Leviathan: The Rise of Britain as a World Power. David Scott. Читать онлайн. Newlib. NEWLIB.NET

Автор: David Scott
Издательство: HarperCollins
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Жанр произведения: Историческая литература
Год издания: 0
isbn: 9780007468782
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target="_blank" rel="nofollow" href="#litres_trial_promo">24. The Mob destroying & Setting Fire to the Kings Bench Prison & House of Correction in St Georges Fields, 1780 (Courtesy of The Lewis Walpole Library, Yale University)

      25. The Free-born Briton or A Perspective of Taxation, 1786 (Courtesy of The Lewis Walpole Library, Yale University)

      While every effort has been made to trace the owners of copyright material reproduced herein, the publishers would like to apologise for any omissions and would be pleased to incorporate missing acknowledgements in future editions.

      PREFACE

      As Britain entered upon another global war with her old enemy France in the mid-1750s, the Royal Navy took timely delivery of the largest warship in the world. Built at Woolwich Dockyard and launched in 1756, the three-decker Royal George was a vast and intricately designed killing machine. Her construction had taken almost ten years and had consumed the wood of more than 5,000 oak and elm trees. She carried the tallest masts and the greatest spread of canvas of any ship in the navy. A crew of 867 men and boys was needed not only to sail her but also to work the hundred guns she mounted, which included twenty-eight massive ‘full cannon’ – the heaviest pieces of ordnance afloat – each firing a hull-smashing 42-pound ball. One broadside alone would throw over 1,000 lb weight of metal. Two broadsides were enough to sink the French 74-gun Superbe at the battle of Quiberon Bay in 1759 – the decisive naval engagement of the Seven Years War. Nelson’s flagship at Trafalgar in 1805, named Victory to commemorate Britain’s ‘year of victories’ in 1759, would be modelled on the Royal George. Ships of the line such as these were the ultimate expression of Britain’s determination to stamp her naval superiority on every European rival, or indeed combination of rivals. The British would tolerate no balance of power at sea as they would on the Continent. But the Georgian navy served a larger purpose than engaging enemy fleets, for it kept the sea lanes open to the stream of goods to and from Britain that invigorated its industries, powered its economy towards the industrial revolution, and sustained the military expenditure of an altogether deadlier war machine: the British imperial state.

      This book is partly about how and why the British and Irish peoples acquired the kind of state that could outdo the French and every other European power; that could build the Royal George and keep her, and hundreds more warships, at sea around the globe for months on end. It is a story that grew to encompass all of Britain and Ireland, and many other lands besides. But it began life in England. And here I must pause to make the familiar confession of English historians writing supposedly ‘British’ history. It was said of Georgian Britain’s longest-serving prime minister, Sir Robert Walpole, that his political genius consisted in ‘understanding his own country, and his foible, inattention to every other country, by which it was impossible he could thoroughly understand his own’.1 Though I do not lay claim to Walpole’s superlative mastery of his art, there is no doubt that I share his foible. In my own defence I would argue that in writing a narrative history that covers (if only loosely) Britain and Ireland, it is almost impossible to avoid focusing on England. There is no ignoring the fact that England was the largest, the most populous and the most aggressive of the states that occupied the British Isles during the period covered by this book. Events in London and lowland England were bound to exert a greater influence over Scotland and Ireland than the other way round.

      This unavoidable Anglocentrism is also apparent in the period I have chosen to cover – that is, from 1485 to 1783. Henry Tudor’s victory at Bosworth in 1485 was, or would become, an event of immense significance in English history, but it looks rather less of a turning-point when viewed from a Scottish or Irish perspective. The capacity of the English to throw their weight around in the British Isles was unusually weak at the end of the fifteenth century – a legacy of the Wars of the Roses. Henry’s seizure of the crown took some time to disturb the pattern of English rule in Ireland, and longer still to make any great impact on the Stuart kingdom of Scotland. By contrast, the cataclysm of the American War of Independence, with which this book ends, reverberated immediately and powerfully across the British Isles. Yet although Bosworth itself was more of an Anglo-French event than a British or Irish one, the year 1485 is of larger significance than simply as a boundary marker between the Plantagenets and the Tudors. Henry VII’s reign (1485–1509), it is now recognised, did much to reshape and reinvigorate the English monarchy – which was, after all, the most powerful political institution in the British Isles. Moreover, the decades around 1500 have often been taken to mark the end of the Middle Ages in Britain and the beginning of a new era, the ‘early modern period’. Although historians (myself included) are vague about the timing and nature of this transition, the early modern period is generally assumed to have included the sixteenth and seventeenth centuries, and some, or most, of the eighteenth century – in other words, roughly the period covered by this book.

      Writing history entails the risk of imposing order and meaning where none existed. Whether the early modern period has themes and trends that are peculiarly its own, or is merely a convenient label for the centuries between the end of the Middle Ages and the first stirrings of the industrial revolution, is too large a question for a preface, and too abstract for a narrative history. What is certainly true is that this period covers some very important historical territory for a proper understanding of modern Britain. The Reformation in England and Scotland in the sixteenth century wrought perhaps the most profound and enduring transformation in British and Irish society – for Catholics as well as Protestants – of anything that has happened in these islands since the Norman Conquest. The consequences of Britain’s traumatic break with medieval Christendom are still with us today, as are those of another innovation closely associated with the Reformation, and the early modern period more generally: printing. Britain’s first printing press was set up by William Caxton in 1476. The print revolution changed the way people read and wrote, thought and communicated, and how they perceived their nation and their relationship to the crown. Print was a vital medium by which London in particular, but also Edinburgh and Dublin, extended their authority and influence across the British Isles to create at least some of the attributes of a single political and cultural system. The partial incorporation of Ireland and Scotland by a London-dominated British state took place largely during the early modern period. And running through this story of the forging of modern Britain are the plot-lines, the dramatic twists and the heroes and villains of a true epic: the rise and fall of the ‘first’ British empire across the Atlantic.

      These themes will carry the burden of my story, but there are also significant subplots that I thought worth unravelling. The development of representative institutions in the British Atlantic; the deepening and widening commitment to ideas of freedom and the rule of law (which ultimately enabled the colonial American cubs to defy the parental British lion); the consolidation of a political culture built around ideas of rights and the answerability of monarchs to their subjects – a process that was fitful, occasionally bloody, and at various times highly uncertain of outcome – and the emergence, by the late seventeenth century, of a degree of religious tolerance that had no parallel in any major European state.

      Yet if the history of early modern Britain is not devoid of overarching themes, nor is it without deep fissures. Two are central to my narrative. The first and most obvious is the Reformation of the sixteenth century and, in particular, the way Protestantism altered how people in Britain related to the rest of Europe. From the 1550s there was a growing number of British Protestants who recognised no greater cause than fighting alongside their co-religionists in Europe in the great cosmic struggle against ‘popery’ – Catholicism understood as political and spiritual tyranny. Mere national security by means of a strong navy was the very least of their demands. They continually urged their monarchs to send armies to the Continent, and fleets to the New World, to uphold the Protestant cause. A few would be bolder still, and embrace the idea of the new and massively enlarged state that the British would have to build if they were properly to challenge the might of Catholic Europe.

      The second great fissure in the history of early modern Britain occurred in the 1640s, and would see precisely that: the construction of a monstrous, militaristic state. And yet the circumstances surrounding