At first I didn’t see it. Call me naive if you like or Flossy if it gives you real pleasure – but I thought that the bird on the floor was being attacked by the other one. My basic, decent British reaction was one of outrage, so I banged hard on the window.
Neither of the bints had seen me and the one with the whip looks up and claps her hands to her tits in a gesture of upper class shock a bit at odds with the cold blooded thrashing she’d just been dishing out. Before I got any further let me say at once that she is a very good looking bird. Black gypsy ringlets coiling down around alabaster shoulders – you know all that crap – big long-lashed brown eyes, tits like pomegranates – in fact she’s like the birds on those Schweppervesence show cards I used to knock off from the local boozer. She’s panting a bit and her complexion would make Mr. Yardley cream his jeans in envy. Even before I notice the small watercolours in the thin gilt frames and the chaise longue I realise I am in the presence of a lady.
“Good gracious” she says, opening the window, “you gave me a start.”
“You don’t look as if you need one,” I say, immediately proving to her what a laugh I am. “What in God’s name do you think you’re doing?”
“I was trying to give Amanda an orgasm,” she says, matter-of-factly. “It rather looks as if it’s gone by the board now, doesn’t it?”
I have to agree with her because Amanda who I recall as being rigid with effort is now all relaxed and bulging against her bonds like a rolled sirloin. She is a large girl and you wouldn’t find many people outside that African tribe that goes in for fattening up its women till they look like hippos, that would disagree with me.
“Amanda loves being beaten,” goes on the dark-haired bird. “It’s about the only thing she does like. It was awfully lucky we found out. You see Sebastian, that’s her husband, got rather squiffy one night and suddenly started flailing away at her. We were all absolutely horrified and poor ’Basters was really distraught when he sobered up. But what makes it so terribly amusing is that Amanda absolutely adored it and nearly came on the spot. Never been near it before, had you darling? – Oh I am sorry, you haven’t been introduced. Amanda this is – what is your name?”
“Timothy Lea.”
“Timothy Lea – Amanda Browne, with an e.” Amanda Browne grunts a greeting. She really is a very plain girl and the weal marks don’t help.
“And my name is Rachel Devroon, though everybody calls me Sandy because I don’t have red hair. Yes, well, wasn’t it lucky about Amanda finding out what she really liked.”
This bird is obviously nutty as a fruit cake, but she is very cool. I have to admit that.
“So Amanda’s old man keeps her happy by bashing her up. Nothing unusual about that, it happens all the time round here.”
“If you’re going to do anything, for God’s sake do it,” says Amanda, peevishly, “I’m beginning to get cramp. And do shut that bloody window.”
“Sorry Pet,” says Sandy hopping across the room so her boobs bounce up and down like twins in a rubber baby carriage, “we must get everything right for you.”
Sandy’s thighs are the smoothest way to introduce a leg to an arse I’ve ever seen and when she bends down I can practically hear my mince pies grinding between them, like skinned golf balls. She’s bloody lucky she isn’t tied up on the floor.
“You don’t understand darling,” she says to me, “Amanda doesn’t really get on with ’Basters. Oh, he’s very sweet but he’s a bit draggy at the same time – very ‘where’s my Financial Times?’ – you know? So I find her the most dishy spade who bashes her all over the place.”
“So everybody is happy.” I say.
“No. Racialism rears it’s ugly head. Amanda tries very hard but deep down inside she’s got a thing about coloured men – her grandfather had a tobacco farm in Rhodesia or something, so that doesn’t work either. Spitsville isn’t it?”
“Very,” I say, “So what were you doing just now?”
“Well, Amanda feels that because it just doesn’t seem to work with fellahs, she may be a lesbian and we were just seeing if I could do anything. You were quite enjoying it, weren’t you, sweet?”
“Quite,” says Amanda seriously, “but I don’t think I’ll be able to come. Especially now.”
I suppose I should be feeling guilty but I’m so amazed by what is going on that I can hardly feel anything except a desire to get Sandy’s drawers down. What with the whips and the tying up, it is getting a bit sexy.
“Well, I’m adoring it,” says Sandy, “I can quite see why those awful old harridans were always hanging around the dorms after lights out. Thrashing someone is absolute bliss.” She shudders with excitement and suddenly runs her hand up the front of my trousers where, surprise, surprise, there is someone wanting to greet it. “Oh, super,” she says, “Do you want to join in?”
“Well—”
“Tell you what. You start beating her.” She hands me the crop and has pulled the slip over her head before you can say National Health Service. Her tits are really something and her half cup bra deserves an award for service beyond the call of duty. Never was so much supported by so little. She whips it off and I feel like bursting into applause – or through the front of my Y-fronts.
“Go on, she loves it.”
“I can’t do it.”
“Try.”
“I can’t—”
“Poor darling.”
But she’s not talking to me. She drops on her knees and starts necking with the bird and fondling her breasts. There must be something wrong with me because I find it the sexiest thing I’ve ever seen in my life. I tear my clothes off and I hate them for every second they stay on my body. Then I’m lying down there chewing Sandy’s neck and peeling her tights off and she’s groaning and all three of us are squirming like electric eels. Amanda wants Sandy and is crying out for her to beat her, and I want Sandy and I’m not tied-up, and I win. I hurl the crop to the other side of the room and unravel Sandy like a piece of rolled up paper till I can pin her down and get above her lovely flat stomach and feel her legs hook round mine and her finger nails sink into my back.
“I’m going to put my mark on you,” she hisses and she clings to me like she wants to suck every ounce of blood, flesh and guts out of me. It must be quite a way to go but I want to do this again so I rev my motor and we’re generating enough power to light up Piccadilly Circus for a month. But not for long though. No force on earth can withstand Miss Rachel (Sandy) Devroon when she shudders into her final gyration and I feel like a piece of fluff hovering at the mouth of a suction cleaner.
“Shit!” she screams, “oh shit, shit, shit, shit, shit, shit!!”
(I may have missed out a few ‘shits’ but that’s the gist of it) and away we go. Eight hundred doors banging, Chaik’s 1812 being performed in your left earhole, upside down on a roller coaster – it does you more good than a cup of Bovril any day of the week I can tell you.
After that lot I’m spent and sucking in mouthfulls of carpet pile but Sandy is made of sterner stuff.
“Super fuck,” she says cheerfully, “Now it’s Amanda’s turn.”
Not with me it isn’t, I vow to myself. Even Raquel Welch would have to wait a few minutes, and with Amanda it might stretch into years. But I don’t have to worry. Sandy wriggles out from underneath me and in a few seconds I hear the contented sounds of her wielding the riding crop. It seems to be a wild success because Amanda is hollering fit to bust and Sandy is cheering her on like a Derby winner. What a performance. You wouldn’t credit it unless you were in the front row of the dress circle.