Southern Stories. Various

an abounding hospitality. But what, after all, are houses to a people that lives outdoors? Conveniences only; for such a people, better than houses are the air of the open, the scent of the roses, the blue of the Southern sky, the vast, strong sweep of the brilliant stars!

      If we pause here along this street where run such every-day things as electric street-cars, we shall see on one side of the splendid avenue a smooth-paved roadway for the carriages, on the other a course for the horsemen, and in the center a noble inner avenue of trees set in a velvet-like carpet of grass; and here and there along the way, almost in touch of your hand from the open car window, appears the Spanish dagger, with its green, sharp blades and its snowy, showy plume. Not far away stands a lowly negro cabin, where the sun beats down hot and fierce upon a great straggling rose-bush, reaching up to the eaves, beating back the rays of the sun defiantly and gaining fresh strength in the struggle. On such a bush one day I counted two hundred and ninety roses.

      This city which lives outdoors must play most in the open, and in its noble park, with its vast stretches of bright green, here empurpled by masses of the dainty grass-flower, there yellowing with the sheen of the buttercup, one finds the tireless golf-players leisurely strolling over the links; from yonder come the cries of the boys at ball; and in the farther distance you may see through the frame-like branches of a giant live-oak the students of a great university hard set at a game of tennis. And yet—is it the air, or the race, or the traditions?—something it is which makes the sportsmen, like the spring, seem slow to move.

      And here even the palms grow outdoors in the city yards. And should you go past the city's limits, and yet within seeing distance of its blue-tiled housetops, you will find the palms growing rank in the great swamps, which you must search if you care to hunt for the languid alligators—palms growing so thick and rank that it is quite like looking into some vast conservatory, with the blue dome of the sky for glass. And here grow the magnolias in their wild, barbaric splendor of bloom, and the live-oaks, mighty of girth and spread, draped in somber gray moss as if for the funeral of some god of the deep green wood. At the fringe of the swamp, tempting you until near to jumping into the morass after them, are the huge fleurs-de-lis, each gorgeous blossom fully seven inches across its purple top.

      To the north, somewhat apart from the reach of the treacherous river, lie the health-giving piny woods, and along the big, sullen stream the sugar plantations, some of them still the home of a lavish hospitality, some of them transformed into mere places of trade, where thrift and push have elbowed out all that fine gallantry and ease and ample hospitality of an earlier day—that hospitality which will ever remain a leading characteristic of the people. To be a Southern man or a Southern woman and to be inhospitable—that is not possible in the nature of things.

      It is, when all is said and done, on the gallery that this city lives most of its life—on the gallery even more than on the evening-thronged banquette, which is the sidewalk of the North, or the boulevards, or even the fragrant parks, where life flows in a fair, placid stream. Some there must be who toil by day in shop, or at counter, or in dim accounting-rooms, or on the floors of the marts where fortunes are made and lost in sugar or cotton or rice. For such the gallery is a haven of rest. If they must pass the earlier day indoors, for them the gallery during the long, late afternoon, and the ghost of a twilight, and the long evenings far into the starry night. The ghost of a twilight indeed—the South knows no other. Sometimes I have watched the long, splendid twilight come down over the wild Canadian forest—slowly delaying; creeping up the low mountains; halting from hour to hour in the glades below; shade after shade in the glorious sky of the west gradually merging into the dimness of the oncoming dusk; the moments passing so slowly, the day fading so elusively, until, at last, when even the low moon has hung out its silver sign in the west and the stars are pricking through, it is still twilight along the lower earth. And still farther to the north, around the globe in the far upper Europe, with the polar circle below you, it is like living on a planet of eternal day to sit through the northern light and feel about you the all-pervasive twilight of the land of the midnight sun. But the night is so hasty here, and the day is swift; and between them runs but a slender, dim thread.

      The gallery is a feature of every house in this city that lives outdoors, be it big or little, humble or grand, or lowly or mean. It is on the first floor or the second, or even the third, though the third it seldom reaches, for few people care for houses of great height. Indeed, there are hundreds of homes of but one story, full of the costliest tokens of the taste of an artistic people. And the soil below is so like a morass that ample space must be left between floor and earth; while as for cellars, I have heard of but two in all the great city. The gallery may run around the entire house, flanked and set off by splendid pillars with capitals rich and ornate; it may run across one end of the residence and be a marvel of rich ironwork, as fine as art and handicraft can make it, with, mayhap, the figures of its field outlined in some bit of color, as gold or green; it may be but a single cheap wooden affair, paintless, dingy, dilapidated, weather-worn, and stained with neglect; but a gallery it is still, an important social feature of this outdoor life.