The Lesser Bourgeoisie. Оноре де Бальзак. Читать онлайн. Newlib. NEWLIB.NET

Автор: Оноре де Бальзак
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the Minard establishment, with its gilded salons and great opulence, where many political celebrities of the “juste milieu” were wont to congregate, such as Monsieur Popinot, who became, after a time, minister of commerce; Cochin, since made Baron Cochin, a former employee at the ministry of finance, who, having a large interest in the drug business, was now the oracle of the Lombard and Bourdonnais quarters, conjointly with Monsieur Anselme Popinot. Minard’s eldest son, a lawyer, aiming to succeed those barristers who were turned down from the Palais for political reasons in 1830, was the genius of the household, and his mother, even more than his father, aspired to marry him well. Zelie Minard, formerly a flower-maker, felt an ardent passion for the upper social spheres, and desired to enter them through the marriages of her son and daughter; whereas Minard, wiser than she, and imbued with the vigor of the middle classes, which the revolution of July had infiltrated into the fibres of government, thought only of wealth and fortune.

      He frequented the Thuillier salon to gain information as to Celeste’s probable inheritance. He knew, like Dutocq and Phellion, the reports occasioned by Thuillier’s former intimacy with Flavie, and he saw at a glance the idolatry of the Thuilliers for their godchild. Dutocq, to gain admittance to Minard’s house, fawned upon him grossly. When Minard, the Rothschild of the arrondissement, appeared at the Thuilliers’, he compared him cleverly to Napoleon, finding him stout, fat, and blooming, having left him at the ministry thin, pale, and puny.

      “You looked, in the division Billardiere,” he said, “like Napoleon before the 18th Brumaire, and I behold you now the Napoleon of the Empire.”

      Notwithstanding which flattery, Minard received Dutocq very coldly and did not invite him to his house; consequently, he made a mortal enemy of the former clerk.

      Monsieur and Madame Phellion, worthy as they were, could not keep themselves from making calculations and cherishing hopes; they thought that Celeste would be the very wife for their son the professor; therefore, to have, as it were, a watcher in the Thuillier salon, they introduced their son-in-law, Monsieur Barniol, a man much respected in the faubourg Saint-Jacques, and also an old employee at the mayor’s office, an intimate friend of theirs, named Laudigeois. Thus the Phellions formed a phalanx of seven persons; the Collevilles were not less numerous; so that on Sundays it often appeared that thirty persons were assembled in the Thuillier salon. Thuillier renewed acquaintance with the Saillards, Baudoyers, and Falleixs—all persons of respectability in the quarter of the Palais-Royal, whom they often invited to dinner.

      Madame Colleville was, as a woman, the most distinguished member of this society, just as Minard junior and Professor Phellion were superior among the men. All the others, without ideas or education, and issuing from the lower ranks, presented the types and the absurdities of the lesser bourgeoisie. Though all success, especially if won from distant sources, seems to presuppose some genuine merit, Minard was really an inflated balloon. Expressing himself in empty phrases, mistaking sycophancy for politeness, and wordiness for wit, he uttered his commonplaces with a brisk assurance that passed for eloquence. Certain words which said nothing but answered all things—progress, steam, bitumen, National guard, order, democratic element, spirit of association, legality, movement, resistance—seemed, as each political phase developed, to have been actually made for Minard, whose talk was a paraphrase on the ideas of his newspaper. Julien Minard, the young lawyer, suffered from his father as much as his father suffered from his wife. Zelie had grown pretentious with wealth, without, at the same time, learning to speak French. She was now very fat, and gave the idea, in her rich surroundings, of a cook married to her master.

      Phellion, that type and model of the petty bourgeois, exhibited as many virtues as he did absurdities. Accustomed to subordination during his bureaucratic life, he respected all social superiority. He was therefore silent before Minard. During the critical period of retirement from office, he had held his own admirably, for the following reason. Never until now had that worthy and excellent man been able to indulge his own tastes. He loved the city of Paris; he was interested in its embellishment, in the laying out of its streets; he was capable of standing for hours to watch the demolition of houses. He might now have been observed, stolidly planted on his legs, his nose in the air, watching for the fall of a stone which some mason was loosening at the top of a wall, and never moving till the stone fell; when it had fallen he went away as happy as an academician at the fall of a romantic drama. Veritable supernumeraries of the social comedy, Phellion, Laudigeois, and their kind, fulfilled the functions of the antique chorus. They wept when weeping was in order, laughed when they should laugh, and sang in parts the public joys and sorrows; they triumphed in their corner with the triumphs of Algiers, of Constantine, of Lisbon, of Sainte-Jean d’Ulloa; they deplored the death of Napoleon and the fatal catastrophes of the Saint-Merri and the rue Transnonnain, grieving over celebrated men who were utterly unknown to them. Phellion alone presents a double side: he divides himself conscientiously between the reasons of the opposition and those of the government. When fighting went on in the streets, Phellion had the courage to declare himself before his neighbors; he went to the Place Saint-Michel, the place where his battalion assembled; he felt for the government and did his duty. Before and during the riot, he supported the dynasty, the product of July; but, as soon as the political trials began, he stood by the accused. This innocent “weather-cockism” prevails in his political opinions; he produces, in reply to all arguments, the “colossus of the North.” England is, to his thinking, as to that of the old “Constitutionnel,” a crone with two faces—Machiavellian Albion, and the model nation: Machiavellian, when the interests of France and of Napoleon are concerned; the model nation when the faults of the government are in question. He admits, with his chosen paper, the democratic element, but refuses in conversation all compact with the republican spirit. The republican spirit to him means 1793, rioting, the Terror, and agrarian law. The democratic element is the development of the lesser bourgeoisie, the reign of Phellions.

      The worthy old man is always dignified; dignity serves to explain his life. He has brought up his children with dignity; he has kept himself a father in their eyes; he insists on being honored in his home, just as he himself honors power and his superiors. He has never made debts. As a juryman his conscience obliges him to sweat blood and water in the effort to follow the debates of a trial; he never laughs, not even if the judge, and audience, and all the officials laugh. Eminently useful, he gives his services, his time, everything—except his money. Felix Phellion, his son, the professor, is his idol; he thinks him capable of attaining to the Academy of Sciences. Thuillier, between the audacious nullity of Minard, and the solid silliness of Phellion, was a neutral substance, but connected with both through his dismal experience. He managed to conceal the emptiness of his brain by commonplace talk, just as he covered the yellow skin of his bald pate with thready locks of his gray hair, brought from the back of his head with infinite art by the comb of his hairdresser.

      “In any other career,” he was wont to say, speaking of the government employ, “I should have made a very different fortune.”

      He had seen the right, which is possible in theory and impossible in practice—results proving contrary to premises—and he related the intrigues and the injustices of the Rabourdin affair.

      “After that, one can believe all, and believe nothing,” he would say. “Ah! it is a queer thing, government! I’m very glad not to have a son, and never to see him in the career of a place-hunter.”

      Colleville, ever gay, rotund, and good-humored, a sayer of “quodlibets,” a maker of anagrams, always busy, represented the capable and bantering bourgeois, with faculty without success, obstinate toil without result; he was also the embodiment of jovial resignation, mind without object, art with usefulness, for, excellent musician that he was, he never played now except for his daughter.

      The Thuillier salon was in some sort a provincial salon, lighted, however, by continual flashes from the Parisian conflagration; its mediocrity and its platitudes followed the current of the times. The popular saying and thing (for in Paris the thing and its saying are like the horse and its rider) ricochetted, so to speak, to this company. Monsieur Minard was always impatiently expected, for he was certain to know the truth of important circumstances. The women of the Thuillier salon held by the Jesuits; the men defended the University; and, as a general thing, the women listened. A man of intelligence (could he have