Yet what a glorious sight must it not have been when it was fresh from the hands of the builder, the creamy stone clear and sharp at every angle, and each moulding and flower true and perfect as the chisel had newly left it. The deep archway of the west front opened in stately magnificence, and yet with a light loftiness hitherto unknown in England, and somewhat approaching to the style in which the great French cathedrals were then rising. And its accompaniments were, on the one hand the palace and hall, on the other hand the monastery, with its high walled courts and deep-browed cloisters, its noble refectory and vaulted kitchen, the herbarium or garden, shady with trees, and enriched with curious plants of Palestine, sloping down to the broad and majestic Thames, pure and blue as he pursued his silver winding way through emerald meadows and softly rising hills clothed with copses and woods. To the east, seated upon her hills, stood the crowned and battlemented city, the massive White Tower rising above the fortifications.
The autumn brilliance of October, 1269, never enlightened a more gorgeous scene than when it shone upon the ceremony still noted in our Calendar as the Translation of King Edward. Buried at first in his own low-browed heavy-arched Norman structure, which he had built, as he believed, at the express bidding of St. Peter; the Confessor, whose tender-hearted and devout nature had, by force of contrast with those of his fierce foreign successors, come to assume a saintly halo in the eyes not merely of the English, but of their Angevin lords themselves, was, now to reign on almost equal terms with the great Apostle himself, as one of the hallowing patrons of the Abbey—nay, since at least his relics were entire and undoubted, as its chief attraction.
The new chapel in his especial honour, behind the exquisite bayed apsidal chancel, was at length complete; and on this day he was to take possession of it. An ark of pure gold, chased and ornamented with the surpassing grace of that period of perfect taste, had received the royally robed corpse, which Churchmen averred lay calm and beautiful, untainted by decay; and this was now uplifted by the arms of King Henry himself, of Richard King of the Romans his brother, and of the two princes, Edward and Edmund.
It was a striking sight to see those two pairs of brothers. The two kings, nearly of an age, and so fondly attached that they could hardly brook a separation, till the death of the one broke the wearied heart of the other, were both gray-haired prematurely-aged men, of features that time instead of hardening had rendered more feeble and uncertain. Their faces were much alike, but Henry might be known from Richard by a certain inequality in the outline of his eyebrows; and their dress, though both alike wore long flowing gowns, the side seams only coming down as far as the thigh so as to allow play for the limbs, so far differed that Henry's was of blue, with the English lions embroidered in red and gold on his breast, and Richard was in the imperial purple, or rather scarlet, and the eagle of the empire on his breast testified to the futile election which he had purchased with the wealth of his Cornish mines. Both the elders together, with all their best will and their simple faith in the availing merit of the action they were performing, would have been physically incapable of proceeding many steps with their burden, but for the support it received from the two younger men who sustained the feet of the saint, using some dexterity in adapting their strength so that the coffin might be carried evenly.
One was the hunter we have already seen in Alton Wood. His features wore their characteristic stamp of deep awe and enthusiasm, and even as he slowly and calmly moved, sustaining the chief of the weight with scarcely an effort of his giant strength, his head towering high above all those around, his eyes might be observed to be seeing, though not marking, what was before them, but to be fixed as though the soul were in contemplation, far far away. He did not see in the present scene four princes rendering homage to a royal saint, who, from personal connection and by a brilliant display of devotion, might be propitiated into becoming a valuable patron amid intercessor; still less did it present itself to him as a pageant in which he was to bow his splendid powers, mental and bodily, to aid two feeble-minded old men to totter under the gold-cased corpse of a still more foolish and mischievous prince, dead two hundred years back. No, rather thought and eye were alike upon the great invisible world, the echo of whose chants might perchance be ringing on his ear; that world where holy kings cast their crowns before the Throne, and where the lamb-like spirit of the Confessor might be joining in the praise, and offering these tokens of honour to Him to whom all honour and praise and glory and blessing are due.
Of shorter stature, darker browed, of less regular feature and less clear complexion, so as to look as if he were the elder of the brothers, Prince Edmund moved by his side, using much exertion, and bending with the effort, so as to increase the slight sloop that had led to his historical nickname of the Crouchback, though some think this was merely taken from his crusading cross. He bore the arms of Sicily, to which he had not yet resigned his claim. His eye wandered, but not far away, like that of his brother. It was in search of his young betrothed, the Lady Aveline of Lancaster, the fair young heiress to whom he was to owe the great earldom that was a fair portion for a younger brother even of royalty.
All the four were bare-footed, and both princes were in robes much resembling that of their father, except that upon the left shoulder of each might be seen, in white cloth, the two lines of the Cross, that marked them as pilgrims and Crusaders, already on the eve of departure for the Holy Land.
The shrine where the golden coffin was to rest is substantially the same in our own day, with its triple-cusped arches below, the stage of six and stage of four above them, and the twisted columns in imitation of that which was supposed to have come from the Beautiful Gate of the Temple. But at that time it was a glittering fabric of mosaic work, in gold, lapis-lazuli, and precious stones, aided here and there by fragments of coloured glass, the only part of the costly workmanship that has come down to us. Around this shrine the preceding members of the procession had taken their places. Archbishop Boniface of Savoy was there, old age ennobling a countenance that once had been light and frivolous, and all his bishops in the splendour of their richest copes, solidly embroidered with absolute scenes and portraits in embroidery, with tall mitres worked with gold wire and jewels, and crosiers of beauteous workmanship in gold, ivory, and enamel. Mitred abbots, no less glorious in array, stood in another rank; the scarlet-mantled Grand Prior of the Hospital, and the white-cloaked Templar, made a link between the ecclesiastic and the warrior. Priests and monks, selected for their voices' sake, clustered in every available space; and, in full radiance, on a stage on the further side, were seated the ladies of the court, mostly with their hair uncovered, and surrounded by a garland of precious stones. Queen Eleanor of Provence, still bent on youthfulness, looked somewhat haggard in this garb; but it well became Beatrix von Falkmorite, the young German girl whom Richard King of the Romans had wedded in his old age for the sake of her fair face. Smiling, plump, and rosy, she sat opening her wide blue eyes, wearing her emerald and ruby wreath as though it had been a coronal of daisies, and gazing with childish whisperings as she watched the movements of her king, and clung for direction and help in her own part of the pageant to the Princess Eleanor, who sat beside her, little the elder in years, less beautiful in colouring, but how far surpassing her in queenly pensive grace and dignity! Leaning on Eleanor's lap was a bright-eyed, bright-haired boy of four years old, watching with puzzled looks the brilliant ceremony, which he only half understood, and his glances wandering between his father and the blue and white robed little acolytes who stood nearest to the shrine, holding by chains the silver censers, which from time to time sent forth a fragrant vapour, curling round the heads of the nearest figures, and floating away in the lofty vaultings of the roof.
The actual ceremony could only be beheld by a favoured few; the official clergy, the many connections of royalty, and the chief nobility, filled the church to overflowing, but the rest of the world repaid itself by making a magnificent holiday. Good-natured King Henry had been permitted by his son, who had now, though behind the scenes, assumed the reins of government, to spend freely, and make a feast to his heart's content. Roasting and boiling were going on on a fast and furious scale, not only in the palace and abbey, but in booths erected in the fields; and tables were spreading and rushes strewing for the accommodation of all ranks. Near the entrance of the Abbey, the trains of the personages within awaited their coming forth in some sort of order, the more reverent listening to the sounds from within, and bending