Introduction
‘The semicolon has become so hateful to me,’ confessed Paul Robinson in a New Republic essay, ‘that I feel almost morally compromised when I use it.’ When Robinson, a humanities professor at Stanford, sees a dot balanced over a comma, he’s filled with ‘exasperation’. Robinson is perhaps the semicolon’s most devoted foe, but he’s hardly its only modern detractor. Novelists from George Orwell to Donald Barthelme have held forth on its ugliness, or irrelevance, or both. Kurt Vonnegut advised omitting them entirely, accusing them of ‘representing absolutely nothing. All they do,’ he admonished