The first definite upward trend in a tacky little town begins when some insolently prosperous citizen sends his suburban-bred son to college just long enough for him to claim that he is a “college man,” and when some valorous mother, usually a widow, follows suit and sends her daughter to a “seminary,” because she is not to be outdone by the above-mentioned prosperous citizen, even if she is not prosperous. When these two young beings return with their intellectual noses in the air, you may look out. The scenes in that town must change.
Business gets a hunch, or somebody’s business goes into bankruptcy. The domestic sphere spins around, loses its ancient balance and the girl gives a really fashionable tea party, after removing the precious potted plants from the front porch and placing her tables there, if it is a pleasant day. These things happen and you cannot help it. Give them an inch of education abroad and they will take an ell of license with your manners, convictions, and prejudices when they come home.
Nothing like this had yet happened in Shannon. Only drummers and salesmen really knew and saw what was going on in the world, and no drummers or salesmen lived there. The town was passing tranquilly through its religious and golden-oak periods. Most people went to church, and everybody who was anybody had golden-oak furniture, including an upright piano, as distinguished from the antiquated square piano. If the latter was for the present beyond their means, they had an elaborately carved and bracketed organ of the same durable wood, through which the Sabbath-afternoon air passed in hymnal strains at about the same hour it bore the aroma of boiling coffee on week days.
This is a mere flash of what Shannon was in those days; such an impression as you might have received from the window of your car if you had been passing through on one of those fast trains that did not stop at Shannon, but roared by as if this little town did not exist. And if you knew all that was to happen there within the next twenty years to only two people, not to mention the remaining six thousand of her inhabitants, to whom a great deal more must have happened, you would agree that I am justified in detaining you a moment before beginning this tale.
Otherwise, how could you understand that Helen belonged by tradition, by environment, by the very petunias that bordered her mother’s flower beds, to the Agnes tribe of meek and enduring women. I am not claiming that this is a wiser, abler tribe than the numerous modern tribes of insurgent women, many of whom have faced the same emergencies. I leave each one of you to decide that question according to your lights, leaving out the traditions and the petunias, because doubtless you have long since made way with them.
My task is simply to set down here exactly what happened, with no more regard for the moral than the facts themselves carry. And so I give you my word that this is a true story, and that the events I have recorded did happen and that the “House of Helen” does stand to this day in Shannon. You may see it from the window of your car, as you pass through, halfway down Wiggs Street, on the right-hand side, and facing you. It is not so large, so pretentious as the other residences which have taken the place of the cottages that stood along this street during the golden-oak period, but it looks different, that house, serene, as a house should that has weathered the storm and has fair weather forever within.
CHAPTER II
It was a day in June, in the year 1902. They are much the same everywhere, only in Georgia there is more June in such a day. Farther south the withering heat hints of July; farther north there may be an edge of cold to the air; but in Georgia it is always perfectly June in June, all softness, fragrance, filled with the fearless growth and bloom of every living thing—the sort of day that seems to hum to itself with the wings of a thousand bees; adolescent weather, fragrant, soft, filled with the growth and yearning of every living thing from the frailest flower that blooms to the oldest tree and the oldest man.
On such a day this story begins, somewhere between half past three and four o’clock in the afternoon. The exact moment makes no difference because nothing that you could see with the naked eye happened when the first scene was laid. (It is only the comedies and crimes of living that catch the eye. The great dramas and the great tragedies begin within, and they end there.) The town was somnambulent—very little traffic; none at all on Wiggs Street. You could only have known by the gentle bending of the frailer-stemmed flowers before the cottages on either side that even a breeze was passing by. But over all this stillness and piercing this droning silence came the notes of a piano, sad, sweet and frequently too far apart, as if this piano waited patiently while the performer found the next note, and then found it again on the keyboard. These desiccated fragments of Narcissus, a popular instrumental piece at that time, issued from the parlor windows of the Adams cottage. Some one, who had no ear for music, but only a conscience, was practicing inside.
Presently this conscience was satisfied, for the lid of the piano went down with a thud. There was a quick step, the whisk of white skirts in the darkened hall, the opening and closing of a door, followed by what we must infer was a sort of primping silence.
Then a voice, firm and maternal, came through the front bedroom window on that side of the house: “Helen, why are you wearing your organdie?”
“I don’t know, mother,” a young voice answered.
I doubt if she did know. Some of the shrewdest acts of a maiden are unintelligible to her.
“Well, it is silly, putting on your nice things to go to choir practice.”
It was silly, but one frequently makes the silliest preparations for happiness. This is the wisdom of youth. Age cannot beat it.
After a pause, the same elder voice, made smoother—“Have you seen George?”
“Not in two years. Why?”
“He has been at home a week, hasn’t he?”
“I don’t know when he came.”
The tone implied that the comings and goings of this George were matters of supreme indifference to her.
“Mrs. Cutter told me his father means for him to work this summer.”
No response.
“He had three months in the University School of Finance last summer, she told me. This summer his father plans to put him through, she said.”
Still no response.
“Don’t forget to call for my pass book at the bank, Helen,” this was said in a slightly higher key, indicating that the girl had left the room. “You had better go by the bank on your way to the church. It closes at four o’clock.”
“Yes, mother;” and at the same moment this young girl came out of the house, down the steps, walking hurriedly.
When she reached the street she began to move more sedately, giving herself an air. Her ankles were slim; her black satin pumps had low French heels. She wore a white organdie. The fineness, tucks and lace of her petticoat showed through the full skirt. The bodice was plain, finished at the neck with an edge of lace, and gathered puffily in at the belt. The fineness, tucks and lace of an underbody clung daintily to her shoulders and showed through. The sleeves were short. Her arms round and very fair. A wide taffeta ribbon sash of pale blue, crushed crinklingly about her waist, was tied in a butterfly bow behind, very stiff and upstanding.
She wore a broad-brimmed, white leghorn hat, trimmed with tiny bunches of field flowers. This hat was tilted slightly to one side, as if she lacked the courage to pull it down, lest she should reveal more than she dared tell of what she was and meant. It rested, therefore, at the merest, most innocent angle of coquetry.
The