For the first five years of my life we lived in a little house on Cedar Avenue in Hawthorne, New Jersey, by Goffle Brook Park. The park ran the whole length of the little town. When they’d cleared the land to build the park they built these temporary migrant worker houses—think two little railroad flats with no heating except for a potbelly stove. We had the migrant workers’ boss’s house, which by then had its own heating system and sat on the edge of the park’s big wooded area.
These days, kids are organized into activities. But I would be told, “Go out and play,” and I would go. I really didn’t have many playmates there, so some days I would play with my mind. I was a dreamy kind of kid. But I was also a tomboy. Dad hung a swing and a trapeze on the big maple tree in the yard and I’d play on them, pretending to be in the circus. Or I’d play with a few sticks, dig a hole, poke at an anthill, make something, or roller-skate.
Oak place.
Childhood and family photos, courtesy of the Harry family
What I really liked most was to fool around in the woods. To me it was magical, a real-life enchanted forest. My parents were always warning, “Don’t go in the woods, you don’t know who’s in there or what might happen,” like they do in fairy tales. And fairy tales—all the great, terrifying stories by the Brothers Grimm—were a big part of my growing up.
I have to admit, there were some scary folk skulking around in those bushes, probably migrants. They were genuine hobos who rode through on the train and would hunker down in the woods. They’d maybe get some work from the parks department cutting grass or something, then jump back on the train and keep on going. There were foxes and raccoons, sometimes snakes, and a little stream with tributaries and frogs and toads.
Along the brooks where nobody went, the abandoned shacks had crumbled to their foundations. I used to clomp around there, in the swampy, old, overgrown, moldy piles of brick that stuck up out of the ground. I would sit there forever and daydream. I’d get that real creepy kid feeling that you get. Squatting on my haunches in the underbrush, I would have fantasies about running away with a wild Indian and eating sumac berries. My dad would wag his finger at me and say, “Stay out of the sumac, it’s poison,” and I would chew that incredibly bitter-sour sumac right up, thinking, dramatically, I’m going to die! I was so lucky to have all that kind of creepy kid stuff—a huge fantasy life that has led me to be a creative thinker—along with TV and sex offenders.
I had a dog named Pal. Some kind of terrier, brownish red, completely scruffy, with wiry hair, floppy ears, whiskers and a beard, and the most disgusting body. He was my dad’s dog really, but he was very independent. And wild—a real male dog that hadn’t been fixed. Pal was a stud. He would wander off and slink back after being gone for a week, completely exhausted from all these flings he’d had.
There were also hundreds of rats infesting the woods. As the town became less rural and more populated, the rats started swarming into the yards and gnawing through the garbage. So, the local powers put poison in areas of the park. Such a suburban-mentality thing—and let’s face it, they were poisoning everything back then. Well, Pal ate the poison. He was so sick that my dad had to put him down. That was just awful.
But really, it was the sweetest place to grow up: real American small-town living. It was back before they had strip malls, thank God. All it had was a little main street and a cinema where it cost a quarter to go to the Saturday matinee. All the kids would go. I loved the movies. There was still a lot of farmland then—rolling hills for grazing, small farms that grew produce, everything fresh and cheap. But finally the small farms faded away. And in their place housing developments sprang up.
The town was in transition, but I was too young to know what “transition” meant or have an overview or even care. We were part of the bedroom community, because my father didn’t work in the town; he commuted to New York. Which wasn’t that far away, but God, at the time it seemed so far away. It was magical. It was another kind of enchanted forest, teeming with people and noise and tall buildings instead of trees. Very different.
My dad went there to work, but I went there for fun. Once a year, my maternal grandmother would take me to the city to buy me a winter coat at Best & Co., a famous, conservative, old-style department store. Afterward we’d go to Schrafft’s on Fifty-Third Street and Fifth Avenue. This old-fashioned restaurant was almost like a British tearoom, where well-dressed old ladies sat primly sipping from china cups. Very proper—and a refuge from the city bustle.
At Christmastime my family would go to see the tree in Rockefeller Center. We’d watch the skaters at the skating rink and look at the department store windows. We weren’t sophisticated city-goers, coming to see a show on Broadway; we were suburbanites. If we did go to a show it would be at Radio City Music Hall, although we did go to the ballet a couple of times. That’s probably what fostered my dream of being a ballerina—which didn’t last. But what did last was how excited and intrigued I was about performance and the whole thing of being onstage. Though I loved the movies, my reaction to those live shows was physical—very sensual. I had the same reaction to New York City and its smells and sights and sounds.
One of my favorite things as a kid was heading down to Paterson, where both my grandmothers lived. My father liked to take the back roads, winding through all the little streets in the slum areas. And much of Paterson was very old and neglected at that time, pre-gentrification, full of migrant workers who’d come to find jobs in the factories and the silk-weaving mills. Paterson had earned the title “Silk City.” The Great Falls of the Passaic River drove the turbines that drove the looms. Those falls had stared me in the face throughout my childhood, thanks to the Paterson Morning Call. On its masthead at the top of its front page sat a pen-and-ink drawing of the billowing waters.
Dad would always drive real slow down River Street, because it teemed with people and activity. There were gypsies who lived in the storefronts; there were black people who’d come up from the South. They dressed in brilliant clothing and wrapped their hair in do-rags. For a little girl from a white-on-white, middle-to-lower-middle-class burb, this was an eyeful. Wonderful. I would be hanging out the window, crazed with curiosity, and my mother would be snapping, “Get back in the car! You’re going to get your head chopped off!” She’d have rather not driven down River Street, but my dad was one of those people who like to have their secret way. Yay for Dad!
I find it mysterious now, how little was ever revealed, within our family, about my father’s side. Nobody talked about them, what they did, or how they came to be in Paterson. I remember, when I was much older, quizzing my dad about what his grandfather did for a living. He said he was a shoemaker or maybe a shoe repairman from Morristown, New Jersey. I guess he was too low-class for anyone in the family, my father included, to want to be associated with him. Which was kind of tragic, I thought. But my father would remark on how very fortunate his father had been to keep his job all through the Great Depression, selling shoes on Broadway in Paterson. They’d had money coming in when so many, many people were unemployed.
My mother’s family’s Silk City was far more elitist. Her father had had his own seat on the stock exchange before the crash and owned a bank in Ridgewood, New Jersey. So they must have been quite wealthy at some point. When my mother was a child, they would sail to Europe and visit all the capitals on a grand tour, as they used to call it. And she and her siblings all had college educations.
Granny was a Victorian lady, elegant, with aspirations of being a grande dame. My mother was her youngest child. She’d had her rather late in life, which was a cause for arched eyebrows and whispered innuendo within her politely scandalized circle. So when I knew her, she was already quite old. She had long white hair that reached to her waist. Every day Tilly, her Dutch maid, laced her into a pink, full-length corset. I loved Tilly. She had worked for Granny