The young lady-teacher read them with a certain indifference of manner, as one reads proofs—noting defects of detail, but not commonly arrested by the matters treated of. Even Miss Charlotte Ann Wood's poem, beginning—
“How sweet at evening's balmy hour,”
did not excite her. She marked the inevitable false rhyme of Cockney and Yankee beginners, morn and dawn, and tossed the verses on the pile of papers she had finished. She was looking over some of the last of them in a rather listless way—for the poor thing was getting sleepy in spite of herself—when she came to one which seemed to rouse her attention, and lifted her drooping lids. She looked at it a moment before she would touch it. Then she took hold of it by one corner and slid it off from the rest. One would have said she was afraid of it, or had some undefined antipathy which made it hateful to her. Such odd fancies are common enough in young persons in her nervous state. Many of these young people will jump up twenty times a day and run to dabble the tips of their fingers in water, after touching the most inoffensive objects.
This composition was written in a singular, sharp-pointed, long, slender hand, on a kind of wavy, ribbed paper. There was something strangely suggestive about the look of it, but exactly of what, Miss barley either could not or did not try to think. The subject of the paper was The Mountain—the composition being a sort of descriptive rhapsody. It showed a startling familiarity with some of the savage scenery of the region. One would have said that the writer must have threaded its wildest solitudes by the light of the moon and stars as well as by day. As the teacher read on, her color changed, and a kind of tremulous agitation came over her. There were hints in this strange paper she did not know what to make of. There was something in its descriptions and imagery that recalled—Miss Darley could not say what—but it made her frightfully nervous. Still she could not help reading, till she came to one passage which so agitated her, that the tired and over-wearied girl's self-control left her entirely. She sobbed once or twice, then laughed convulsively; and flung herself on the bed, where she worked out a set hysteric spasm as she best might, without anybody to rub her hands and see that she did not hurt herself.
By and by she got quiet, rose and went to her bookcase, took down a volume of Coleridge, and read a short time, and so to bed, to sleep and wake from time to time with a sudden start out of uneasy dreams.
Perhaps it is of no great consequence what it was in the composition which set her off into this nervous paroxysm. She was in such a state that almost any slight agitation would have brought on the attack, and it was the accident of her transient excitability, very probably, which made a trifling cause the seeming occasion of so much disturbance. The theme was signed, in the same peculiar, sharp, slender hand, E. Venner, and was, of course, written by that wild-looking girl who had excited the master's curiosity and prompted his question, as before mentioned. The next morning the lady-teacher looked pale and wearied, naturally enough, but she was in her place at the usual hour, and Master Langdon in his own.
The girls had not yet entered the school room.
“You have been ill, I am afraid,” said Mr. Bernard.
“I was not well yesterday,” she, answered. “I had a worry and a kind of fright. It is so dreadful to have the charge of all these young souls and bodies. Every young girl ought to walk locked close, arm in arm, between two guardian angels. Sometimes I faint almost with the thought of all that I ought to do, and of my own weakness and wants.—Tell me, are there not natures born so out of parallel with the lines of natural law that nothing short of a miracle can bring them right?”
Mr. Bernard had speculated somewhat, as all thoughtful persons of his profession are forced to do, on the innate organic tendencies with which individuals, families, and races are born. He replied, therefore, with a smile, as one to whom the question suggested a very familiar class of facts.
“Why, of course. Each of us is only the footing-up of a double column of figures that goes back to the first pair. Every unit tells—and some of them are plus, and some minus. If the columns don't add up right, it is commonly because we can't make out all the figures. I don't mean to say that something may not be added by Nature to make up for losses and keep the race to its average, but we are mainly nothing but the answer to a long sum in addition and subtraction. No doubt there are people born with impulses at every possible angle to the parallels of Nature, as you call them. If they happen to cut these at right angles, of course they are beyond the reach of common influences. Slight obliquities are what we have most to do with in education. Penitentiaries and insane asylums take care of most of the right-angle cases.—I am afraid I have put it too much like a professor, and I am only a student, you know. Pray, what set you to asking me this? Any strange cases among the scholars?”
The meek teacher's blue eyes met the luminous glance that came with the question. She, too, was of gentle blood—not meaning by that that she was of any noted lineage, but that she came of a cultivated stock, never rich, but long trained to intellectual callings. A thousand decencies, amenities, reticences, graces, which no one thinks of until he misses them, are the traditional right of those who spring from such families. And when two persons of this exceptional breeding meet in the midst of the common multitude, they seek each other's company at once by the natural law of elective affinity. It is wonderful how men and women know their peers. If two stranger queens, sole survivors of two shipwrecked vessels, were cast, half-naked, on a rock together, each would at once address the other as “Our Royal Sister.”
Helen Darley looked into the dark eyes of Bernard Langdon glittering with the light which flashed from them with his question. Not as those foolish, innocent country-girls of the small village did she look into them, to be fascinated and bewildered, but to sound them with a calm, steadfast purpose. “A gentleman,” she said to herself, as she read his expression and his features with a woman's rapid, but exhausting glance. “A lady,” he said to himself, as he met her questioning look—so brief, so quiet, yet so assured, as of one whom necessity had taught to read faces quickly without offence, as children read the faces of parents, as wives read the faces of hard-souled husbands. All this was but a few seconds' work, and yet the main point was settled. If there had been any vulgar curiosity or coarseness of any kind lurking in his expression, she would have detected it. If she had not lifted her eyes to his face so softly and kept them there so calmly and withdrawn them so quietly, he would not have said to himself, “She is a LADY,” for that word meant a good deal to the descendant of the courtly Wentworths and the scholarly Langdons.
“There are strange people everywhere, Mr. Langdon,” she said, “and I don't think our schoolroom is an exception. I am glad you believe in the force of transmitted tendencies. It would break my heart, if I did not think that there are faults beyond the reach of everything but God's special grace. I should die, if I thought that my negligence or incapacity was alone responsible for the errors and sins of those I have charge of. Yet there are mysteries I do not know how to account for.” She looked all round the schoolroom, and then said, in a whisper, “Mr. Langdon, we had a girl that stole, in the school, not long ago. Worse than that, we had a girl who tried to set us on fire. Children of good people, both of them. And we have a girl now that frightens me so”—
The door opened, and three misses came in to take their seats: three types, as it happened, of certain classes, into which it would not have been difficult to distribute the greater number of the girls in the school.—Hannah Martin. Fourteen years and three