Mike glanced in spite of himself behind him towards the river. He was silent for a while, his brow furrowed. She was watching him as she let her words sink in.
Eventually he spoke. ‘Do you think I should speak to this Lyndsey person?’
‘No!’ She replied so sharply he took a step back. ‘No, Mike. I don’t want you going near her.’
‘You don’t think I’m strong enough to fight her evil?’ He sounded reproachful.
‘I’m sure you are.’ Judith was staring at a young couple wandering along the road towards them. They were arm in arm, every now and then stopping to devour one another’s mouths. She shuddered. ‘Don’t draw her attention, Mike. I’ll deal with her. My prayer circle will hold her before the Lord. We’ll contain her.’
Mike gave her a quick glance. Why, he wondered silently, did that thought worry him so much?
An hour later Judith, dressed in her cotton pyjamas and powder-blue dressing gown, went into the kitchen. Reaching for one of the pill bottles, she withdrew a single Warfarin tablet and swallowed it with a sip or two of water – something she had done every night since she had had the heart valve operation just before Mike arrived in the parish. Then she padded into her bedroom, where she knelt beside her bed and brought her hands together in prayer as she had done every night since she was a small child. The prayers lasted exactly fifteen minutes and by the end of them she was stiff and shivery, which was strange as the night was so warm. But her bedroom, unheated, even in winter, had always been cold. Climbing to her feet she took off the dressing gown, turned off the light and climbed into the narrow bed. Usually she slept at once, but tonight she was restless. She felt as if she had drunk too much coffee; her pulse was jumpy, her breathing irregular, her eyes refusing to close, searching the bedroom for shapes amongst the shadows cast by the streetlight near the garden gate.
I shall need you to help me, Goodwife Phillips.
The voice came from the figure in the corner of the room.
Judith shrank back against the pillows with a small yelp of fear. Staring, she tried to see him, but the shadows were black where the wardrobe stood between the window and the door.
We have to find every witch in the area. We have to do God’s work.
Terrified, Judith nodded. She wasn’t Goodwife Phillips. He couldn’t be speaking to her.
You enjoyed your work with me, and there is more to do, Mary!
‘I am not Mary!’ Judith found she had spoken out loud, her voice husky with terror but her indignation at the case of mistaken identity strong. ‘You’ve got the wrong person!’
She was shaking violently.
She lodges in your soul, Judith. You are kindred spirits you and she!
Was that a chuckle she could hear from the corner? As her eyes strained to see the owner of the voice a car turned into the street and the headlights shone for a moment through the thin curtain, lighting up the wall. There was no one there. Of course there was no one there. It was a dream. Desperately she squeezed her eyes shut and pulled her blankets up over her head.
By next morning she had forgotten the whole incident.
The huge moon was still lighting up the countryside like daylight as Lyndsey let herself out of her house. The row of three fisherman’s clapboard cottages was set in the shadow of the old maltings buildings on the quayside. The deep channel came close to the shore there beyond the dock, and the water was black and moved uneasily beneath the pull of the moon. There was no sound as she paused, glancing across the quay down river towards the broad estuary. Somewhere out there, beyond the strip of water and the shining mud, something old and evil hid, swathed in the cold sea mist. More and more often now she sensed it there waiting, and it terrified her. Was she the only person in the entire peninsula who felt it?
The whole world seemed to be asleep; the cottages on either side of her own were in darkness. Quietly she went back and wheeling her bicycle outside, she clicked the front door closed behind her. No one saw her as she set off along the quay and turned up the narrow road towards the centre of the village.
The site of the old church lay in the moonlight like a bright tapestry, a quilting of light and shadow, black and grey and deep velvet green. As she climbed over the wall she stood for a long time, listening. Somewhere a bird, disturbed by the moonlight, whistled plaintively and fell silent and she could hear the high-pitched squeak of bats as they ducked and dived across the grass.
Sure-footedly she made her way to the centre of the thicket where the north wall of the church had once stood, and kneeling on the dew-wet grass she pulled a night-light from her pocket. She lit the flame and steadied it with cupped hands, waiting for the wax to pool around the stubby wick. A pinch of dried herbs and a few grains of incense which hissed and spat, and quietly she began her prayer to the goddess, muttering under her breath, afraid in the still silence to speak out loud for fear of being overheard. Not that there was anyone to hear. The road was deserted, the houses, out of sight beyond the trees, were in darkness and behind her Liza’s cottage was empty and asleep.
When she had finished she stood for a long time, her senses alert, her eyes scanning the shadows. The place was quiet and still at peace.
Turning at last she walked back to the wall. In the lane she hesitated beside her bicycle, then, after a moment’s deep thought she made her way quietly towards the cottage. The For Sale sign had gone to be replaced with one which said Sold. It stood straight and proud, strapped to the gatepost at the end of the holly hedge throwing a black rectangular shadow across the path. Will Fortingale had told her who was buying it. A business woman from London who was so rich she didn’t need a mortgage. A weekender. Someone who would probably employ an interior designer and gardeners and change the place out of all recognition. Carefully she let herself into the garden. Out of the moonlight the shadows were very black. The house still seemed to be asleep. Behind the doors and curtainless staring windows she could sense its emptiness and suddenly she was afraid. She stood still, staring round, the tiny short hairs on the back of her neck bristling. ‘Liza?’ she whispered. ‘Liza, are you there?’
No one answered. The moon was sailing higher now, and smaller. In the apple tree by the gate a bird called out in alarm and she saw the small dark shape flit out of sight across the garden.
Making her way between the rose bushes with their burden of overblown, sweet-scented flower-heads, Lyndsey moved silently around the back of the house. The terrace had been extended about thirty years before by the Simpsons. Small moss-covered red bricks had been set in a herringbone design and around the edges of the terrace they had left a dozen or so large old flower pots which still boasted leggy untrimmed lavender and rosemary bushes. The weight of the roses had pulled down the pergola and their scent, rich and sweet in the night air, was almost cloying as she stepped off the terrace and onto the wet grass. She could feel the garden full of eyes, watching her. Small animals and birds, but also other creatures of the night, hidden invisible beings who had made the garden their own. They were worried too, as uncertain as she was about what would happen to this place. ‘I’ll take care of things, my darlings,’ she whispered. She felt them listening, felt them tense suddenly, their attention hers. ‘We don’t want anyone moving in here, do we? Don’t worry. I’ll get rid of her. You must help me.’
She glanced up as an owl hooted, and watching its swift silent traverse of the garden, she smiled. ‘It’ll be child’s play for us, won’t it. With Liza’s help.’ She paused, turning round. ‘You will help, Liza, won’t you? We don’t want any newcomer pushing her way in here. This is your place. Yours and mine.’
The Simpsons had lasted eighteen months, so she’d been told, before they moved out of the cottage. Holidaymakers came and went. They didn’t seem to