And next to Blake walked Hannah.
Though Chloe herself found Hannah to be slightly androgynous with her tall, boyish body—straight hips, straight waist, small high breasts, short hair always slicked back away from her face—other people, boys especially, did not agree. Her face was opalescent and scrubbed clean, with symmetrical, correct, in-balance features and a gaze as straight as her narrow hips. Her eyes, brown and unblinking, were serious and appraising, making Hannah look as though she were engaged—as though she were listening. Chloe knew it was a ruse: the steady stare allowed Hannah to be lost inside her head. She wore makeup she could ill afford, but strived to look as though she just splashed water on her face and, voila, perfection. With fluid grace Hannah strolled like a ballerina.
At the long mirror in her room she had practiced her arabesques and soubresauts, hoping one day she would stop growing and her parents could afford ballet classes. She finally got her lessons in the divorce settlement, but by then she was five-ten and too tall to be lifted into the air by anyone but Blake, who was definitely not a ballet dancer.
With a detached elegance, Hannah walked and talked as if she didn’t belong in tiny Fryeburg, Maine. She fancied herself barely even belonging in this country. She wore ballet flats, for God’s sake! Even when she schlepped a mile through the mud and pine needles. No butch Timberlands for her. Hannah walked with her shoulder blades flung back, as though wearing heels and a Chanel blazer. She carried herself as if she was too good for the place that by an unlucky accident of birth she had found herself living in, and couldn’t wait until the moment she was sipping wine on the Left Bank and painting the Seine with other artistic, beautiful people. Her big round eyes were permanently moist. She evaluated you before she cried, and then you loved her. That was Hannah. Always crying to be loved.
Chloe in stark contrast was not moist of eye or long of limb. She didn’t care much about not being tall when she wasn’t with Hannah. But next to her reed-like friend, she felt like an armadillo.
One of Chloe’s best physical features was her brown hair, straw-straight, shining, streaked with sunlight. There was nothing she did to make it great. It just was. Every day washed, brushed, clean, unfussy, thin-spun silk falling from her head. She wore no makeup, to differentiate herself from the senior girls who were all about the heavy eyeliner, the flimsy tanks, the one size too small jeans and three-inch (or higher!) mules in which they clodded through the Fryeburg Academy halls, always in danger of falling over or tripping, and perhaps that was the point. Sexy but helpless. Both things were anathema to Chloe, so she kept her body to herself and walked in sensible shoes. Where was she going that required getting dressed up? Bowling? Italian ices? Swimming in the lake? Gardening? Exactly. And she heard the way the boys talked about the girls who dressed the way, say, that hateful Mackenzie O’Shea dressed. A lifetime of meds wouldn’t be able to erase the trauma for Chloe if she thought boys talked about her that way.
Her face, unblemished and fair, suffered slightly from this pretend plainness, but there was no hiding the upper curve of her cheekbones or her wide-set eyes that tilted slightly upward, always in a smile. She had inherited the Irish lips from her father, but the eyes and cheeks from her mother, and because of that, her face, just like her body, wasn’t quite in proportion. The ratio of eyes to lips was not in balance, just as the ratio of body to breasts was not in balance. There was not enough body for the milk-fed breasts she had been cursed with. There may have been a genetic component to the comical chaos inside her—to her math abilities colliding with her existential confusion—but there was simply no cosmic excuse for her palmfuls of breasts.
Chloe blamed her mother.
It was only right.
She blamed her mother for everything.
Look at Hannah. Everything on that girl was assembled as if hand-picked. Tall, lithe, lean, eyes mouth hair nose all the right size, not too big, not too small, while Chloe spent her life hiding under minimizer bras and one-size-too-big shirts. She was afraid no one would take her seriously if they thought of her as a body instead of a person. Who’d ever listen to her explanations about the movements of the stars or migrations of mitochondria or beheadings in a revolution if they thought she was just a pair of boobs with legs. Too heavy-breasted to be a ballerina and too short to be a bombshell.
That Mason didn’t agree—or said he didn’t—only spoke to his poor judgment.
The bus had been dropping them off on the same rural road for thirteen years. Kindergarten, elementary school, middle school, fancy high school.
Soon there would be no more blue buses, no more lurching afternoon rides. In a month they would all be graduating.
And then?
Well, and then, there was this:
“Don’t be hating on my story already, Chloe,” said Blake. “It just began. Give it a chance. It’s a good story. You’ll see.”
“Yeah, Chloe,” echoed Mason. Being ten months younger than Blake, he looked up to his older brother, though he did not necessarily disagree with Chloe, as evidenced by his cheerful wink. She took his welcome hand as they strolled past old Mr. Leary out on the lawn, surrounded by every bit of garbage scrap he owned, trying to make it look less garbagey so he could sell it.
“Blake, dear boy,” Mr. Leary called out, “you said you’d come by after school and help me with my block saw. I still can’t get the dang thing to turn on.”
“Sure thing, Mr. Leary.”
“Block saw?” muttered Mason. “What does that codger need with a block saw? It’s soft dirt all around him.”
“He wants to build a bomb shelter,” Blake said out of the corner of his mouth, smiling at the old man as they ambled by. “That’s why he’s collecting the cinder blocks.”
“What’s a block saw?” asked Chloe.
“Who cares,” said Hannah. “A bomb shelter? Guy’s a freak.”
“Blake, not now?” The craggy man persisted. “I have some snacks for you and your friends. Donuts.”
“Thank you, sir, but not now.”
Because now Blake was busy. He had to clear the brush from the dusty path of his own winding life.
All the trouble began when Blake turned eighteen last July and was allowed to enter the Woodsmen Day competition at the Fryeburg Fair. He entered five contests. Tree felling, crosscut sawing, axe throwing, log rolling, and block chop. He lost the crosscut and the log roll and the block chop, and you’d think he’d remember that and be humbled—that he lost three out of five—but no. He beat the best time that year on tree felling by six seconds, coming in at twenty-three seconds flat, and he set a Fair record on the axe throw with six bullseyes in a row.
You’d think his head was the bullseye: it swelled to four feet in diameter. He strutted down the dirt roads and through Academy halls like an Olympic gold medalist. Chloe would remind him that the Fryeburg Academy—which all the local kids attended for “free” through a tax deal between the school and the state of Maine—was one of the most prestigious preparatory high schools in the United States. “No one here gives a toss about your axe toss, I promise you,” Chloe would say to him, but you’d think he were deaf.
It was right after that Blake and Mason entered the business competition for Mr. Smith’s tech class—and they won! Mason was used to winning, with his dozen sports trophies lining the dresser, but Blake became impossible. He acted as if he could do anything. Like, for example, write.
It wasn’t that they didn’t deserve to win. The project was: “Create a successful business.” Who knew that Blake and Mason would