How to Be an Epicurean. Catherine Wilson. Читать онлайн. Newlib. NEWLIB.NET

Автор: Catherine Wilson
Издательство: HarperCollins
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Жанр произведения: Философия
Год издания: 0
isbn: 9780008291716
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objects and situations are more likely to hold up over time, either because, like boulders, they are large, hard and resistant, or because, like the soft human body and like some relationships, they can repair themselves ‘from within’.

      The Epicurean recognises that the tendency to fall apart is built into the nature of things. Aware that this is so, she preserves, repairs and restores where this is in her power, and accepts the inevitable when it is not. Further, she recognises that the future is genuinely open and unpredictable. We do not know what combinations will come along or what accidental ‘swerves’ will upset a delicate balance and make for sudden reversals. The Epicurean expects the future to be predictable and stable where experience and science have shown it to be so, but she is always prepared for surprises.

       How Did We Get Here?

      From time everlasting countless elements of things, impelled by blows and by their own weight, have never ceased to move in manifold ways, making all kinds of unions, and experimenting with everything they could combine to create.

      Lucretius

      Many species of animals must have perished and failed to propagate and perpetuate their race. For every species that you see breathing the breath of life has been protected and preserved from the beginning of its existence either by cunning or by courage or by speed.

      Lucretius

      Or perhaps these stable organic molecules were formed somewhere else in the universe and seeded our earth, arriving in meteors or in the icy tails of comets. In either case, the first single-celled organisms emerged around 3.85 billion years ago. Some were able to join up with others to form larger stable complexes. The ‘struggle for existence’ has accordingly been happening for nearly 4 billion years. Time, chance and the operation of the forces described by physics and chemistry have been sufficient to produce everything we see around us.

      Many of us were taught in school, or at least came away with the impression, that until Charles Darwin published his On the Origin of Species in 1859, ‘everybody’ believed that the world had been created by a divinity in seven days, that Adam and Eve were the first human beings, and that Noah’s Ark housed all the originally created animals. This is incorrect. Although Christianity and Judaism share this account, and although the Islamic account is similar to it, the other major religions, such as Buddhism, Hinduism and Confucianism, have their own accounts, and stories about how the world came to be are found in every culture on earth.

      The Epicureans proposed that combinations of atoms taking the form of animals developed by chance or from atomic ‘seeds’ buried in the earth. Animals with features that favoured their survival, such as cunning, courage and speed, were able to persist longer than others that lacked these features. Over time, animals whose internal structure happened to create copy-creating copies of themselves arose by chance. If nature hadn’t stumbled on such devices in the distant past, we wouldn’t be around to observe other living things and to have thoughts about the origins of life. ‘I am anxious that you should carefully avoid the mistake,’ Lucretius says, ‘of supposing that the lustrous eyes were created to enable us to see; or that the tapering shins and thighs were attached to the feet as a base to enable us to walk.’ All such explanations, he adds, ‘are propounded preposterously with topsy-turvy reasoning … Sight did not exist before the birth of the eyes.’

      This position was long ridiculed as absurd. The ‘random concourse of atoms’, it was alleged, could never have produced functioning living bodies and the regular movements of the heavenly bodies. But thanks to its perceived absurdity, it remained a target of criticism and stayed fresh in the minds of philosophers.

      The creative action of God was compared in the Jewish, Christian and Islamic traditions to the activity of fashioning a figure or a pot from clay; references to the ‘hand’ or ‘hands’ and ‘finger’ of God are frequent in our literature. As the ancient painter took over where the ancient potter left off, and decorated the pot with the figures of birds, animals and humans, so God was thought of as making and embellishing the world. The theory of divine creation became more rather than less plausible in the period of the 17th-century Scientific Revolution when the intricacies of the bodies of insects and the tissues of other animals were first revealed by the microscope and when the ‘mechanics’ of the human body, considered to be a kind of hydraulic system working by the pressure of blood, lymph and cerebrospinal fluids in its vessels, began to be worked out. An argument widely considered irrefutable, and frequently presented in the 18th century, went more or less as follows: if I were to find a watch lying in the sand on a beach, I would never suppose that it had come into existence just by chance, or thanks to the laws of physics. And I would not expect a watch to produce little watches. Obviously, such a contrivance had to have been made by an intelligent being that had a purpose in mind, namely telling the time.

      Animals