So saying she struck herself with the hammer on the left temple. Then she held out the weapon to John Moser, and ordered him and Ursula to batter her with it. Both hesitated for a moment.
"What!" cried Margaret turning to her favourite disciple, "will you not do this? Strike and may God brace your arm!" Moser and Ursula now struck her with the hammer, but not so as to stun her.
"And now," said she with raised voice, "crucify me! You, Ursula, must do the deed."
"I cannot! I cannot!" sobbed the wretched girl.
"What! will you withdraw your hand from the work of God, now the hour approaches? You will be responsible for all the souls that will be lost, unless you fulfil what I have appointed you to do."
"But O! not I—!" pleaded Ursula.
"Yes—you. If the police authorities had executed me, it would not have fallen to you to do this, but now it is for you to accomplish the work. Go, Susan, and fetch nails, and the rest of you make ready the cross."
In the meantime, Heinrich, the man-servant, frightened at what had taken place, and not wishing to have anything more to do with the horrible scene in the upper chamber, had gone quietly down into the wood-house, and was making stakes for the vines. There Susanna found him, and asked him for nails, telling him for what they were designed. He composedly picked her out nails of suitable length, and then resumed his work of making vine stakes. Susanna re-ascended to the upper room, and found Margaret extended on the bed beside the body of Elizabeth, with the arms, breast, and feet resting on blocks of wood, arranged, whilst Susanna was absent, by John Moser and Ursula, under her in the fashion of a cross.
Then began the horrible act of crucifixion, which is only conceivable as an outburst of religious mania, depriving all who took part in it of every feeling of humanity, and degrading them to the level of beasts of prey. At the subsequent trial, both Ursula and John Moser described their condition as one of spiritual intoxication.
The hands and feet of the victim were nailed to the blocks of wood. Then Ursula's head swam, and she drew back. Again Margaret called her to continue her horrible work. "Go on! go on! God strengthen your arm. I will raise Elizabeth from the dead, and rise myself in three days." Nails were driven through both elbows and also through the breasts of Margaret; not for one moment did the victim express pain, nor did her courage fail her. No Indian at the stake endured the cruel ingenuity of his tormentors with more stoicism than did this young woman bear the martyrdom she had invoked for herself. She impressed her murderers with the idea that she was endowed with supernatural strength. It could not be otherwise, for what she endured was beyond the measure of human strength. That in the place of human endurance she was possessed with the Berserker strength of the furor religiosus, was what these ignorant peasants could not possibly know. Conrad Moser could barely support himself from fainting, sick and horror-struck at the scene. He exclaimed, "Is not this enough?" His brother, John, standing at the foot of the bed, looked into space with glassy eyes. Ursula, bathed in tears, was bowed over the victim. Magdalena Moser had taken no active part in the crucifixion; she remained the whole time, weeping, leaning against a chest.
The dying woman smiled. "I feel no pain. Be yourselves strong," she whispered. "Now, drive a nail or a knife through my heart."
Ursula endeavoured to do as bidden, but her hand shook and the knife was bent. "Beat in my skull!" this was the last word spoken by Margaret. In their madness Conrad Moser and Ursula Kündig obeyed, one with the crowbar, the other with the hammer.
It was noon when the sacrifice was accomplished—dinner-time. Accordingly, all descended to the sitting-room, where the meal that Margaret Jäggli had been in the meantime preparing was served and eaten.
They had scarce finished before a policeman entered with a paper for old Peter to sign, in which he made himself answerable to produce his daughters before the magistrates when and where required. He signed it with composure, "I declare that I will cause my daughters, if in good health, to appear before the Upper Amtsmann in Andelfingen when so required." Then the policeman departed without a suspicion that the two girls were lying dead in the room above. On Sunday the 16th, the servant Heinrich was sent on horseback to Illnau to summon Jacob Morf to come to Wildisbuch and witness a great miracle. Jacob came there with Heinrich, but was not told the circumstances of the crucifixion till he reached the house. When he heard what had happened, he was frightened almost out of his few wits, and when taken upstairs to see the bodies, he fainted away. Nothing—no representations would induce him to remain for the miraculous resurrection, and he hastened back to Illnau, where he took to his bed. In his alarm and horror he sent for the pastor, and told him what he had seen.
But the rest of the holy community remained stead-fast in their faith. On the night of Sunday before Monday morning broke, Ursula Kündig and the servant man Heinrich went upstairs with pincers and drew out the nails that transfixed Margaretta. When asked their reason for so doing, at the subsequent trial, they said that they supposed this would facilitate Margaretta's resurrection. Sanctus furor had made way for sancta simplicitas.
The night of Monday to Tuesday was spent in prayer and Scripture-reading in the upper chamber, and eager expectation of the promised miracle, which never took place. The catastrophe could no longer be concealed. Something must be done. On Tuesday, old John Peter pulled on his jacket and walked to Trüllikon to inform the pastor that his daughter Elizabeth had died on the Saturday at 10 a.m., and his daughter Margaretta at noon of the same day.
We need say little more. On Dec. 3rd, 1823, the trial of all incriminated in this frightful tragedy took place at Zürich and sentence was pronounced on the following day. Ursula Kündig was sentenced to sixteen years' imprisonment, Conrad Moser and John Peter to eight years, Susanna Peter and John Moser to six years, Heinrich Ernst to four years, Jacob Morf to three, Margaret Jäggli to two years, Barbara Baumann and Casper Peter to one year, and Magdalena Moser to six months with hard labour. The house at Wildisbuch was ordered to be levelled with the dust, the plough drawn over the foundation, and that no house should again be erected on the spot.
Before the destruction, however, a pilgrimage of Pietists and believers in Margaret Peter had visited the scene of her death, and many had been the exclamations of admiration at her conduct. "Oh, that it had been I who had died!" "Oh, how many souls must she have delivered!" and the like. Magna est stultitia et prævalebit.
At a time like the present, when there is a wave of warm, mystic fever sweeping over the country, and carrying away with it thousands of ignorant and impetuous souls, it is well that the story—repulsive though it be—should be brought into notice, as a warning of what this spiritual excitement may lead to—not, indeed, again, maybe, into bloodshed. It is far more likely to lead to, as it has persistently, in every similar outbreak, into moral disorders, the record of which, in the case of Margaretta Peter, we have passed over almost without a word.
Authority: Die Gekreuzigte von Wildisbuch, von J. Scherr, 2nd Edit., St. Gall. 1867. Scherr visited the spot, collected information from eye-witnesses, and made copious extracts from the records of the trial in the Zürich archives, where they are contained in Vol. 166, folio 1044, under the heading: "Akten betreffened die Gräuel—Scenen in Wildisbuch."
A Northern Raphael.
Here and there in the galleries of North Germany and Russia may be seen paintings of delicacy and purity, delicacy of colour and purity of design, the author of which was Gerhard von Kügelgen. The majority of his paintings are in private hands; but an Apollo, holding the dying Hyacinthus in his arms, is in the possession of the German Emperor; Moses on Horeb is in the gallery of the Academy of Fine Arts at Dresden; a St. Cæcilia and an Adonis, painted in 1794 and 1795, were purchased by the Earl of Bristol; a Holy Family