the temple of Khonsû the difference of level is not more than 5–¼ feet, but it is combined with a lowering of the roof, which in most cases is very strongly marked. From the pylon to the wall at the farther end, the height decreases continuously.
Fig 82.--The pronaos of Edfû, as seen from the top of the eastern pylon. The peristyle is loftier than the hypostyle hall, and the hypostyle hall is loftier than the sanctuary. The last hall of columns and the farthest chamber are lower and lower still. The architects of Ptolemaic times changed certain details of arrangement. They erected chapels and oratories on the terraced roofs, and reserved space for the construction of secret passages and crypts in the thickness of the walls, wherein to hide the treasure of the god (fig. 81). They, however, introduced only two important modifications of the original plan. The sanctuary was formerly entered by two opposite doors; they left but one.
Fig 83.--Plan of temple, Edfû. Also the colonnade, which was originally continued round the upper end of the court, or, where there was no court, along the façade of the temple, became now the pronaos, so forming an additional chamber. The columns of the outer row are retained, but built into a wall reaching to about half their height. This connecting wall is surmounted by a cornice, which thus forms a screen, and so prevented the outer throng from seeing what took place within (fig. 82). The pronaos is supported by two, three, or even four rows of columns, according to the size of the edifice. For the rest, it is useful to compare the plan of the temple of Edfû (fig. 83) with that of the temple of Khonsû, observing how little they differ the one from the other.
Thus designed, the building sufficed for all the needs of worship. If enlargement was needed, the sanctuary and surrounding chambers were generally left untouched, and only the ceremonial parts of the building, as the hypostyle halls, the courts, or pylons, were attacked. Fig 84.--Plan of the temple of Karnak in the reign of Amenhotep III. The procedure of the Egyptians under these circumstances is best illustrated by the history of the great temple of Karnak. Founded by Ûsertesen I., probably on the site of a still earlier temple, it was but a small building, constructed of limestone and sandstone, with granite doorways. The inside was decorated with sixteen-sided pillars. The second and third Amenemhats added some work to it, and the princes of the Thirteenth and Fourteenth Dynasties adorned it with statues and tables of offerings. It was still unaltered when, in the eighteenth century B.C., Thothmes I., enriched with booty of war, resolved to enlarge it. In advance of what already stood there, he erected two chambers, preceded by a court and flanked by two isolated chapels. In advance of these again, he erected three successive pylons, one behind the other. The whole presented the appearance of a vast rectangle placed crosswise at the end of another rectangle. Thothmes II. and Hatshepsût[18] covered the walls erected by their father with bas-relief sculptures, but added no more buildings. Hatshepsût, however, in order to bring in her obelisks between the pylons of Thothmes I., opened a breach in the south wall, and overthrew sixteen of the columns which stood in that spot. Thothmes III., probably finding certain parts of the structure unworthy of the god, rebuilt the first pylon, and also the double sanctuary, which he renewed in the red granite of Syene. To the eastward, he rebuilt some old chambers, the most important among them being the processional hall, used for the starting-point and halting-place of ceremonial processions, and these he surrounded with a stone wall. He also made the lake whereon the sacred boats were launched on festival days; and, with a sharp change of axis, he built two pylons facing towards the south, thus violating the true relative proportion which had till then subsisted between the body and the front of the general mass of the building. The outer enclosure was now too large for the earlier pylons, and did not properly accord with the later ones. Fig 85.--Plan of Hypostyle Hall, Karnak. Amenhotep III. corrected this defect. He erected a sixth and yet more massive pylon, which was, therefore, better suited for the façade. As it now stood (fig. 84), the temple surpassed even the boldest architectural enterprises hitherto attempted; but the Pharaohs of the Nineteenth Dynasty succeeded in achieving still more. They added only a hypostyle hall (fig. 85) and a pylon; but the hypostyle hall measured 170 feet in length by 329 feet in breadth. Down the centre they carried a main avenue of twelve columns, with lotus-flower capitals, being the loftiest ever erected in the interior of a building; while in the aisles, ranged in seven rows on either side, they planted 122 columns with lotus-bud capitals. The roof of the great nave rose to a height of 75 feet above the level of the ground, and the pylon stood some fifty feet higher still. Fig 86.--Plan of great temple, Luxor. During a whole century, three kings laboured to perfect this hypostyle hall. Rameses I. conceived the idea; Seti I. finished the bulk of the work, and Rameses II. wrought nearly the whole of the decoration. The Pharaohs of the next following dynasties vied with each other for such blank spaces as might be found, wherein to engrave their names upon the columns, and so to share the glory of the three founders; but farther they did not venture. Left thus, however, the monument was still incomplete. It still needed one last pylon and a colonnaded court. Nearly three centuries elapsed before the task was again taken in hand. At last the Bubastite kings decided to begin the colonnades, but their work was as feeble as their, resources were limited. Taharkah, the Ethiopian, imagined for a moment that he was capable of rivalling the great Theban Pharaohs, and planned a hypostyle hall even larger than the first; but he made a false start. The columns of the great nave, which were all that he had time to erect, were placed too wide apart to admit of being roofed over; so they never supported anything, but remained as memorials of his failure. Finally, the Ptolemies, faithful to the traditions of the native monarchy, threw themselves into the work; but their labours were interrupted by revolts at Thebes, and the earthquake of the year 27 B.C. destroyed part of the temple, so that the pylon remained for ever unfinished. The history of Karnak is identical with that of all the great Egyptian temples. When closely studied, the reason why they are for the most part so irregular becomes evident. The general plan is practically the same, and the progress of the building was carried forward in the same way; but the architects could not always foresee the future importance of their work, and the site was not always favourable to the development of the building. Fig 87.--Plan of the Isle of Philae. At Luxor (fig. 86), the progress went on methodically enough under Amenhotep III. and Seti I., but when Rameses II. desired to add to the work of his predecessors, a bend in the river compelled him to turn eastwards. His pylon is not parallel to that of Amenhotep III., and his colonnades make a distinct angle with the general axis of the earlier work. At Philae (fig. 87) the deviation is still greater. Not only is the larger pylon out of alignment with the smaller, but the two colonnades
