The Best Short Stories of 1917, and the Yearbook of the American Short Story. Edward Joseph Harrington O'Brien

human beings.

      If only the Italian would go away, or decide to sleep, or die! Yes, Suvaroff would have been glad to have found his neighbor quite dead—anything to still that terrible accordion, which had been pumping out tunes for over a week at all hours of the day and night! The music did not have the virtue of an attempt at gaiety; instead it droned out prolonged wails, melancholy and indescribably discordant.

      The night was damp, a typical San Francisco midsummer night. A drizzling fog had swept in from the ocean and fell refreshingly on the gray city. But the keenness of the air irritated Suvaroff's headache instead of soothing it; he felt the wind upon his temples as one feels the cool cut of a knife. In short, everything irritated Suvaroff—his profession, the café where he fiddled, the strident streets of the city, the evening mist, the Hôtel des Alpes Maritimes, where he lodged, and the Italian fisherman and his doleful accordion.

      Turning off Kearny Street into Broadway, he had half a notion not to go home, but his dissatisfaction was so inclusive that home seemed, at once, quite as good and as hopeless a place to go as any other. So he pushed open the door of his lodging-house and stamped rather heavily up-stairs.

      Although midnight, the first sound which greeted Suvaroff was the wheezing of the Italian's accordion.

      "Now," muttered Suvaroff, "I shall suffer in silence no longer. Nobody in this city, much less in these wretched lodgings, has an ear for anything but the clink of money and the shrill laughter of women. If fifty men were to file saws in front of the entrance of any one of these rooms, there would be not the slightest concern. Every one would go on sleeping as if they had nothing more weighty on their conscience than the theft of a kiss from a pretty girl."

      He tossed his hat on the bed and made for the Italian's door. He did not wait to knock, but broke in noisily. The accordion stopped with a prolonged wail; its owner rose, visibly frightened.

      "Ah!" cried the Italian, "it is you! I am glad of that. See, I have not left the house for three days."

      There was a genial simplicity about the man; Suvaroff felt overcome with confusion. "What is the matter? Are you ill?" he stammered, closing the door.

      "No. I am afraid to go out. There is somebody waiting for me. Tell me, did you see a cripple standing on the corner, near Bollo's Wine Shop, as you came in?"

      Suvaroff reflected. "Well, not a cripple, exactly. But I saw a hunchback with—with—"

      "Yes! yes!" cried the other, excitedly. "A hunchback with a handsome face! That is he! I am afraid of him. For three days he has sat there, waiting!"

      "For you? How absurd! Why should any one do such a ridiculous thing?"

      The Italian slipped his hands from the accordion and laid it aside. "Nobody but one who is mad would do it, but he is mad. There is no doubt about that!"

      Suvaroff began to feel irritated. "What are you talking about? Have you lost your senses? If he is waiting for you, why do you not go out and send him away? Go out and pay him what you owe him."