A fresh cruise, in the following year, bettered his health, and brought him the anecdote of a mystery of the sea which was the germ of "The Wrecker." He saw Samoa, and bought land there—Vailima—the last and best of his resting-places; and here he was joined, in 1891, by his intrepid mother. He was now a lord of land, a householder in his unpretentious Abbotsford, and "a great chief" among the natives, distracted as they were by a king de facto, and a king over the water, with the sonorous names of Malietoa and Mataafa. Samoan politics, the strifes of Germany, England, and the States, were labyrinthine: their chronicle is written in his "Footnote to History." My conjectures as to the romantic side of his dealings with the rightful king are vague and need not be recorded. "You can be in a new conspiracy every day," said an Irishman with zest, but conspiracies are better things in fiction than in real life; and Stevenson had no personal ambitions, and, withal, as much common sense as Shelley displayed in certain late events of his life. He turned to the half-finished "Wrecker" and completed it.
When the story began to appear in "Scribner's Magazine" it seemed full of vivacity and promise. The opening scenes in the Pacific were like Paradise, as the author said, to dwellers in Brixton, or other purlieus of London. The financial school at which Loudon Dodd was educated in Stock Exchange flutters was rather less convincing than any dream of Paradise, but none the less amusing. At home in Edinburgh, with the old Scottish master of jerry-building and of "plinths," the atmosphere was truly Scots, tea-coseys and all, while the reminiscences of Paris and Fontainebleau, and the grandeurs et misères of "the young Americo-Parisienne sculptor" were perfectly fresh to the world, though some of the anecdotes were known to Stevenson's intimates. Mr. James Pinkerton is a laudable creation, with his loyalty, his innocence, his total ignorance and complete lack of taste, and his scampers too near the wind of commercial probity. The spirit of hustle incarnate in a man otherwise so innocent, the ideals caught from heaven knows what American works for the young, and the inspired patriotism, the blundering enthusiastic affection, make the early Pinkerton a study as original as it is entertaining.
The sale by auction of the wreck, which, by arrangement, is to be Pinkerton's prey, the mysterious opposition of the other bidder, so determined to win an object apparently so worthless, is no less thrilling than the sale of the fur coat in Boisgobey's "Crime de l'Opéra." But the reader knows why the fur coat is so much desired, whereas I remember being driven so wild by curiosity about the value of the wreck that I wrote to Louis, desiring to learn the secret. He would not divulge it, and when, after the voyage to the island and the excitement of knocking the wreck to pieces were over—when the secret came out, it was neither pleasant nor probable. That a mild British amateur of water-colour drawing should have taken part in a massacre of men, shot painfully with cheap revolvers, was an example of "the possible improbable," and much more of a tax on belief than the transformation of Dr. Jekyll. When I mildly urged this criticism, I learned, by return of post, from a correspondent usually as dilatory as Wordsworth, that I was a stay-at-home person ignorant of the world, and of life as it is lived by full-blooded men on the high seas. That was very true, but the amateur in water-colour was also a mild kind of good being. "What would I have done with the crew who were such compromising witnesses, and were butchered?" I would have marooned them.
"The Beach of Falesá" is a revelation of unfamiliar life and character, and one is attached to the little brown heroine. There was to have been "a supernatural element," better, probably, than the device of the Æolian harps hung in the thicket. "I have got the smell and the look of the thing a good deal," he said, and he had got the style of his rough English narrator, who was, as he told the missionary, "what you call a sinner, what I call a sweep," but repented in time.
A period of many projects followed; one, "The Young Chevalier," had a germ in "The Letter of Henry Goring" (1749-1750), with which I brought him acquainted, not knowing then that it was merely a romance by the prolific Eliza Heywood. It was in this tale that the Master of Ballantrae was to come to the rescue, and I think that a Scottish assassin (who lurks obscure in real history) and Mandrin, the famed French robber, were to appear, but only a chapter is published among other fragments. As it stands, Prince Charles's eyes are alternately blue and brown; brown was their actual colour—they were like Stevenson's own.
Fortunately, the "Chevalier" was deserted for the continuation of "Kidnapped," a sequel which is as good as, or, thanks to the two heroines, Catriona and Barbara Grant, is even better than, the original. To think of it is to wish to take it from the shelf and read it again. It is all excellent, from the scenes where Alan is hiding under a haystack (suggested by an adventure of the Chevalier Johnstone after Culloden), and the first meeting with that good daughter of Clan Alpine and of James Mor, onwards.
Stevenson excited a good deal of odium among fiery Celts by his scoundrel Master of Lovat. There is no reason, as far as I am aware, to suppose that Simon was a scoundrel, but, as a figure in fiction, he is very firmly drawn. The abortive duel of Balfour with the Highland Ensign, who conceives high esteem of "Palfour," is in the author's best manner, as are the days of prison in that "unco place, the Bass," and he was justly proud of the wizard tale of Tod Lapraik. The bristling demeanour of Alan Breck and James Mor (a very gallant but distinctly unfortunate son of Rob Roy), seems a correct picture. Indeed, James Mor was correctly divined, probably from letters of his published in Scott's "Rob Roy." It does not appear that Stevenson ever saw a number of James's letters in the character of a spy (a spy who appears to be carefully bamboozling his employers), which exist in the Newcastle MSS. in the British Museum. But the James of these letters is the James of "Catriona." The scenes with the advocates of James of the Glens, at Inveraray, read as if they had been recorded in shorthand, at the moment. David himself is, of course, the Lowland prig he is meant to be, but Catriona, at last, was a moving heroine, though Stevenson, justly, preferred to her the beautiful Miss Grant, and entirely overcame the difficulty of making us realise her beauty. The Princess, in "Prince Otto," is a fair shadow, compared to Miss Grant, and Stevenson at last convinced most readers that if he had omitted the interest of womanhood, it was not from incompetence—though it may have been from diffidence.
At this time we used to receive letters from him not infrequently; he sent me the "Luck of Apemama," which he sacrilegiously purchased from its holder. This fetish, the palladium of the island, was in one point remarkable—a very ordinary shell in a perfectly new box of native make. Why it was thought "great medicine" and ignorantly worshipped, the pale-face student of magic and religion could not understand. However, it was the Luck of the island, and when it crossed the sea to Europe a pestilence of measles fell on the native population. There was no manifest connection of cause and effect.
Stevenson's letters to me were merely such notes as he might have written had we both been living within the four-mile radius; usually notes about books which he needed, always brightened with a quip and some original application of slang. Occasionally there were rhymes. One was about a lady:
"Who beckled, beckled, beckled gaily."
Another had the refrain:
"The dibs that take the islands
Are the dollars of Peru."
One long and lively piece was on the Achaean hero of a fantastic romance by Mr. Rider Haggard and myself: the Ithacan, the Stormer of the City. Stevenson exclaimed:
"Ye wily auld blackguard,
How far ye hae staggered,
Frae Homer to Haggard
And Lang."
How variously excellent he was as a letter-writer the readers of his correspondence know, and how vast, considering his labours and his health, that correspondence is! Often it is freakish, often it is serious, but except in some epistles of the period of his apprenticeship, it is never written as if he anticipated the publisher and the editor. Good examples are his letters to a reviewer, who, criticizing him without knowing him, wrote as if he were either an insensible athletic optimist, or a sufferer who was a poseur. "The fact is, consciously or not, you doubt my honesty.... Any brave man may make out a life which shall be happy for himself, and, by so being, beneficent