They are rife on all occasions, and their frequency and energy bear no relation to the supposed exigencies of his political career. Take the following instance. No man surely knew better than he, that at the conclusion of the civil war the army had become paramount. He could sometimes speak of this army with the natural pride of a soldier, with the full consciousness of the power it possessed, and had conferred on him; and yet, at other times, he would talk of this terrible force in the puling strain, in more than the drawl and drivel of the conventicle. As Lord High Protector, addressing his first parliament, he says:—"I had the approbation of the officers of the army, in the three nations of England, Scotland, and Ireland. I say of the officers: I had that by their express remonstrances, and under signature. But there went along with that express consent of theirs, an implied consent also of a body of persons who had had somewhat to do in the world; who had been instrumental, by God, to fight down the enemies of God, and his people, in the three nations. And truly, until my hands were bound, and I was limited, (to my own great satisfaction, as many can bear me witness,) while I had in my hands so great a power and arbitrariness—the soldiery were a very considerable part of these nations, especially all government being dissolved. I say, when all government was thus dissolved, and nothing to keep things in order but the sword!" There can be no doubt of it—the soldiery were a very considerable part of the nation. But the Lord High Protector, in a speech he makes to his second parliament, referring to the very same period, narrating the very same events, can talk of this army as "a company of poor men," "your poor army," "those poor contemptible men." To attempt to detect any political motive for this absurd phraseology, would be a very idle speculation, mere waste of ingenuity: he was simply more in the puritanic vein in the one case than the other.
In his letters to the parliament, giving an account of his successes in the war, he generally concludes with some expression of this strained evangelical modesty, and seems very much afraid lest Speaker Lenthall and other honourable members should attribute the victories he announces, in any measure to the army and the general who won them. He might be very sure, however, that, notwithstanding these self-renunciations, the parliament knew very well who was fighting their battles. Such a mode of speech would not endanger his reputation, nor diminish from his claims; might perhaps—though we will not say this was present to his thoughts—induce the parliament to presume that he would not insist on any very egregious reward for services he was so anxious to disclaim. We will quote one instance of this self-denying style; and perhaps the following passage contains altogether as much of a certain fanatical mode of reasoning as could be well found in so short a compass. Prince Rupert, then at Worcester, had sent two thousand men across the country, to his majesty at Oxford, to convoy his majesty's person and the artillery over to him at Worcester. Cromwell attacked and routed this convoy; he also took Bletchington House. After giving an account of the transaction, he continues:—"This was the mercy of God; and nothing is more due than a real acknowledgment. And though I have had greater mercies, yet none clearer: because, in the first place, God brought them to our hands when we looked not for them; and delivered them out of our hands, when we laid a reasonable design to surprise them, and which we carefully endeavoured. His mercy appears in this also, that I did much doubt the storming of the house, it being strong and well manned, and I having few dragoons, and this being not my business; and yet we got it. I hope you will pardon me if I say, God is not enough owned. We look too much to men and visible helps: this hath much hindered our success." This from Oliver, who so well knew how "to keep his powder dry!" from Oliver, who, enthusiast himself, could yet shrewdly calculate on the military efficacy of enthusiasm, and set it down amongst the ways and means! Cant or not, it is sad stuff.
But, Puritan as he was, we can admire Cromwell. Every great man, in whatever times, or in whatever part of the world he has made his appearance, has earned his title to fame and distinction, not by qualities peculiar to the sect or religion to which he may have belonged, but qualities which, though connected with his own especial faith or tenets, are recognised as the common property of mankind; he has been great not as Catholic, as Puritan, as Pagan, as Mahometan, but as man; he has been great, because he was pious, brave, patriotic, sagacious, resolute, and has achieved great enterprises on the theatre of life. The greatness of Cromwell was indeed allied to Puritanism, inasmuch as his mind grew up under this peculiar form of religion; but what we, and all posterity must admire in Cromwell, is by no means the puritan. His steadiness of purpose, his unshaken resolution, his military prowess, his eminent talent to govern and command, and his religious sense of duty to the Supreme, might all have existed under other modes of religion. In our admiration we entirely separate these qualities from that least gainly and least wholesome of the forms of Christian piety with which they are here found connected. History gives us examples of every kind of virtue, and every kind of talent, united with every species of fanaticism that has afflicted civilised life. It follows not that we applaud the fanaticism. The early caliphs were several of them distinguished by exalted virtues, temperance, self-denial, justice, patriotism: we praise these virtues, we acknowledge, too, that they are here linked with the profession of the faith of Islam; but for all this we do not admire the religion of Mahomet, nor that fanaticism which writ its texts upon the sword.
We insist upon this obvious distinction, because, whilst agreeing—to a certain extent—in Mr Carlyle's view of the character of Cromwell, we beg not to be implicated in that esteem and reverence which he professes to entertain for Puritanism, or the Puritans as a body. And this brings us to the extraordinary part of Mr Carlyle's performance—his ardent sympathy, nay his acquiescence with, and adherence to the Puritans, to that point that he adopts their convictions, their feelings, and even some of their most grotesque reasonings. Their violence and ferocity, we were prepared to see Mr Carlyle, in his own sardonic fashion, abet and encourage; his sympathy is always with the party who strikes; but that he should identify himself with their mumming thoughts, their "plentiful reasons," their gloomiest superstitions, was what no one could have anticipated. On this subject we must quote his own words; our own would not be credited; they would seem to any one who had not read his work to be scandalous misrepresentations. The extravagance runs through the whole book, but we have it perhaps more concentrated in the Introduction.
This Introduction, which we sat down to with keen expectations, disappointed us extremely, at least in those parts where any general views are taken. We feel, and have elsewhere ungrudgingly expressed, a certain admiration for the talents of Mr Carlyle. We shall never forget the surprise and pleasure with which we read the "Sartor Resartus," as it one day burst suddenly and accidentally upon us; and no one who has once read his graphic and passionate history of the French Revolution, can ever forget the vivid pictures that were there presented to him. We opened this book, therefore, with a sort of anticipatory relish. But we found very little of his genius, and very much of his extravagance; less of the one and more of the other, than we thought could possibly have been brought together. Metaphors and allusions, already worn thread-bare, are introduced as stock phrases, as if he had inserted them in his dictionary of the English language. All his vices of manner are exaggerated, while the freshness of thought, which half excused them, is departed. These strange metaphors, these glaring colours, which are ready spread out upon his palette, he transfers with hasty profusion to his canvass, till—(as it has been said of Mr Turner's, pictures)—the canvass and the palette-plate very nearly resemble. But were it otherwise, were there all and more than the wit, and humour, and sarcasm, and pungent phrase, and graphic power, which may be found scattered through Mr Carlyle's best performances, there is here a substratum of sheer and violent absurdity, which