The Coquette, or, The History of Eliza Wharton. Hannah Webster Foster. Читать онлайн. Newlib. NEWLIB.NET

Автор: Hannah Webster Foster
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664140845
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romance here following is truth, veritable truth, it is to be regretted that any error of historical character was suffered to assume importance in the narrative. Yet this is so often the case in works of this kind, that it is not remarkable here. More surprising is it that truth was so carefully and conscientiously guarded and preserved.

      In conflicting statements, it is difficult to determine the precise year of the marriage of Mr. Edwards, whether before or after the death of "Eliza Wharton," although it may have been long before, even as one of his biographers has it, and that recklessness and extravagance may have lifted him to a too fearful height from the calm Eden of love and honor, till he at length compromised the influence of both to baser avarice.

      That he married Frances Ogden, of Elizabeth-town, New Jersey, for his first wife, is the fact, and the date given is 1769. Yet the ciphers may be questioned, I think, as it would make him but nineteen years of age at the time of the event, besides other considerations which make it appear more doubtful still.

      He was, however, as has been already stated, the eleventh and youngest child of Rev. Jonathan Edwards, and was born in Northampton, Massachusetts, Sabbath. His biographer has been particularly faithful in thus recording it, as if the hallowed influences of the Sabbath upon birth have a bearing on subsequent life, and were in his case either strikingly marked or missed. He was born, then, Sabbath, April 8, 1750, and was cousin, in good or evil, to the notorious Aaron Burr. He was also brother to Rev. Jonathan Edwards, president of Union College.

      His mother, Sarah Pierrepont, was of aristocratic origin, and the daughter of Rev. James Pierrepont, and granddaughter of John Pierrepont, of Roxbury, from whom descended Rev. John Pierpont, the celebrated poet and divine of our own time. The Pierrepont family was a branch of the family of the Duke of Kingston, (Pierrepont being the family name;) and the mother of Mr. Edwards was thus cousin-german to Mary Pierrepont, (Lady Mary Wortley Montague.)

      Through his whole ancestral line we trace the "laying on of hands" in the most conspicuous as in the divinest order; and thus might he be truly called a child of prayer and consecration. What pity that his biographer should have been compelled to record, "The most remarkable feature of his character was his unbridled licentiousness"! But we cannot drop the curtain here. We would relieve the picture by this somewhat lighter shade. "His intellectual energies were gigantic. As a pleader and a determined and artful advocate, he had few equals. Hence, as a lawyer, he scarcely ever lost a case in his whole practice." An amusing anecdote is related of him in his professional career.

      "In an insurance case, the evidence of which was strongly against him, he went in disguise to New London, where the witnesses, mostly sailors, resided. In a loafer-like swagger he proposed and secured bets from every material evidence in the case, and thus disqualified them from bearing testimony, on the ground that they were interested witnesses." In his old age he married his housekeeper, and closed an eventful and unblessed life at Bridgeport, April 14, 1826. 'Tis well to memorize him here, and thus register birth and death on the very page that records the most mysterious chapter of his history.

      Let us return to unite and conclude our story. In June, 1788, a female of uncommon beauty of person, yet with an oppressed and melancholy bearing, suddenly appeared at the old Bell Tavern in Danvers, Massachusetts, (a drawing of which is here introduced.) She was habited in black, and was seldom seen abroad, never except alone, and at twilight, when she was observed to wander as far as the old burying ground hard by, and there to pause at its entrance, gazing long and earnestly upon its silent, scattered mounds, at length retracing her steps with the same melancholy gait and air.

      Here she remained nearly a month, discovering to none her real name or situation. She passed her time in writing, and occasionally playing upon a guitar, which was the only companion of her solitude. After remaining there about two weeks a chaise was seen to pause before the door, upon the lintel of which had secretly been traced in chalk, as it afterwards appeared, the letters "E.W." A gentleman hastily alighted, and was also observed through the darkness of the evening to examine the casing of the door, and then return to the chaise and drive rapidly away.

      The opinion was, by those who were cognizant of the fact, that this was a secret, preconcerted sign by which the lover should recognize the place of her retreat; and being too faintly drawn, through the darkness of the night he failed to discover the characters.

      From this time, however, the spirits of the stranger evidently sunk; and in two weeks more birth and death had followed each other, and the grave had closed over all.

      This stranger had, in her peculiar situation, tenderly won upon the sympathies of a few kind-hearted individuals who had made their way to her, one of whom, a Mrs. Southwick, lived directly opposite the Bell Tavern. These were with her in her last great agony, in which all sense of guilt was lost in pity. Mrs. S. has related that no word of complaint or accusation was heard to fall from her lips, while the spirit seemed brightening with an unearthly hope, till what was charming in life was indescribably lovely in death. Thus they laid the beautiful stranger in the saintly robes of the sepulchre without censure and without accusation, not knowing how painfully she was mourned and missed, as a star shut out of vision by clouds and storm, in the home of her childhood and in the heart of a widowed mother.

      She had passed under the assumed name of Walker while at the Bell Tavern of Danvers, and her wardrobe was found marked with the corresponding initials, "E.W.," although applying to her real name as well. These facts, in connection with her death, were immediately published in the Boston and Salem journals, and her friends advertised to appear; and thus were her real name and place of residence elicited.

      A short time afterwards, and a stranger came and caused to be erected in the old burying ground in Danvers, on the spot where she was interred, two "gray stones," after the manner of Ossian, with the touching inscription which this volume records; and the feet of strangers, moved by pity and humanity, have worn a path to her grave which he who covets most in the world's memory might even envy.

      The tombstones (which the fathers of that ancient town should shame to have recorded) have been battered and broken for relics, till much of the inscription is gone already, and the footstone entirely removed.

      But I have noted that Elizabeth Whitman was of superior merit, and had been recognized as a child of genius in its most earnest sense. From her earliest childhood she had been remarkable for a deeply poetic temperament, and it appears she was recognized as a poet of no common order by the most distinguished writers of the day—Barlow, Trumbull, and others. Why her name and writings have not been handed down to us by those who have essayed to make careful compilations of the literature of the past century, I am unable to divine. She was a relative as well of the last-named poet, Trumbull, on the side of his mother, who was Sarah Whitman, a sister of Rev. Elnathan Whitman, the father of Elizabeth.

      I find in the journals of that time the following poem, which, though not the best of her productions, certainly gives evidence of much poetic power:—

      TO MR. BARLOW.

      By his Friend ELIZABETH WHITMAN, on New Year's Day, 1783.

      Should every wish the heart of friendship knows

       Be to your ear conveyed in rustic prose,

       Lost in the wonders of your Eastern clime,

       Or rapt in vision to some unborn time,

       Th' unartful tale might no attention gain;

       For Friendship knows not, like the Muse, to feign.

       Forgive her, then, if in this weak essay

       She tries to emulate thy daring lay,

       And give to truth and warm affection's glow

       The charms that from the tuneful sisters flow.

      On this blest morning's most auspicious rise,

       Which finds thee circled with domestic joys,

       May thy glad heart its grateful tribute pay

       To Him who shaped thy course and smoothed thy way—

       That guardian Power, who, to thy merit kind,