Wrong Knickers for a Wednesday: A funny novel about learning to love yourself. Paige Nick. Читать онлайн. Newlib. NEWLIB.NET

Автор: Paige Nick
Издательство: HarperCollins
Серия:
Жанр произведения: Зарубежный юмор
Год издания: 0
isbn: 9780008160845
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through the front door of the building ahead of me, revealing an ancient wooden staircase. It’s so narrow I don’t know how a more horizontally challenged (i.e. fat) person would make it up. Squeeze up sideways? Live somewhere else? The stairs aren’t just narrow and creaky; they’re also as steep as an advanced-level ski slope. I have to clutch the banister with one hand and lean forward as I follow Dania, my suitcase thunking up every step behind me.

      Dania unlocks a door at the top of the first flight. She’s not even out of breath, and I’m puffing and panting my way up. It takes me so long to heave myself and my bag up the stairs that the motion sensor light switches off, plunging the stairs into darkness. Dania has to wave her arms to turn it back on again. When I catch up with her, we step into a large living area, with high ceilings and wooden floors. The meaty smell of other people’s cooking permeates the air.

      The lounge is simply decorated, but with so much furniture that it reminds me of the Big Brother house on TV. I count three enormous couches. Magazines in various languages are strewn on each of the four coffee tables, as well as a scatter of empty mugs, bottles of nail polish in every colour, emery boards and a hairbrush. The street-facing windows are draped with blue denim curtains and look out onto the canal below.

      ‘It’s a … a … beautiful flat,’ I say. It’s not really what I’m thinking, but manners prevail. I wonder who stayed here before me. They haven’t left it very tidy for the new tenant.

      ‘Good. We hope you’ll be very comfortable here, ja? This is your new home and you must treat it as your own. As a fellow performer, I know how hard it is being far away from home. Discomfortable, really. But if you ever need to talk to us, David and me, we are here for you, like family people. Now we show you the kitchen, ja?’

      It’s not actually a question, but her voice naturally rises at the end of all her sentences. It must be a Swedish thing. I follow her into the next room, where three stoves are lined up against one wall. There are also two microwaves and three fridges. It seems a little excessive. The smell of unfamiliar cooked food is more pungent in here. Cabbage and something that makes me think of boiling sheep heads.

      ‘You’ll find your name on a shelf in the cupboard and one in a fridge for your groceries. Word of helping, don’t touch anyone else’s shelf. These girls are thin and hungry, food is important, and it’s a quick way to make enemies.’

      ‘Girls?’ I blurt out.

      ‘Ja, sure, the girls,’ Dania says.

      ‘What girls?’

      ‘The other performers. The girls who live here.’ She gives me a curious stare.

      ‘Ohhh, of course. The other girls,’ I say, trying to sound casual. Effing, effing Natalie! First I’m performing on my first night, next I’m living in a communal house with goodness knows how many other women. I should have grilled Natalie more closely before I agreed to any of this madness. What did I think, that I’d have a whole apartment to myself? That was just naïve. The enormity of what I’ve agreed to do strikes me, and I have to put my hand down on the sticky kitchen counter for balance. Not only am I going to have to pretend to be someone else on stage, but where I’m staying as well. I’m going to have to perform – as Natalie being Rihanna – twenty-four/seven. This is completely insane. I gnaw at a fingernail, trying not to panic.

      ‘It’s not always so quiet here, like this,’ Dania is saying, oblivious to the fact that I’m on the verge of hyperventilating. ‘The girls are all at the club early today for spraying tan. Winter problems. Come, we continue with the touring.’

      I traipse down a corridor behind Dania, wiping my sticky palm on my leg and taking deep breaths. She pushes open a door to a small, cluttered bathroom.

      ‘Bathroom, ja?’ she says, her voice businesslike.

      I follow her back to the lounge.

      ‘There’s no phone. We did once try, but with calls to Croatia and Estonia, it’s difficult to manage the bill. There is Wi-Fi limitlessly though, so you can be in touch with all your people at home. The code is on a piece of paper, stuck to the side of that cupboard, ja.’

      ‘Thank you,’ I say, my lip trembling.

      ‘You are from a big family, ja?’

      ‘No. It’s just me and my older sister. Our parents died some years ago in a car accident.’

      ‘I’m sorry,’ Dania says, ticking her tongue against the back of her teeth again and giving me that look everyone gets when you tell them you’re an orphan. Pity mixed with discomfort. People don’t know what to say. Which is fine by me; there’s nothing you can say.

      ‘What about a boyfriend?’ Dania asks, reaching for my hand and pulling it towards her to examine the naked ring finger. ‘Or children?’ Clearly this woman has no personal boundaries.

      ‘I have a fiancé,’ I say. ‘His name’s Lucas. He’s a teacher.’ Like me, I almost say, but stop myself just in time.

      ‘How does he feel about you being here?’

      ‘He’s … ummm … He’s supportive and excited.’

      ‘This is unusual but good. And you have left Africa by yourself before, kära?’ she asks.

      ‘Not since we came back to South Africa from exile, when I was a little girl,’ I say.

      ‘You will get used to it. I should know. David and I have been in showbiz for over thirty years, ja. Travelling, performing everywhere. Who would you say we look like?’ she says, brightening and landing both hands on her hips in a theatrical pose.

      ‘I don’t know …’

      ‘Guess,’ she says, sticking her neck out towards me so I can examine her features more closely.

      ‘Really, I have no idea. Sorry.’

      ‘Go on, just one guesses. I give you a hint; David and I have the most successful double act in Sweden for over twenty years. Who do you say I look like?’

      ‘Joan Rivers?’ I offer, realising too late that this might not be very complimentary.

      Dania grimaces.

      ‘Sorry. It’s been a long day, the flight and everything … I haven’t slept much,’ I stutter.

      She recovers quickly. ‘You make a joke. Here, I give you another hint …’ she says. She starts gyrating her hips and breaks into song – something completely unrecognisable.

      ‘It’s on the tip of my tongue,’ I say. I haven’t got a clue, but anything to make her stop.

      ‘I tell you,’ she says, clapping her hands together, ‘but you’ll kick your back … is Sonny and Cher! Ja?’

      ‘Wow, now that you tell me of course you are, I can really see the likeness,’ I lie again.

      ‘I suppose it’s hard to tell without the wig.’

      ‘Exactly, and the outfits,’ I say. ‘Plus, I’m really tired. Any other day I would have gotten it just like that.’ I click my fingers.

      ‘In 1982 we are coming number eight in the Eurovision Song Contest,’ Dania says. ‘Anyway … that was then.’ She waves her hand in front of her face. ‘We retired from the biz in 1999. Then we come over here and buy the club with all our savings and prize-winnings money and so Legends was born. It is the first club like this in the whole wide world. The rest is history. David Junior was still cute baby boy then. Now he’s not so baby, but still cute-cute, my boy.’

      Dania retreats into a daydream with a half-smile on her face. When I clear my throat, she starts. ‘Come, I take you now to show your room, ja? I grab my suitcase and we return to the landing. The stairwell lights click on with another clunk and we continue up the remainder of the steep, narrow staircase. I drag the stupid, heavy case behind me again. What the hell did Natalie pack in here, bricks? I’m amazed I have any body fluid left to sweat out.