“Ay, but he held his sword in his left hand, and so pointed across his body with it,” said the Templar.
Each maintained his opinion with sufficient obstinacy, as is usual in all such cases; the attendants were appealed to, but they had not been near enough to hear Wamba’s directions. At length Brian remarked, what had at first escaped him in the twilight; “Here is some one either asleep, or lying dead at the foot of this cross — Hugo, stir him with the butt-end of thy lance.”
This was no sooner done than the figure arose, exclaiming in good French, “Whosoever thou art, it is discourteous in you to disturb my thoughts.”
“We did but wish to ask you,” said the Prior, “the road to Rotherwood, the abode of Cedric the Saxon.”
“I myself am bound thither,” replied the stranger; “and if I had a horse, I would be your guide, for the way is somewhat intricate, though perfectly well known to me.”
“Thou shalt have both thanks and reward, my friend,” said the Prior, “if thou wilt bring us to Cedric’s in safety.”
And he caused one of his attendants to mount his own led horse, and give that upon which he had hitherto ridden to the stranger, who was to serve for a guide.
Their conductor pursued an opposite road from that which Wamba had recommended, for the purpose of misleading them. The path soon led deeper into the woodland, and crossed more than one brook, the approach to which was rendered perilous by the marshes through which it flowed; but the stranger seemed to know, as if by instinct, the soundest ground and the safest points of passage; and by dint of caution and attention, brought the party safely into a wilder avenue than any they had yet seen; and, pointing to a large low irregular building at the upper extremity, he said to the Prior, “Yonder is Rotherwood, the dwelling of Cedric the Saxon.”
This was a joyful intimation to Aymer, whose nerves were none of the strongest, and who had suffered such agitation and alarm in the course of passing through the dangerous bogs, that he had not yet had the curiosity to ask his guide a single question. Finding himself now at his ease and near shelter, his curiosity began to awake, and he demanded of the guide who and what he was.
“A Palmer, just returned from the Holy Land,” was the answer.
“You had better have tarried there to fight for the recovery of the Holy Sepulchre,” said the Templar.
“True, Reverend Sir Knight,” answered the Palmer, to whom the appearance of the Templar seemed perfectly familiar; “but when those who are under oath to recover the holy city, are found travelling at such a distance from the scene of their duties, can you wonder that a peaceful peasant like me should decline the task which they have abandoned?”
The Templar would have made an angry reply, but was interrupted by the Prior, who again expressed his astonishment, that their guide, after such long absence, should be so perfectly acquainted with the passes of the forest.
“I was born a native of these parts,” answered their guide, and as he made the reply they stood before the mansion of Cedric; — a low irregular building, containing several court-yards or enclosures, extending over a considerable space of ground, and which, though its size argued the inhabitant to be a person of wealth, differed entirely from the tall, turretted, and castellated buildings in which the Norman nobility resided, and which had become the universal style of architecture throughout England.
Rotherwood was not, however, without defences; no habitation, in that disturbed period, could have been so, without the risk of being plundered and burnt before the next morning. A deep fosse, or ditch, was drawn round the whole building, and filled with water from a neighbouring stream. A double stockade, or palisade, composed of pointed beams, which the adjacent forest supplied, defended the outer and inner bank of the trench. There was an entrance from the west through the outer stockade, which communicated by a drawbridge, with a similar opening in the interior defences. Some precautions had been taken to place those entrances under the protection of projecting angles, by which they might be flanked in case of need by archers or slingers.
Before this entrance the Templar wound his horn loudly; for the rain, which had long threatened, began now to descend with great violence.
9 Note B. Negro Slaves.
The severe accuracy of some critics has objected to the complexion of the slaves of Brian de Bois-Guilbert, as being totally out of costume and propriety. I remember the same objection being made to a set of sable functionaries, whom my friend, Mat Lewis, introduced as the guards and mischief-doing satellites of the wicked Baron, in his Castle Spectre. Mat treated the objection with great contempt, and averred in reply, that he made the slaves black in order to obtain a striking effect of contrast, and that, could he have derived a similar advantage from making his heroine blue, blue she should have been.
I do not pretend to plead the immunities of my order so highly as this; but neither will I allow that the author of a modern antique romance is obliged to confine himself to the introduction of those manners only which can be proved to have absolutely existed in the times he is depicting, so that he restrain himself to such as are plausible and natural, and contain no obvious anachronism. In this point of view, what can be more natural, than that the Templars, who, we know, copied closely the luxuries of the Asiatic warriors with whom they fought, should use the service of the enslaved Africans, whom the fate of war transferred to new masters? I am sure, if there are no precise proofs of their having done so, there is nothing, on the other hand, that can entitle us positively to conclude that they never did. Besides, there is an instance in romance.
John of Rampayne, an excellent juggler and minstrel, undertook to effect the escape of one Audulf de Bracy, by presenting himself in disguise at the court of the king, where he was confined. For this purpose, “he stained his hair and his whole body entirely as black as jet, so that nothing was white but his teeth,” and succeeded in imposing himself on the king, as an Ethiopian minstrel. He effected, by stratagem, the escape of the prisoner. Negroes, therefore, must have been known in England in the dark ages.*
* Dissertation on Romance and Minstrelsy, prefixed to Ritson’s Ancient Metrical Romances, p. clxxxvii.
Chapter 3
Then (sad relief!) from the bleak coast that hears
The German Ocean roar, deep-blooming, strong,
And yellow hair’d, the blue-eyed Saxon came.
Thomson’s Liberty
In a hall, the height of which was greatly disproportioned to its extreme length and width, a long oaken table, formed of planks rough-hewn from the forest, and which had scarcely received any polish, stood ready prepared for the evening meal of Cedric the Saxon. The roof, composed of beams and rafters, had nothing to divide the apartment from the sky excepting the planking and thatch; there was a huge fireplace at either end of the hall, but as the chimneys were constructed in a very clumsy manner, at least as much of the smoke found its way into the apartment as escaped by the proper vent. The constant vapour which this occasioned, had polished the rafters and beams of the low-browed hall, by encrusting them with a black varnish of soot. On the sides of the apartment hung implements of war and of the chase, and there were at each corner folding doors, which gave access to other parts of the extensive building.
The other appointments of the mansion partook of the rude simplicity of the Saxon period, which Cedric piqued himself upon maintaining. The floor was composed of earth mixed with lime, trodden into a hard substance, such as is often employed in flooring our modern barns. For about one quarter of the length of the apartment, the floor was raised by a step, and this space, which was called the dais, was occupied only by the principal members of the family, and visitors of distinction. For this