Original Letter. A. (Adair.)
Congratulatory Ode. Courtenay.
Ode to Sir Elijah Impey. "Anonymous—I believe L. J. Townsend."—L.
Song, to tune "Let the Sultan Saladin." R–d.
A new Song, "Billy's Budget." Fitzpatrick.
Epigrams. R–d.
Ministerial Facts. "Ld. J. Townsend, I believe."—L.
Journal of the Right Hon. H. Dundas.
To end of March 7th. Tierney.
March 9th and 10th. Dr. Lawrence.
March 11th. Tierney.
March 12th and 13th. C. Grey.
March 14th. Tierney.
"This came out in numbers, or rather in continuations, in the Newspaper."—L.
Incantation. Fitzpatrick.
Translations. "Tickle, Richardson, R–d, and others."—L.
The "Memoranda" &c., respecting The Rolliad, at Vol. ii., p. 439., recalled to my recollection a "Note" made several years back; but the "Query" was, where to find that Note? However, I made a mental note, "when found," to forward it to you, and by the merest chance it has turned up, or rather, out; for it fell from within an old "Common Place Book," when—I must not take credit for being in search of it, but, in fact, in quest of another note. Should you consider it likely to interest either your correspondents, contributors, or readers, you are much welcome to it; and in that case, to have troubled you with this will not be regretted by
Stoke, Bucks.
"Before I left London in February last, I received from my old friend, T. Courtenay, Esq., M.P., notes, of which the following is a copy, giving account of the Authors of The Rolliad, and of the series of Political Satires which followed it:—
Extract from Dedication. Fitzpatrick.
Nos. 1. 2. G. Ellis.
No. 3. Dr. Lawrence.
No. 4. J. Richardson.
No. 5. Fitzpatrick.
Nos. 6. 7. 8. Dr. Lawrence.
No. 9. Fitzpatrick.
Nos. 10. 11. J. Richardson.
No. 12. Fitzpatrick.
Nos. 13. 14. Dr. Lawrence.
Part II.
Nos. 1. 2. G. Ellis
Nos. 3. 4. J. Richardson.
No. 5. Fitzpatrick.
No. 6. Read.
No. 7. Dr. Lawrence.
Political Eclogues.
Rose. Fitzpatrick.
The Lyars. Do.
Margaret Nicholson. R. Adair.
C. Jenkinson. G. Ellis.
Jekyll, Lord J. Townsend and Tickell.
No. 1. Tickell.
2. G. Ellis.
3. H. B. Dudley.
4. J. Richardson.
5. J. Ellis. ?G.
6. Unknown.
7. (Mason's). Do.
8. Brummell.
9. Sketched by Canning, the Eton Boy, finished by Tickell.
10. Pearce. ?
11. Boscawen.
12. Lord J. Townsend.
13. Unknown. Mr. C. believes it to be Mrs. Debbing, wife of Genl. D.
14. Rev. Mr. O'Byrne.
15. Fitzpatrick.
16. Dr. Lawrence.
17. Genl. Burgoyne.
18. Read.
19. Richardson.
20. G. Ellis.
21. Do.
22. Do.
"If ever my books should escape this obscure corner, the above memorandum will interest some curious collector.
"The above list, as far as it relates to Richardson, is confirmed by his printed Life, from which I took a note at Lord J. Townsend's four days ago.
NOTE ON PALAMON AND ARCITE
It has probably often been remarked as somewhat curious, that Chaucer, in describing the arrival of Palamon and Arcite at Athens, mentions the day of the week on which it takes place:
"And in this wise, these lordes all and some,
Ben on the Sonday to the citee come," &c.
Nothing seems to depend on their coming on one day of the week rather than on another. In reality, however, this apparently insignificant circumstance is astrologically connected with the issue of the contest. Palamon, who on the morning of the following day makes his prayer to Venus, succeeds at last in winning Emelie, though Arcite, who commends himself to Mars, conquers him in the tournament. The prayers of both are granted, because both address themselves to their tutelary deities at hours over which these deities respectively preside. In order to understand this, we must call to mind the astrological explanation of the names of the days of the week. According to Dio Cassius, the Egyptians divided the day into twenty-four hours, and supposed each of them to be in an especial manner influenced by some one of the planets. The first hour of the day had the prerogative of giving its name, or rather that of the planet to which it was subject, to the whole day. Thus, for instance, Saturn presides over the first hour of the day, which is called by his name; Jupiter over the second, and so on; the Moon, as the lowest of the planets, presiding over the seventh. Again, the eighth is subject to Saturn, and the same cycle recommences at the fifteenth and at the twenty-second hours. The twenty-third hour is therefore subject to Jupiter, and the twenty-fourth to Mars. Consequently, the first hour of the following day is subject to the sun, and the day itself is accordingly dies Solis, or Sunday. Precisely in the same way it follows that the next day will be dies Lunæ; and so on throughout the week. To this explanation it has been objected that the names of the days are more ancient than the division of the day into twenty-four parts; and Joseph Scaliger has attempted to derive the names of the days from those of the planets, without reference to this method of division. His explanation, however, which is altogether geometrical, inasmuch as it depends on the properties of the heptagon, seems quite unsatisfactory, though Selden appears to have been inclined to adopt it. At any rate, the account of the matter given by Dio Cassius has generally been accepted.
To return to Chaucer: Theseus, as we know, had erected in the place where the tournament was to be held three oratories, dedicated to Mars, to Venus, and to Diana. On the day after their arrival, namely, on Monday, Palamon and Arcite offered their prayers to Venus and Mars respectively, and Emelie, in like manner, to Diana. Of Palamon we are told that—
"He rose, to wenden on his pilgrimage
Unto the blisful Citherea benigne"
two hours before it was day, and that he repaired to her temple "in hire hour."
In the third hour afterwards,
"Up rose the sonne, and up rose Emelie
And to the temple of Diane gan hie."
Her prayer also was favourably heard by the deity to whom it was addressed; the first hour of Monday (the natural day beginning at sunrise) being subject to Luna or Diana. The orisons of Palamon were offered two hours earlier,