"See here—" he began.
"Please don't interrupt," requested Mr. Magee sweetly. "I was, as I have said, a happy carefree haberdasher. And then—she entered my life. Arabella was her name. Ah, Professor, you lady of the yellow locks, crisped liken golden wire—even she must never in my presence be compared with Arabella. She—she had—a—face—Noah Webster couldn't have found words to describe it. And her heart was true to yours truly—at least I thought that it was."
Mr. Magee rattled on. The haberdasher, his calling and his tragedy snatched from him by the humorous Magee, retired with sullen face into his bed quilt. Carefully Mr. Magee led up to the coming of the man from Jersey City; in detail he laid bare the duel of haberdashery fought in the name of the fair Arabella. As he proceeded, his enthusiasm grew. He added fine bits that had escaped Mr. Bland. He painted with free hand the picture of tragedy's dark hour; the note hinting at suicide he gave in full. Then he told of how his courage grew again, of how he put the cowardice of death behind him, resolved to dare all—and live. He finished at last, his voice husky with emotion. Out of the corner of his eye he glanced triumphantly at Bland. That gentleman was gazing thoughtfully at the blazing logs.
"You did quite right," commented Professor Bolton, "in making up your mind to live. I congratulate you on your common sense. And perhaps, as the years go by, you will realize that had you married your Arabella, you would not have found life all honey and roses. She was fickle, unworthy of you. Soon you will forget. Youth—ah, youth throws off its sorrow like a cloak. A figure not original with me. And now—the gentleman in the—er—the bed quilt. Has he, too, a story?"
"Yes," laughed Mr. Magee, "let's hear now from the gentleman in the bed quilt. Has he, too, a story? And if so, what is it?"
He smiled delightedly into the eyes of Bland. What would the ex-haberdasher do, shorn of his fictional explanation? Would he rise in his wrath and denounce the man who had stolen his Arabella? Mr. Bland smiled back. He stood up. And a contingency that had not entered Mr. Magee's mind came to be.
Mr. Bland walked calmly to the table, and picked up a popular novel that lay thereon. On its cover was the picture of a very beautiful maiden.
"See that dame?" he inquired of the professor. "Sort of makes a man sit up and take notice, doesn't she? Even the frost-bitten haberdasher here has got to admit that in some ways she has this Arabella person looking like a faded chromo in your grandmother's parlor on a rainy afternoon. Ever get any notion, Professor, the way a picture like that boosts a novel in the busy marts of trade? No? Well—"
Mr. Bland continued. Mr. Magee leaned back, overjoyed, in his chair. Here was a man not to be annoyed by the mere filching of his story. Here was a man with a sense of humor—an opponent worthy his foe's best efforts. In his rôle of a haberdasher overcome with woe, Mr. Magee listened.
"I used to paint dames like that," Bland was saying to the dazed professor. He explained how his pictures had enabled many a novelist to "eat up the highway in a buzz-wagon." As he approached the time when the novelists besieged him, he gave full play to his imagination. One, he said, sought out his apartments in an aeroplane.
"Say, Professor," he finished, "we're in the same boat. Both hiding from writers. A fellow that's spent his life selling neckties—well, he can't exactly appreciate our situation. There's what you might call a bond between you and me. D'ye know, I felt drawn to you, just after I fired that first shot. That's why I didn't blaze away again. We're going to be great friends—I can read it in the stars."
He took the older man's hand feelingly, shook it, and walked away, casting a covert glance of triumph at Mr. Magee.
The face of the holder of the Crandall Chair of Comparative Literature was a study. He looked first at one young man, then at the other. Again he applied the handkerchief to his shining head.
"All this is very odd," he said thoughtfully. "A man of sixty-two—particularly one who has long lived in the uninspired circle surrounding a university—has not the quick wit of youth. I'm afraid I don't—but no matter. It's very odd, though."
He permitted Mr. Magee to escort him into the hall, and to direct his search for a bed that should serve him through the scant remainder of the night. Overcoats and rugs were pressed into service as cover. Mr. Bland blithely assisted.
"If I see any newspaper reporters," he assured the professor on parting, "I'll damage more than their derbies."
"Thank you," replied the old man heartily. "You are very kind. To-morrow we shall become better acquainted. Good night."
The two young men came out and stood in the hallway. Mr. Magee spoke in a low tone.
"Forgive me," he said, "for stealing your Arabella."
"Take her and welcome," said Bland. "She was beginning to bore me, anyhow. And I'm not in your class as an actor." He came close to Magee. In the dim light that streamed out from number seven the latter saw the look on his face, and knew that, underneath all, this was a very much worried young man.
"For God's sake," cried Bland, "tell me who you are and what you're doing here. In three words—tell me."
"If I did," Mr. Magee replied, "you wouldn't believe me. Let such minor matters as the truth wait over till to-morrow."
"Well, anyhow," Bland said, his foot on the top step, "we are sure of one thing—we don't trust each other. I've got one parting word for you. Don't try to come down-stairs to-night. I've got a gun, and I ain't afraid to shoot."
He paused. A look of fright passed over his face. For on the floor above they both heard soft footsteps—then a faint click, as though a door had been gently closed.
"This inn," whispered Bland, "has more keys than a literary club in a prohibition town. And every one's in use, I guess. Remember. Don't try to come down-stairs. I've warned you. Or Arabella's cast-off Romeo may be found with a bullet in him yet."
"I shan't forget, what you say," answered Mr. Magee. "Shall we look about up-stairs?"
Bland shook his head.
"No," he said. "Go in and go to bed. It's the down-stairs that—that concerns me. Good night."
He went swiftly down the steps, leaving Mr. Magee staring wonderingly after him. Like a wraith he merged with the shadows below. Magee turned slowly, and entered number seven. A fantastic film of frost was on the windows; the inner room was drear and chill. Partially undressing, he lay down on the brass bed and pulled the covers over him.
The events of the night danced in giddy array before him as he closed his eyes. With every groan Baldpate Inn uttered in the wind he started up, keen for a new adventure. At length his mind seemed to stand still, and there remained of all that amazing evening's pictures but one—that of a girl in a blue corduroy suit who wept—wept only that her smile might be the more dazzling when it flashed behind the tears. "With yellow locks, crisped like golden wire," murmured Mr. Magee. And so he fell asleep.
Chapter IV. A Professional Hermit Appears
Every morning at eight, when slumber's chains had bound Mr. Magee in his New York apartments, he was awakened by a pompous valet named Geoffrey whom he shared with the other young men in the building. It was Geoffrey's custom to enter, raise the curtains, and speak of the weather in a voice vibrant with feeling, as of something he had prepared himself and was anxious to have Mr. Magee try. So, when a rattling noise came to his ear on his first morning at Baldpate Inn, Mr. Magee breathed sleepily from the covers: "Good morning, Geoffrey."
But no cheery voice replied in terms of sun, wind, or rain. Surprised, Mr. Magee sat up in bed. About him, the maple-wood furniture of suite seven stood shivering in the chill of a December morning. Through the door at his left he caught sight of a white tub into which, he recalled sadly, not even a Geoffrey could coax a glittering drop. Yes—he was at Baldpate Inn. He remembered—the