Children's Literature. Charles Madison Curry. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charles Madison Curry
Издательство: Bookwire
Серия:
Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664640116
Скачать книгу
fountain, she sprinkled it over his face, and to her great delight he began to revive.

      "Oh, beast! how you frightened me!" she cried. "I never knew how much I loved you until just now, when I feared I was too late to save your life."

      "Can you really love such an ugly creature as I am?" said the beast faintly. "Ah, Beauty! you only came just in time. I was dying because I thought you had forgotten your promise. But go back now and rest. I shall see you again by and by."

      Beauty, who had half expected that he would be angry with her, was reassured by his gentle voice and went back to the palace, where supper was awaiting her; and afterward the beast came in as usual and talked about the time she had spent with her father, asking if she had enjoyed herself and if they had all been very glad to see her.

      Beauty answered politely, and quite enjoyed telling him all that had happened to her. And when at last the time came for him to go, and he asked, as he had so often asked before, "Beauty, will you marry me?" she answered softly: "Yes, dear beast."

      As she spoke a blaze of light sprang up before the windows of the palace; fireworks crackled and guns banged, and across the avenue of orange trees, in letters all made of fireflies, was written: "Long live the prince and his bride."

      Turning to ask the beast what it could all mean, Beauty found that he had disappeared, and in his place stood her long-loved prince! At the same moment the wheels of a chariot were heard upon the terrace and two ladies entered the room. One of them Beauty recognized as the stately lady she had seen in her dreams; the other was also so grand and queenly that Beauty hardly knew which to greet first.

      But the one she already knew said to her companion:

      "Well, queen, this is Beauty, who has had the courage to rescue your son from the terrible enchantment. They love one another, and only your consent to their marriage is wanting to make them perfectly happy."

      "I consent with all my heart," cried the queen. "How can I ever thank you enough, charming girl, for having restored my dear son to his natural form?"

      And then she tenderly embraced Beauty and the prince, who had meanwhile been greeting the fairy and receiving her congratulations.

      "Now," said the fairy to Beauty, "I suppose you would like me to send for all your brothers and sisters to dance at your wedding?"

      And so she did, and the marriage was celebrated the very next day with the utmost splendor, and Beauty and the prince lived happily ever after.

       Table of Contents

      Peter Asbjörnsen (1812–1885) and Jorgen Moe (1813–1882) were the first scientific collectors of the folk tales of Norway. Their joint interest in folk tales began when they were schoolboys wandering on foot through the country and listening to peasant stories. This interest continued after Moe had become a theologian and Asbjörnsen a noted scientist. The latter served the government as an expert connected with the survey and development of his country's natural resources. This resulted in taking him to all parts of the land, and he never lost an opportunity to hear and copy down any folk tale that he found surviving in the more isolated districts. In 1842–1844 appeared Norwegian Folk Tales by Moe and Asbjörnsen; in 1845, Norwegian Fairy Tales and Folk Legends; and there were subsequent additions. The five tales following are from these Norse collections. They were first made accessible in English in Dasent's Popular Tales from the Norse (1858). This book with its long introductory essay on the origin and diffusion of popular tales constitutes a landmark in the study of folklore. It and Dasent's later volume, Tales from the Fjeld, are still, perhaps, the best sources for versions of the Norse popular tales. "Why the Bear Is Stumpy-tailed" belongs to the class of stories which explain how things happened to be as they are. It is of great antiquity and is found over most of the world. The greatest of all modern nature fairy tales, Kipling's Just So Stories, are of a similar type, though told at greater length and, of course, with infinitely greater art.

       WHY THE BEAR IS STUMPY-TAILED

      One day the Bear met the Fox, who came slinking along with a string of fish he had stolen.

      "Whence did you get those?" asked the Bear.

      "Oh! my Lord Bruin, I've been out fishing and caught them," said the Fox.

      So the Bear had a mind to learn to fish too, and bade the Fox tell him how he was to set about it.

      "Oh! it's an easy craft for you," answered the Fox, "and soon learnt. You've only got to go upon the ice, and cut a hole and stick your tail down into it; and so you must go on holding it there as long as you can. You're not to mind if your tail smarts a little; that's when the fish bite. The longer you hold it there the more fish you'll get; and then all at once out with it, with a cross pull sideways, and with a strong pull too."

      Yes; the Bear did as the Fox had said, and held his tail a long, long time down in the hole, till it was fast frozen in. Then he pulled it out with a cross pull, and it snapped short off. That's why Bruin goes about with a stumpy tail this very day.

       Table of Contents

      The following is from Dasent's Popular Tales from the Norse and has long been a favorite with the younger children by reason of its remarkable compactness and its strong accumulative force. The Troll of northern stories is the Ogre of those farther south. The story has a closing formula which may often have been used for other stories as well. (For an opening verse formula see the note on "The Story of the Three Little Pigs," No. 151.)

       THE THREE BILLY-GOATS GRUFF

      Once on a time there were three Billy-goats who were to go up to the hillside to make themselves fat, and the name of all the three was "Gruff."

      On the way up was a bridge over a burn they had to cross; and under the bridge lived a great ugly Troll, with eyes as big as saucers and a nose as long as a poker.

      So first of all came the youngest billy-goat Gruff to cross the bridge.

      "Trip, trap; trip, trap!" went the bridge.

      "WHO'S THAT tripping over my bridge?" roared the Troll.

      "Oh! it is only I, the tiniest billy-goat Gruff; and I'm going up to the hill-side to make myself fat," said the billy-goat, with such a small voice.

      "Now, I'm coming to gobble you up," said the Troll.

      "Oh, no! pray don't take me. I'm too little, that I am," said the billy-goat. "Wait a bit till the second billy-goat Gruff comes; he's much bigger."

      "Well! be off with you," said the Troll.

      A little while after came the second billy-goat Gruff to cross the bridge.

      "trip, trap! trip, trap! trip, trap!" went the bridge.

      "WHO'S THAT tripping over my bridge?" roared the Troll.

      "Oh! it's the second billy-goat Gruff, and I'm going up to the hill-side to make myself fat," said the billy-goat, who hadn't such a small voice.

      "Now, I'm coming to gobble you up," said the Troll.

      "Oh, no! don't take me. Wait a little till the big billy-goat Gruff comes; he's much bigger."

      "Very well! be off with you," said the Troll.

      But just then up came the big billy-goat Gruff.

      "TRIP, TRAP! TRIP, TRAP! TRIP, TRAP!" went the bridge, for the billy-goat was so heavy that the bridge creaked and groaned under him.

      "WHO'S