‘It’s rather a sweet building, isn’t it?’ she said.
‘If you like the garish fifties Festival of Britain look,’ snorted Penny.
‘That was a great era,’ protested Helen. ‘The war was over. Rationing was coming to an end. Women could wear full skirts and feminine clothes again.’
‘And Trevay built the Pavilions.’ Penny began to read aloud. ‘It says here, “The opening summer season in 1954 ran for twelve weeks. Local man, Walter Irvine, was the first theatre manager. He called in favours from stars he’d worked with before the war, including top comedian Max Miller. Miller, best known for his risqué jokes, topped the bill and made the theatre one of the most successful entertainment venues of its day. It’s hard to imagine that now. The building is succumbing to half a century of Atlantic gales battering it from all sides on its prominent position on the Trevay headland. It is thought that the new owners may be Café Au Lait, the coffee chain well known for buying up buildings of interest and investing multimillions in redevelopment. Could they be the Pavilions’ saviour? Have your say: email your thoughts to … blah blah blah.”’ Penny closed the paper and picked up her glass of wine. ‘Another lost cause for Simon to get involved with.’
Helen chinked her glass with Penny’s. ‘Welcome home!’
They sat without speaking, enjoying their own thoughts and easy in each other’s company. Helen’s eyes wandered up to the headland and the familiar outline of the Pavilions. From this distance it looked rather grand. Onion domes either side of the grand entrance, silvered central cupola above the auditorium and the tall fly tower behind. The building was still painted in its sugared-almond colours of pale blue, pink and yellow, albeit now cracked and faded. It was in a good location, away from the ancient narrow streets of Trevay, with the spectacular backdrop of the Atlantic Ocean behind it. With all that open space it had the benefit of a large car park (now used for car boot sales) and no neighbours to complain about noisy late-night exoduses.
Helen sipped on her chilled glass of wine and shifted her focus back to the harbour. The tide was high but on its way out. She looked along the floating pontoons to the spot where Piran kept his boat tied up. It was still there. He’d better hurry if he was going to catch supper and get back before low tide. Then she saw him; his familiar gait, slightly bow-legged in his faded, shabby jeans, but very attractive. His arms hung loosely by his sides, the wind ruffling his long dark curls, lifting them to reveal the grey at his temples. His hands, nut brown, were pulled from the pockets of his salt-stained fisherman’s smock in order to pick up little Jack and help him into the boat. Helen smiled as Jack went straight to the bow and put his paws up on the ledge, almost like a living figurehead.
‘Look, there’s Piran,’ said Penny.
‘Mmm, I saw him. I wonder what he’ll say about this Pavilions business?’
‘He’ll be all for saving the place, I should think. As the local historian, he’s bound to be part of this action committee Simon was talking about. I’ve a sinking feeling that this campaign is going to be the bane of both our lives if we’re not careful.’
*
‘Hi, honey, I’m hoooome!’ sang Penny as she shut the front door of the vicarage behind her.
‘I’m in the kitchen, Pen.’
‘I hope the kettle’s on.’ Penny walked into her kitchen and had the wind taken out of her sails when she found several familiar, if not entirely welcome, faces round her table.
Penny furrowed her brow slightly at the sight of Audrey Tipton’s determined features peering at her sternly over a teacup.
‘Audrey, Geoff, what an unexpected pleasure!’ Penny oozed, with as much sincerity as she could muster, only to be greeted by a tight-lipped nod from Audrey.
‘Pen, Queenie, Geoff, Audrey and I are debating what, if anything, we can do to save the Pavilions.’
Penny dropped a few teabags into the pot. ‘I guessed as much.’ She nodded her head slowly. A woman of indeterminable age (somewhere between fifty-five and seventy-five was Penny’s best guess) and indomitable disposition, Audrey Tipton was a powerhouse in tweed. She was chairwoman of the Pendruggan village Women’s Institute, the church flower committee and the Village in Bloom committee. Her husband, Geoff, was widely referred to behind his back as Mr Audrey Tipton, due to his total subservience to his wife.
Next to Geoff sat Queenie, owner of the only shop in the village and a gold-medal gossip who couldn’t bear to be left out of anything, which explained her presence at the table.
‘Hello, Queenie!’ Penny stooped to give the friendliest of the faces a kiss, and got a damp whiskery one in return.
‘’Ello, me duck. Coo, you look like you’ve caught the sun. ’Ow was yer second ’oneymoon?’ She gave one of her crackly tobacco-induced laughs and nudged Simon’s elbow. ‘She looks like you gave ’er a proper good time, an’ no mistake!’
Simon turned a deep shade of pink at this, but Penny merely grinned and set about filling the kettle. ‘Don’t you go embarrassing my husband, Queenie. You are a very naughty woman.’
Desperate to steer the conversation away from his personal life and back to the matter in hand, Simon cleared his throat. ‘As I was saying, we’re having a meeting about what can be done to save the Pavilions.’
Audrey Tipton fixed Penny with a challenging stare. ‘You got here at just the right moment. We’ve decided that you are critical to our campaign.’
‘Oh?’ replied Penny coolly.
Audrey was not to be intimidated. ‘Yes. As you move in the world of “celebrities”’ – this was accompanied by an unpleasant little smirk, which her husband dutifully mirrored – ‘you can organise a troupe of actors to come down and put on some sort of event to raise the profile of the campaign.’
‘Ah, I see. Would you like me to phone Judi Dench and David Attenborough now, or shall I wait until tomorrow?’ Penny gave a sweet smile and plonked a plate of HobNobs on the table.
‘This is no laughing matter, Mrs Canter. May I remind you that without the co-operation of this village, your Mr Tibbs Mysteries series would never have got off the ground.’ She turned to her husband and commanded: ‘Geoffrey, pour me a cup of tea.’ Then her icy gaze returned to Penny. ‘If you weren’t the vicar’s wife, the whole exercise would have been doomed to fail.’
Penny gritted her teeth and reminded herself that as the vicar’s wife she had a duty to be civil to parishioners, no matter how trying they might be. ‘Audrey, the series was conceived long before I became the vicar’s wife. There’s more to a successful series than—’
‘That may well be the case,’ Audrey cut her off huffily. ‘But without the goodwill and co-operation of the villagers, you would find it very difficult indeed to do your shooting. I do have some influence, you know,’ she added ominously.
Penny felt anger rise in her. She was vaguely conscious of Simon and Geoff holding their breath, and Queenie leaning forward as if she was hoping Penny would give in to temptation and crown Audrey with the teapot. Instead she set the teapot carefully on the table and enquired in a calm, cool voice, ‘Are you blackmailing me, Mrs Tipton?’
‘Not at all, not at all!’ trilled Mrs Tipton, pushing back her chair and standing up. ‘I’m just stating the facts, that’s all. Come along, Geoffrey, it’s time for your dinner.’
As Audrey swept out regally, her submissive husband trailing in her wake, Penny turned to Simon and threw her hands in the air, ‘Oh the life of a vicar’s wife!’
‘For better or for worse, darling,’ Simon reminded her.
‘Don’t push your luck, sunshine!’ growled Penny.