Alberti,
Del Governo della Famiglia, Opere, ed. Bonucci, v. 171. Comp. above, p. 132, note 1.
367
Franco Sacchetti, nov. 156; comp. 24 for Dolcibene and the Jews. (For Charles IV. and the fools, Friedjung, o.c. p. 109.) The Facetiæ of Poggio resemble Sacchetti’s in substance—practical jokes, impertinences, refined indecency misunderstood by simple folk; the philologist is betrayed by the large number of verbal jokes. On L. A. Alberti, see pp. 136, sqq.
368
And consequently in those novels of the Italians whose subject is taken from them.
369
According to Bandello, iv. nov. 2, Gonnella could twist his features into the likeness of other people, and mimic all the dialects of Italy.
370
Paul. Jov. Vita Leonis X.
371
‘Erat enim Bibiena mirus artifex hominibus ætate vel professione gravibus ad insaniam impellendis.’ We are here reminded of the jests of Christine of Sweden with her philologists. Comp. the remarkable passage of Jovian. Pontanus, De Sermone, lib. ii. cap. 9: ‘Ferdinandus Alfonsi filius, Neapolitanorum rex magnus et ipse fuit artifex et vultus componendi et orationes in quem ipse usus vellet. Nam ætatis nostri Pontifices maximi fingendis vultibus ac verbis vel histriones ipsos anteveniunt.
372
The eye-glass I not only infer from Rafael’s portrait, where it can be explained as a magnifier for looking at the miniatures in the prayer-book, but from a statement of Pellicanus, according to which Leo views an advancing procession of monks through a ‘specillum’ (comp. Züricher Taschenbuch for 1858, p. 177), and from the ‘cristallus concava,’ which, according to Giovio, he used when hunting. (Comp. ‘Leonis X. vita auctore anon, conscripta’ in the Appendix to Roscoe.) In Attilius Alessius (Baluz. Miscell. iv. 518) we read, ‘Oculari ex gemina (gemma?) utebatur quam manu gestans, signando aliquid videndum esset, oculis admovebat.’ The shortsightedness in the family of the Medici was hereditary. Lorenzo was shortsighted, and replied to the Sienese Bartolommeo Soccini, who said that the air of Florence was bad for the eyes: ‘E quella di Siena al cervello.’ The bad sight of Leo X. was proverbial. After his election, the Roman wits explained the number MCCCCXL. engraved in the Vatican as follows: ‘Multi cæci Cardinales creaverunt cæcum decimum Leonem.’ Comp. Shepherd-Tonelli, Vita del Poggio, ii. 23, sqq., and the passages there quoted.
373
We find it also in plastic art, e.g., in the famous plate parodying the group of the Laöcoon as three monkeys. But here parody seldom went beyond sketches and the like, though much, it is true, may have been destroyed. Caricature, again, is something different. Lionardo, in the grotesque faces in the Biblioteca Ambrosiana, represents what is hideous when and because it is comical, and exaggerates the ludicrous element at pleasure.
374
Jovian. Pontan. De Sermone, libri v. He attributes a special gift of wit to the Sienese and Peruginese, as well as to the Florentines, adding the Spanish court as a matter of politeness.
375
Il Cortigiano, lib. ii. cap. 4 sqq., ed. Baude di Vesme, Florence, 1854, pp. 124 sqq. For the explanation of wit as the effect of contrast, though not clearly put, see ibid. cap. lxxiii. p. 136.
376
Pontanus, De Sermone, lib. iv. cap. 3, also advises people to abstain from using ‘ridicula’ either against the miserable or the strong.
377
Galateo del Casa, ed. Venez. 1789, p. 26 sqq. 48.
378
Lettere Pittoriche, i. p. 71, in a letter of Vinc. Borghini, 1577. Macchiavelli (Stor. Fior. vii. cap. 28) says of the young gentlemen in Florence soon after the middle of the fifteenth century: ‘Gli studî loro erano apparire col vestire splendidi, e col parlare sagaci ed astuti, e quello che più destramente mordeva gli altri, era più savio e da più stimato.’
379
Comp. Fedra Inghirami’s funeral oration on Ludovico Podocataro (d. Aug. 25, 1504) in the Anecd. Litt. i. p. 319. The scandal-monger Massaino is mentioned in Paul. Jov. Dialogues de Viris Litt. Illustr. (Tiraboschi, tom. vii. parte iv. p. 1631).
380
This was the plan followed by Leo X., and his calculations were not disappointed. Fearfully as his reputation was mangled after his death by the satirists, they were unable to modify the general estimate formed of him.
381
This was probably the case with Cardinal Ardicino della Porta, who in 1491 wished to resign his dignity and take refuge in a monastery. See Infessura, in Eccard. ii. col. 2000.
382
See his funeral oration in the Anecd. Litt. iv. p. 315. He assembled an army of peasants in the March of Aneona, which was only hindered from acting by the treason of the Duke of Urbino. For his graceful and hopeless love-poems, see Trucchi, Poesie Inedite, iii. 123.
383
How he used his tongue at the table of Clement VII. is told in Giraldi, Hecatomithi, vii. nov. 5.
384
The charge of taking into consideration the proposal to drown Pasquino (in Paul. Jov. Vita Hadriani), is transferred from Sixtus IV. to Hadrian. Comp. Lettere dei Principi, i. 114 sqq., letter of Negro, dated April 7, 1523. On St. Mark’s Day Pasquino had a special celebration, which the Pope forbade.
385
In the passages collected in Gregorovius, viii. 380 note, 381 sqq. 393 sqq.
386
Comp. Pier. Valer. De Infel. Lit. ed. Mencken, p. 178. ‘Pestilentia quæ cum Adriano VI. invecta Romam invasit.’
387
E.g. Firenzuola, Opera (Milano 1802), vol. i. p. 116, in the Discorsi degli Animali.
388
Comp. the names in Höfler, Sitzungsberichte der Wiener Academie (1876), vol. 82, p. 435.
389
The words of Pier. Valerian, De Infel. Lit. ed. Mencken, p. 382, are most characteristic of the public feeling at Rome: ‘Ecce adest Musarum et eloquentiæ totiusque nitoris hostis acerrimis, qui literatis omnibus inimicitias minitaretur, quoniam, ut ipse dictitabat, Terentiani essent, quos quum odisse atque etiam persequi cœpisset voluntarium alii exilium, alias atque alias alii latebras quærentes tam diu latuere quoad Deo beneficio altero imperii anno decessit, qui si aliquanto diutius vixisset, Gothica illa tempora adversus bonas literas videbatur suscitaturus.’ The general hatred of Adrian was also due partly to the fact that in the great pecuniary difficulties in which he found himself he adopted the expedient of a direct tax. Ranke, Päpste, i. 411. It may here be mentioned that there were, nevertheless, poets to be found who praised Adrian. Comp. various passages in the Coryciana (ed. Rome, 1524), esp. J. J. 2b sqq.
390
To the Duke of Ferrara, January 1, 1536 (Lettere, ed. 1539, fol. 39): ‘You will now journey from Rome to Naples,’ ‘ricreando la vista avvilita nel mirar le miserie pontificali con la contemplazione delle eccellenze imperiali.’
391
The fear which he caused to men of mark, especially artists, by these means, cannot be here described. The publicistic weapon of the German Reformation was chiefly the pamphlet dealing with events as they occurred; Aretino is a journalist in the sense that he has within himself a perpetual occasion for writing.
392
E.g. in the Capitolo on Albicante, a bad poet; unfortunately the passages are unfit for quotation.
393
Lettere, ed. Venez. 1539, fol. 12, dated May 31, 1527.
394
In the first Capitolo to Cosimo.
395
Gaye, Carteggio, ii. 332.
