What Does This Button Do?: The No.1 Sunday Times Bestselling Autobiography. Bruce Dickinson. Читать онлайн. Newlib. NEWLIB.NET

Автор: Bruce Dickinson
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780008172503
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of obligation to do the very best. I now realise that there wasn’t a great deal of affection going on, but there was a reasonable attention to detail. I could have done a lot worse given the circumstances.

      My real mother was a young mum married in the nick of time to a slightly older soldier. His name was Bruce. My maternal grandfather had been assigned to watch over their courting activities, but he was neither mentally nor morally judgemental enough to be up to the task. I suspect his sympathies secretly lay with the young lovers. Not so my grandmother, whose only child was being stolen by a ruffian, not even a northerner, but an interloper from the flat lands and seagull-spattered desolation of the Norfolk coast. East England: the fens, marshes and bogs – a world that has for centuries been the home of the non-conforming, the anarchist, the sturdy beggar and of hard-won existence clawed from the reclaimed land.

      My mother was petite, worked in a shoe shop and had won a scholarship to the Royal Ballet School, but her mother had forbidden her to go to London. Denied the chance to live her dream, she took the next dream that came along, and with that came me. I would stare at a picture of her, on pointe, probably aged about 14. It seemed impossible that this was my mother, a pixie-like starlet full of naïve joy. The picture on the mantelpiece represented all that could have been. Now, the dancing had gone out of her, and now it was all about duty – and the odd gin and tonic.

      My parents were so young that it is impossible for me to say what I would have done had the roles been reversed. Life was about education and getting ahead, beyond working class, but working multiple jobs. The only sin was not trying hard.

      My father was very serious about most things, and he tried very hard. One of a family of six, he was the offspring of a farm girl sold into service aged 12 and a raffish local builder and motorcycle-riding captain of the football team in Great Yarmouth. The great love of my father’s life was machinery and the world of mechanisms, timing, design and draughtsmanship. He loved cars, and loved to drive, although the laws relating to speed he deemed inapplicable to himself, along with seatbelts and driving drunk. After losing his driving licence, he volunteered for the army. Volunteers got paid better than conscripted men and the army didn’t seem picky about who drove their jeeps.

      Driving licence (military) instantly restored, his engineering talents and tidy hand led to a job drawing up the plans for the end of the world. Around a table in Düsseldorf he would carefully draw the circles of megadeaths expected in the anticipated Cold War apocalypse. The rest of his time was spent drinking whisky to drown the boredom and the hopelessness of it all, one imagines. While still enlisted, this beefy Norfolk swimming champion – butterfly, no less – swept my waif-like ballerina mum off her feet.

      As the unwanted offspring of the man who stole her only daughter, I represented the spawn of Satan for my grandmother Lily, but for my grandfather Austin I was the closest he would ever have to a son of his own. For the first five years of my life, they were de facto in loco parentis. As early childhood goes, it was pretty decent. There were long walks in the woods, rabbit holes, haunting flatland winter sunsets and sparkling frost, shimmering under purple skies.

      My real parents had been travelling and working in a succession of nightclubs with their performing-dog act – as in poodles, hoops and leotards. Go figure.

      The number 52 on the house at Manton Crescent was painted white. It was a standard, brick-built, semi-detached council house. Manton Colliery was a deep coal mine, and it was where my grandfather worked.

      My grandfather had been a miner since the age of 13. Too small to be legal, he cunningly and barefacedly lied about his age and his height, which, like mine, was not very much. To get round the regulation that said you were tall enough to go ‘down the pit if your lantern did not trail on the ground by its lanyard while suspended from the belt’ he simply put a couple of knots in it. He came close to going to war, but got as far as the garden gate. He was in the Territorial Army, a part-time volunteer, but as coal mining was a reserved occupation he didn’t have to fight.

      So he stood in his uniform, ready, as his platoon marched off to fight in France. It was one of these Back to the Future moments, when opening that garden gate and going to war along with his mates would have prevented a lot of things happening, including me. My grandmother stood defiant, hands on hips in the front doorway. ‘If you bloody go I won’t be here when you get back,’ she said. He stayed. Most of his regiment never came back.

      With a miner for a grandfather, we got the council home and free coal delivered, and the art of making the coal fire that heated the house has turned me into a lifelong pyromaniac. We did not possess a telephone, a refrigerator, central heating, a car or an inside toilet. We borrowed other people’s fridges and had a small larder, dank and cold, which I avoided like the plague. Cooking was two electric hobs and a coal-fired oven, although electricity was seen as a luxury to be avoided at all costs. We had a vacuum cleaner and my favourite device, a mangle – two rollers that squeezed the water from washed clothing. A giant handle turned the machine over as sheets, shirts and trousers flopped out into a bucket after being squeezed through its rollers.

      There was a plastic portable bath for me, as my grandfather would arrive home clean from the pit washrooms. On occasions he would come back from the pub, stinking of beer and onions, and crawl into bed next to me, snoring loudly. In the light from the moon through the wafer-thin curtains, I could see the blue scars that adorned his back: souvenirs of a life underground.

      We had a shed in which bits of wood would be hammered and banged, to what end I have no idea, but for me it was a place to hide. It became a spaceship or a castle or a submarine. Two old railway sleepers in our small yard served as a sailing boat, and I fished repeatedly from the side catching sharks that lived in the crevices of the concrete. There was an allotment and some short-lived chrysanthemums that went up in smoke one bonfire night after a rocket went astray.

      We had no pets, save a goldfish called Peter who lived for a suspiciously long time.

      But one thing we did have was … a television. The presence of this television refocused the whole of my early existence. Through the lens of the TV screen – seven or eight inches across, black and white and grainy – came the wide world. Valve-driven, it took minutes to warm up, and there was a long, slow dying of the light to a singularity when it was switched off, which became a watchable event in its own right. We hosted visitors who came to look at it, caress it and not even watch it – it had such mystique. On the front were occult buttons and dials that turned like great combination locks to select the only two channels available.

      The outside world, that is to say anywhere outside Worksop, was accessed primarily by gossip – or the Daily Mirror. The newspaper was always used to make the fire and I usually saw the news two days late, shortly before it was consigned to the inferno. When Yuri Gagarin became the first man to go into space I remember staring at the picture and thinking, How can we burn that? I folded it up and kept it.

      If gossip or old newspaper wouldn’t do, the world outside might require a phone call. The big red phone box served as a cough, cold, flu, bubonic plague, ‘you name it you’ll catch it’ distribution centre for the neighbourhood. There was always a queue at peak hours, and a hellish combination of buttons to press and rotary dials in order to make a call, with large buckets of change required for long conversations.

      It was like a very inconvenient version of Twitter, with words rationed by money and the vengeful stares of the other 20 people waiting in line to inhale the smoke-and-spit-infused mouthpiece and press the hair-oiled and sweat-coated Bakelite earpiece to the side of their head.

      There were certain codes of conduct and regimes to obey in Worksop, although etiquette around the streets was very relaxed. There was little crime and virtually no traffic. Both my grandparents walked everywhere, or caught the bus. Walking five or ten miles each way across fields to go to work was just something they were brought up to do, and so I did it too.

      The whole neighbourhood was in a permanent state of shift work. Upstairs curtains closed in daytime meant ‘Tiptoe past – coal miner asleep’. Front room curtains closed: ‘Hurry past – dead person laid out for inspection’. This ghoulish practice was quite popular, if my grandmother was to be believed. I would sit in our front