BRITISH TALES OF THE BUSH: 5 Novels in One Volume (Illustrated). E. W. Hornung. Читать онлайн. Newlib. NEWLIB.NET

Автор: E. W. Hornung
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 9788075832832
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only hope; but to wear a wig one must first try it on—and let the perruquier call the police. The knot was Gordian. And yet, desperately as Stingaree sought unravelment, he was at the same time subconsciously as deep in a study of a face so unfamiliar that at first he had scarcely known it for his own. It was far leaner than of old; it was no longer richly tanned; and the mouth called louder than ever for a mustache. The hair, what there was of it, seemed iron-gray. It had certainly receded at the temples. What a pity, while it was about it——

      Stingaree clapped his hands; his hunt for the razor was feverish, tremulous. Such a young man must have many razors; he had, he had—here they were. Oh, young man blessed among young men!

      It was quite dark when a gentleman in evening clothes, light overcoat, and opera hat, sallied forth into the quiet road. Quiet as it was, however, a whistle blew as he trod the pavement, and his hour or two of liberty seemed at an end. His long term in prison had mixed Stingaree's ideas of the old country and the new; he had forgotten that it is the postmen who blow the whistles in Australia. Yet this postman stopped him on the spot.

      "Beg your pardon, sir, but if it's quite convenient may I ask you for the Christmas-box you was kind enough to promise me?"

      "I think you are mistaking me for someone else," said Stingaree.

      "Why, so I am, sir! I thought you came out of Mr. Brinton's house."

      "Sorry to disappoint you," said the convict. "If I only had change you should have some of it, in spite of your mistake; but, unfortunately, I have none."

      He had, however, a handsome pair of opera-glasses, which he converted into change (on the gratuitous plea that he had forgotten his purse) at the first pawnbroker's on the confines of the city. The pawnbroker talked Greek to him at once.

      "It's a pity you won't be able to see 'er, sir, as well as 'ear 'er," said he.

      "Perhaps they have them on hire in the theatre," replied Stingaree at a venture. The pawnbroker's face instantly advised him that his observation was wide of the obscure mark.

      "The theatre! You won't 'ear 'er at any theatre in Sydney, nor yet in the Southern 'Emisphere. Town 'Alls is the only lay for 'Ilda Bouverie out 'ere!"

      At first the name conveyed nothing to Stingaree. Yet it was not wholly unfamiliar.

      "Of course," said he. "The Town Hall I meant."

      The pawnbroker leered as he put down a sovereign and a shilling.

      "What a season she's 'aving, sir!"

      "Ah! What a season!"

      And Stingaree wagged his opera-hatted head.

      "'Undreds of pounds' worth of flowers flung on to every platform, and not a dry eye in the place!"

      "I know," said the feeling Stingaree.

      "It's wonderful to think of this 'ere Colony prodoocin' the world's best primer donner!"

      "It is, indeed."

      "When you think of 'er start."

      "That's true."

      The pawnbroker leant across his counter and leered more than ever in his customer's face.

      "They say she ain't no better than she ought to be!"

      "Really?"

      "It's right, too; but what can you expect of a primer donner whose fortune was made by a blood-thirsty bushranger like that there Stingaree?"

      "You little scurrilous wretch!" cried the bushranger, and flung out of the shop that second.

      It was a miracle. He remembered everything now. Then he had done the world a service as well as the woman! He gave thanks for the guinea in his pocket, and asked his way to the Town Hall. And as he marched down the middle of the lighted streets the first flock of newsboys came flying in his face.

      "Escape of Stingaree! Escape of Stingaree! Cowardly Outrage on Famous Author! Escape of Stingaree!!"

      The damp pink papers were in the hands of the overflow crowd outside the hall; his own name was already in every mouth, continually coupled with that of the world-renowned Hilda Bouverie. It did not deter the convict from elbowing his way through the mass that gloated over his deed exactly as they would have gloated over his destruction on the gallows. "I have my ticket; I have been detained," he told the police; and at the last line of defence he whispered, "A guinea for standing-room!" And the guinea got it.

      It was the interval between parts one and two. He thought of that other interval, when he had made such a different entry at the same juncture; the other concert-room would have gone some fifty times into this. All at once fell a hush, and then a rising thunder of applause, and some one requested Stingaree to remove his hat; he did so, and a cold creeping of the shaven flesh reminded him of his general position and of this particular peril. But no one took any notice of him or of his head. And it was not Hilda Bouverie this time; it was a pianiste in violent magenta and elaborate lace, whose performance also was loud and embroidered. Followed a beautiful young barytone whom Miss Bouverie had brought from London in her pocket for the tour. He sang three little songs very charmingly indeed; but there was no encore. The gods were burning for their own; perfunctory plaudits died to a dramatic pause.

      And then, and then, amid deafening salvos a dazzling vision appeared upon the platform, came forward with the carriage of a conscious queen, stood bowing and beaming in the gloss and glitter of fabric and of gem that were yet less radiant than herself. Stingaree stood inanimate between stamping feet and clapping hands. No; he would never have connected this magnificent woman with the simple bush girl in the unpretentious frocks that he recalled as clearly as her former self. He had looked for less finery, less physical development, less, indeed, of the grand operatic tout-ensemble. But acting ended with her smile, and much of the old innocent simplicity came back as the lips parted in song. And her song had not been spoilt by riches and adulation; her song had not sacrificed sweetness to artifice; there was even more than the old magic in her song.

      "Is this a dream?

       Then waking would be pain!

       Oh! do not wake me;

       Let me dream again."

      It was no new number even then; even Stingaree had often heard it, and heard great singers go the least degree flat upon the first "dream." He listened critically. Hilda Bouverie was not one of the delinquents. Her intonation was as perfect as that of the great violinists, her high notes had the rarefied quality of the E string finely touched. It was a flawless, if a purely popular, performance; and the musical heart of one listener in that crowded room was too full for mere applause. But he waited with patient curiosity for the encore, waited while courtesy after courtesy was given in vain. She had to yield; she yielded with a winning grace. And the first bars of the new song set one full heart beating, so that the earlier words were lost upon his brain.

      "She ran before me in the meads;

       And down this world-worn track

       She leads me on; but while she leads

       She never gazes back.

      "And yet her voice is in my dreams,

       To witch me more and more;

       That wooing voice! Ah me, it seems

       Less near me than of yore.

      "Lightly I sped when hope was high,

       And youth beguiled the chase;

       I follow—follow still; but I

       Shall never see her Face."

      So the song ended; and in the ultimate quiet the need of speech came over Stingaree.

      "'The Unrealized Ideal,'" he informed a neighbor.

      "Rather!" rejoined the man, treating the stale news as a mere remark. "We never let her off without that."

      "I suppose not," said Stingaree.

      "It's