2:50 Anna arrives at the tall gates of the village and finds herself in the town square, where streets radiate out like spokes. She does not know which to take. But before she becomes overly distressed, she discovers that her shoes know where to take her. She swiftly walks down one empty street to another. The houses seem empty and lifeless until curtains twitch, revealing the faces of busybodies. When she rounds one corner, she sees three stern-looking women in white caps and aprons scrubbing clothes. They stop their work and conversation to stare at her with a disapproving scowl. She is sure they know why she has come. She straightens her shoulders and walks erectly, casting off their opinions. She tells herself she won’t allow these loveless women to deter her. They envy me, she says to herself. But now her feet have grown heavy. It’s as if she is pushing through knee-high mud. To force herself to continue, she remembers the near-insanity of loneliness. She cannot go back. By remembering her lover’s face, she will find determination. She summons up the memory of their meeting, of his eyes locking on hers, making her blind to these women’s taunting faces. But now she cannot remember what color his eyes are. Once again, each step forward is weighted with certain disaster. Why can’t she remember his face—the one that freed her cramped heart to grow with desire? It is still growing right here on this street. It has grown into a heart so bloated with desire it might kill her. She can feel it pushing into her throat, choking her. She is about to turn back when she hears her inner voice ask: What use is self-respect if there is nothing else to live for? She had nearly gone mad with pride and propriety. She might have killed herself if it weren’t for his love. She throws off thoughts of scandal and wraps desire around her like a warm protective cloak. Newly found passion guides her once again, and each step grows lighter. Soon she is at her lover’s door. Her life, at last, is about to change. It is the end of loneliness.
4:05 Anna walks in. The dwelling is humble, the sort of place where a wood carver or young artist might live. She wonders, what does he do? Perhaps he descends from aristocrats who have become impoverished, like her family. [Impoverished daughters of aristocrats are a staple of fairy tales and nineteenth-century novels.] The ceiling is low and the room is small. A table and plank benches are set before a stone fireplace in the middle of the room. At the other end of the room is a narrow cot, where her lover is sleeping, dreaming of his impatience to see her. A square window facing the empty streets throws a slant of light on his face, this handsome youth. His hair is so blond it is nearly white, his face is pale, his eyelids and nostrils are a translucent pink, his nose is long, and his chin is small. It is obvious he is an aristocrat, a Russian princeling, unaccustomed to work, with a mind fit for noble purpose. She is eager to see the color of his eyes again.
She throws off her cloak and warms herself by the fire. The glow from the hearth makes the entire room rosy. In the past, she never gave a thought to her appearance. But in this soft light, she knows she is radiantly beautiful. She is about to call to him when he awakens and rushes over to embrace her. His possessive gaze and caress remove all doubts that she has made the right decision in following desire. He has healed her, and only then does she realize she has been ill. He has warmed her, and only then does she realize her bones have been cold. She sees in his eyes that she truly is beautiful. She has astonished him. In the flickering light, his eyes appear to be gray, then pale blue, turquoise, ice blue, and silver. He leads her to his bed, a low cot covered with a blanket of rabbit skins. As soon as she lies down, she casts off shyness and her clothes immediately follow. No one has ever touched her skin. His hands know this. They murmur and whisper nonsensical words. She cries, knowing his whispers are about her, that he is telling her about the dimensions of his love. She cannot make out exactly what he is saying and will have to ask him to repeat it later—although perhaps she already knows. After all, their thoughts and feelings are identical. The exquisite sensations of their bodies are identical. She exults aloud: These moments together have already been enough for a lifetime of dreaming.
As if her thoughts had been an incantation, the spell is broken. Their time together is over. [Shades of Cinderella, the plot driven by a mindless keeper of time.] He looks at her sadly. He seems to be telling her with his eyes. Time still divides us, but now we have eternity. They unwrap arms and legs, and from one body they are again two. She is instantly cold. He bids farewell, and when she steps out, she sees that it is early morning. The night passed as if it had been only a few moments before falling asleep.
6:17 Anna walks home, light-headed, still caught in the dream. The old ache of loneliness is gone. She can hardly remember how she once felt. She has a destination now, a reason to live. When she reaches home, she sees how dingy the rooms are, how cavernous and yet constricted the place feels with its small chambers and long hallways. How had she been able to bear it for so long? She wants to go to him this instant and tell him what she has suffered and what he has changed. Why did she leave him in the first place? She cannot recall his saying it was time for her to go, not in words. Perhaps he had wanted her to stay and was wounded in thinking she had made the decision to leave him. She should return to him now. But then she remembers his shuddering groan. He believed they should savor desire and not be consumed by it all at once. He is right. She will wait and come to him when he cannot bear to be without her, when he, too, feels life is meaningless without desire. Warmth will always be at the other end of the road and she now knows how to reach it.
6:55 The simple diatonic melody begins. Anna is once more on her way to her lover. She looks older. It is evident that years have passed. Her step is not quite as lively. The incline feels steeper. This is simply a journey to get to where she needs to be. It starts to rain and the road soon becomes muddy. She slips several times. She considers whether to turn back. She still desires him, but when she returned home yesterday, she wondered why desire was still there when it should have been fulfilled long ago. Her mind holds so many worries it is hard to think clearly about any of them. She does not know his name. He does not know hers. She had reasoned that it did not matter because they knew each other in more important ways. But how? She never asked him. She never asked that of herself. They have spoken only in grunts and gasps, the language of desire.
A wind comes up and rain beats faster and washes over Anna’s face like a waterfall, making it difficult to see. She is frightened. She cannot go any farther. In the distance she sees a hunched figure coming from the opposite direction. She soon realizes it is an old woman without the cover of a cloak. The woman’s unbound hair streams down her face like long moss. Her once fine dress is soiled, ripped at the armholes. The hem is shredded. She is a wretch of misfortune, Anna thinks, the daughter of a respected family who would now pull up her skirts for the promise of a penny. The old woman laughs, as if she had heard Anna’s unspoken insult. She shakes her head and throws Anna a pitying look. Anna is furious that this lowly harlot would pity her. A moment later, she is startled to see that the woman, although haggard, is not old at all. She could be her age, and in fact, they look so much alike