In Emily there was nothing that suggested sentimentality; rather one would have thought her deficient in sensibility, judging from the tone of her conversation. She did not freely express admiration, even in the form of assent to what was said by others. To interpret her reticence as shyness was a misunderstanding, or a misuse of words, natural in the case of an inexact observer like Mrs. Rossall. Four years ago, when Beatrice met her in Dunfield, her want of self-confidence was pronounced enough; she had at that time never quitted her provincial home, and was in the anomalous position of one who is intellectually outgrowing very restricted social circumstances. The Baxendales were not wrong in discussing her as shy. But that phase of her life was now left far behind. Her extreme moderation was deliberate; it was her concession to the fate which made her a governess. Courtesy and kindliness might lead those whose bread she ate to endeavour occasionally to remove all show of social distinction; neither her temperament nor her sense of comeliness in behaviour would allow her to shrink from such advances, but she could not lose sight of the unreality of the situations to which they led. Self-respect is conditioned by the influence of circumstance on character; in Emily it expressed itself as a subtle sensitiveness to grades of sympathy. She could not shut her eyes to the actuality of things; sincerity was the foundation of her being, and delicate appreciation of its degrees in others regulated her speech and demeanour with an exactitude inappreciable by those who take life in a rough and ready way. When engaged in her work of teaching, she was at ease; alone in the room which had been set apart for her, she lived in the freedom of her instincts; but in Mrs. Rossall's drawing-room she could only act a part, and all such divergence from reality was pain. It was not that she resented her subordination, for she was almost devoid of social ambitions and knew nothing of vulgar envy; still less did it come of reasoned revolt against the artificial ordering of precedences; Emily's thoughts did not tend that way. She could do perfect justice to the amiable qualities of those who were set above her; she knew no bitterness in the food which she duly earned; but, by no one's fault, there was a vein of untruth in the life she had to lead. To remind herself that such untruth was common to all lives, was an outcome of the conditions of society, did not help her to disregard it; nature had endowed her with a stern idealism which would not ally itself with compromise. She was an artist in life. The task before her, a task of which in these days she was growing more and more conscious, was to construct an existence every moment of which should serve an all-pervading harmony. The recent birth within her of a new feeling was giving direction and vigour to the forces of her being; it had not as yet declared itself as a personal desire; it wrought only as an impassioned motive in the sphere of her intellectual aspirations, She held herself more persistently apart from conventional intercourse; she wished it had been possible to keep wholly to herself in the hours when her services were not demanded. Mr. Athel, who liked to express himself to young people with a sort of paternal geniality, rallied her one day on her excessive study, and bade her be warned by a notorious example. This had the effect of making her desist from reading in the presence of other people.
She had known much happiness during these two months at The Firs, happiness of a kind to dwell in the memory and be a resource in darker days. Though mere personal ease was little the subject of her thoughts, she prized for its effect upon her mind the air of graceful leisure, of urbane repose, which pervaded the house. To compare The Firs with that plain little dwelling on the skirts of a Yorkshire manufacturing town which she called her home, was to understand the inestimable advantage of those born into the material refinement which wealth can command, of those who breathe from childhood the atmosphere of liberal enjoyment, who walk from the first on clean ways, with minds disengaged from anxiety of casual soilure, who know not even by domestic story the trammels of sordid preoccupation. Thus it was with a sense of well-being that she stepped on rich carpets, let her eyes wander over the light and dark of rooms where wealth had done the bidding of taste, watched the neat and silent ministering of servants. These things to her meant priceless opportunity, the facilitating of self-culture. Even the little room in which she sat by herself of evenings was daintily furnished; when weary with reading, it eased and delighted her merely to gaze at the soft colours of the wall-paper, the vases with their growing flowers, the well-chosen pictures, the graceful shape of a chair; she nursed her appreciation of these Joys, resisted the ingress of familiarity, sought daily for novel aspects of things become intimately known. She rose at early hours that she might have the garden to herself in all its freshness; she loved to look from her window into the calm depth of the summer midnight. In this way she brought into consciousness the craving of her soul, made the pursuit of beauty a religion, grew to welcome the perception of new meaning in beautiful things with a spiritual delight. This was the secret of her life, which she guarded so jealously, which she feared even by chance to betray in the phrasings of common intercourse. Wilfrid had divined it, and it was the secret influence of this sympathy that had led her to such unwonted frankness in their latest conversation.
Mrs. Rossall had spoken to her of Beatrice Redwing's delightful singing, and had asked her to come to the drawing-room during the evening; having declined the afternoon's drive, Emily did not feel able to neglect this other invitation. The day had become sultry towards its close; when she joined the company about nine o'clock, she found Beatrice with Mrs. Rossall sitting in the dusk by the open French windows, Mr. Athel in a chair just outside, and Wilfrid standing by him, the latter pair smoking. The sky beyond the line of dark greenery was still warm with after-glow of sunset.
Emily quietly sought a chair near Mrs. Rossall, from whom she received a kind look. Mr. Athel was relating a story of his early wanderings in Egypt, with a leisurely gusto, an effective minuteness of picturing, the result of frequent repetition. At the points of significance he would pause for a moment or two and puff life into his cigar. His anecdotes were seldom remarkable, but they derived interest from the enjoyment with which he told them; they impressed one with a sense of mental satisfaction, of physical robustness held in reserve, of life content among the good things of the world.
'Shall we have lights?' Mrs. Rossall asked, when the story at length came to an end.
'Play us something first,' said Beatrice. 'This end of twilight is so pleasant.'
Mrs. Rossall went to the piano, upon which still fell a glimmer from another window, and filled the room with harmony suiting the hour. Wilfrid had come in and seated himself on a couch in a dark corner; his father paced up and down the grass. Emily watched the first faint gleam of stars in the upper air.
Then lamps and candles were brought in. Beatrice was seen to be dressed in dark blue, her hair richly attired, a jewelled cross below her throat, her bosom and arms radiant in bare loveliness. Emily, at the moment that she regarded her, found herself also observed. Her own dress was of warm grey, perfectly simple, with a little lace at the neck and wrists. Beatrice averted her eyes quickly, and made some laughing remark to Mr. Athel.
'I know you always object to sing without some musical preparation,' said Mrs. Rossall, as she took a seat by the girl's side. 'I wonder whether we ought to close the windows; are you afraid of the air?'
'Oh, leave them open!' Beatrice replied. 'It is so close.'
Her cheeks had a higher colour than usual; she lay back in the chair with face turned upwards, her eyes dreaming.
'You are