At its farthest point north, the Broadway subway, belying its name, emerges from the earth and becomes an elevated structure, rearing high above the ground. Its northernmost station stands aloft, butt-ended and pierced with many windows, like a ferry-boat cabin set up on stilts. Through a long aisle of sun-dried trees, Judson Green made for this newly risen landmark. A year or two years before, all this district had been well wooded and sparsely inhabited. But wherever a transit line goes in New York it works changes in the immediate surroundings, and here at this particular spot, the subway was working them, and many of them. Through truck patches and strips of woodland, cross-streets were being cut, and on the hills to the westward, tall apartment houses were going up. On the raw edge of a cut, half of an old wooden mansion stood, showing tattered strips of an ancient flowered wallpaper and a fireplace, clinging like a chimney-swift's nest to a wall, where the rest of the room had been sheared away bodily. Along Broadway, beyond a huddle of merry-go-rounds and peanut stands, a row of shops had sprung up, as it were, overnight; they were shiny, trim, citified shops, looking a trifle strange now in this half-transformed setting, but sure to have plenty of neighbours before long. There was even a barber shop, glittering inside and out with the neatness of newness, and complete, even to a manicuring table and a shoe-shining stand. The door of the shop was open; within, electric fans whirred in little blurs of rapid movement.
See now how chance still served our young man: Crossing to the station, Judson Green took note of this barber shop and took note also that his russet shoes had suffered from his trudge through the dusty park. Likewise one of the silken strings had frayed through; the broken end stood up through the top eyelet in an untidy fringed effect. So he turned off short and went into the little place and mounted the new tall chair that stood just inside the door. The only other customer in the place was in the act of leaving. This customer got up from the manicure table opposite the shoe-shining stand, slipped a coin into the palm of the manicure girl and passed out, giving Green a brief profile view of a thin, bearded face. Behind the back of her departing patron, the manicure girl shrugged her shoulders inside of an ornate bodice and screwed up her nose derisively. It was plainly to be seen that she did not care greatly for him she had just served.
From where he was languidly honing a razor, the head barber, he who presided over the first of the row of three chairs, spoke:
"You ought'nter be making faces at your regular steadies, Sadie. If you was to ask me, I think you've got a mash on that there gent."
The young person thus addressed shook her head with a sprightly motion.
"Not on your life," she answered. "There's certainly something about that man I don't like."
"It don't never pay to knock a stand-by," opined the head barber, banteringly.
As though seeking sympathy from these gibes, the young lady denominated as Sadie turned toward the well-dressed, alert-looking young man who had just come in. Apparently he impressed her as a person in whom she might confide.
"Speaking about the fella that just went out," she said. "August yonder is all the time trying to guy me about him. I should worry! He ain't my style. Honest, I think he's nutty."
Politely Green uttered one of those noncommittal sounds that may be taken to mean almost anything. But the manicure lady was of a temperament needing no prompting. She went on, blithe to be talking to a new listener.
"Yes, sir, I think he's plumb dippy. He first came in here about two weeks ago to have his nails did, and I don't know whether you'll believe it or not—but August'll tell you it's the truth—he's been back here every day since. And the funniest part of it is I'm certain sure he never had his nails done in his life before then—they was certainly in a untidy state the first time he came. And there's another peculiar thing about him. He always makes me scrape away down under his nails, right to the quick. Sometimes they bleed and it must hurt him."
"Apparently the gentleman has the manicuring habit in a serious form," said Green, seeing that Miss Sadie had paused, in expectation of an answer from him.
"He sure has—in the most vi'lent form," she agreed. "He's got other habits too. He's sure badly stuck on the movies."
"I beg your pardon—on the what?"
"On the movies—the moving pictures," she explained. "Well, oncet in a while I enjoy a good fillum myself, but I'm no bigot on the subject—I can take my movies or I can let 'em be. But not that man that just now went out. All the time I'm doing his nails he don't talk about nothing else hardly, except the moving pictures, he's seen that day or the day before. It's right ridiculous, him being a grown-up man and everything. I actually believe he never misses a new fillum at that new moving picture place three doors above here, or at that other one, that's opened up down by Two Hundred an' Thirtieth Street. He seems to patronise just those two. I guess he lives 'round here somewhere. Yet he don't seem to be very well acquainted in this part of town neither. Well, it sure takes all kind of people to make a world, don't it?"
Temporarily Miss Sadie lapsed into silence, never noticing that what she said had caused her chief auditor to bend forward in absorbed interest. He sat with his eyes on the Greek youth who worked over his shoes, but his mind was busy with certain most interesting speculations.
When the bootblack had given his restored and resplendent russets a final loving rub, and had deftly inserted a new lace where the old one had been, Mr. Green decided that he needed a manicure and he moved across the shop, and as the manicure lady worked upon his nails he siphoned the shallow reservoir of her little mind as dry as a bone. The job required no great amount of pump-work either, for this Miss Sadie dearly loved the sound of her own voice and was gratefully glad to tell him all she knew of the stranger who favoured such painful manicuring processes and who so enjoyed a moving picture show. For his part, Green had seen only the man's side face, and that casually and at a fleeting glance; but before the young lady was through with her description, he knew the other's deportment and contour as though he had passed him a hundred times and each time had closely studied him.
To begin with, the man was sallow and dark, and his age was perhaps thirty, or at most thirty-two or three. His beard was newly grown; it was a young beard, through which his chin and chops still showed. He smoked cigarettes constantly—the thumb and forefinger of his right hand were stained almost black, and Miss Sadie, having the pride of her craft, had several times tried unsuccessfully to bleach them of their nicotine disfigurements.
He had a manner about him which the girl described as "kind of suspicious and scary,"—by which Green took her to mean that he was shy and perhaps furtive in his bearing. His teeth, his eyes, his expression, his mode of dress—Mr. Green knew them all before Miss Sadie gave his left hand a gentle pat as a sign that the job was concluded. He tipped her generously and caught the next subway train going south.
Southbound subway trains run fast, especially when the rush of traffic is northward. Within the hour Judson Green sat in the reading room of his club, industriously turning the pages of the club's file of the World for the past month. Presently he found what he was seeking. He read a while, and for a while then he took notes. Pocketing his notes, he ate dinner alone and in due season thereafter he went home and to bed. But before this, he sent off a night lettergram to the Byrnes private detective agency down in Park Row. He wanted—so in effect the message ran—the best man in the employ of that concern to call upon him at his bachelor apartments in the Hotel Sedgwick, in the morning at ten o'clock. The matter was urgent, important—and confidential.
If the man who knocked at Green's sitting-room door that next morning at ten was not the best man of the Byrnes staff he looked the part. He was square-jawed, with an appraising eye and a good pair of shoulders. He had the right kind of a name for a detective, too. The name was Cassidy—Michael J.
"Mr. Cassidy," said Judson Green, when the preliminaries of introduction were over, "you remember, don't you, what the papers said at the time of the Steinway murder about the suspect Maxwell, the old man's nephew—the description they printed of him, and all?"
"I ought to," said Cassidy. "Our people had that case from the start—I worked on it myself off and on, up until three days ago." From memory he quoted: "Medium height, slender, dark-complected, smooth-faced and about thirty-one years