A broad-brimmed Panama hat, a suit of navy-blue flannel, and a pair of riding-boots completed his equipment. A field-glass in a leather case was swung by a strap over his shoulder, and in the breast pocket of his blouse he carried a small compass to guide him on his journey due north.
The young man's costume went very well with his frank, refined face, and twenty-three years. A dead-gold mustache, pointed at the ends and sweeping at a level right and left, like a swallow's wings, gave him something of a military air; there was a martial directness, too, in the glance of his clear gray eyes, undimmed as yet with looking too long on the world. There could not have been a better figure for the saddle than Lynde's—slightly above the average height, straight as a poplar, and neither too spare nor too heavy. Now and then, as he passed a farm-house, a young girl hanging out clothes in the front yard—for it was on a Monday—would pause with a shapeless snowdrift in her hand to gaze curiously at the apparition of a gallant young horseman riding by. It often happened that when he had passed, she would slyly steal to the red gate in the lichen-covered stone wall, and follow him with her palm-shaded eyes down the lonely road; and it as frequently happened that he would glance back over his shoulder at the nut-brown maid, whose closely clinging, scant drapery gave her a sculpturesque grace to which her unconsciousness of it was a charm the more.
These flashes of subtile recognition between youth and youth—these sudden mute greetings and farewells—reached almost the dimension of incidents in that first day's eventless ride. Once Lynde halted at the porch of a hip-roofed, unpainted house with green paper shades at the windows, and asked for a cup of milk, which was brought him by the nut-brown maid, who never took her flattering innocent eyes off the young man's face while he drank—sipping him as he sipped the milk; and young Lynde rode away feeling as if something had really happened.
More than once that morning he drew up by the roadside to listen to some lyrical robin on an apple-bough, or to make friends with the black-belted Durham cows and the cream-colored Alderneys, who came solemnly to the pasture wall and stared at him with big, good-natured faces. A row of them, with their lazy eyes and pink tongues and moist india-rubber noses, was as good as a play.
At noon that day our adventureless adventurer had reached Bayley's Four-Corners, where he found provender for himself and Mary at what had formerly been a tavern, in the naive stage-coach epoch. It was the sole house in the neighborhood, and was occupied by the ex-landlord, one Tobias Sewell, who had turned farmer. On finishing his cigar after dinner, Lynde put the saddle on Mary, and started forward again. It is hardly correct to say forward, for Mary took it into her head to back out of Bayley's Four-Corners, a feat which she performed to the unspeakable amusement of Mr. Sewell and a quaint old gentleman, named Jaffrey, who boarded in the house.
"I guess that must be a suck-cuss hoss," remarked Mr. Sewell, resting his loosely jointed figure against the rail fence as he watched his departing guest.
Mary backed to the ridge of the hill up which the turnpike stretched from the ancient tavern, then recovered herself and went on.
"I never saw such an out-and-out wilful old girl as you are, Mary!" ejaculated Lynde, scarlet with mortification. "I begin to admire you."
Perhaps the covert reproach touched some finer chord of Mary's nature, or perhaps Mary had done her day's allowance of backing; whatever the case was, she indulged no further caprice that afternoon beyond shying vigorously at a heavily loaded tin-pedler's wagon, a proceeding which may be palliated by the statement of the fact that many of Mary's earlier years were passed in connection with a similar establishment.
The afterglow of sunset had faded out behind the serrated line of hills, and black shadows were assembling, like conspirators, in the orchards and under the spreading elms by the roadside, when Edward Lynde came in sight of a large manufacturing town, which presented a sufficiently bizarre appearance at that hour.
Grouped together in a valley were five or six high, irregular buildings, illuminated from basement to roof, each with a monstrous chimney from which issued a fan of party-colored flame. On one long low structure, with a double row of windows gleaming like the port-holes of a man-of-war at night, was a squat round tower that now and then threw open a vast valve at the top, and belched forth a volume of amber smoke, which curled upward to a dizzy height and spread itself out against the sky. Lying in the weird light of these chimneys, with here and there a gable or a spire suddenly outlined in vivid purple, the huddled town beneath seemed like an outpost of the infernal regions. Lynde, however, resolved to spend the night there instead of riding on farther and trusting for shelter to some farm-house or barn. Ten or twelve hours in the saddle had given him a keen appetite for rest.
Presently the roar of flues and furnaces, and the resonant din of mighty hammers beating against plates of iron, fell upon his ear; a few minutes later he rode into the town, not knowing and not caring in the least what town it was.
All this had quite the flavor of foreign travel to Lynde, who began pondering on which hotel he should bestow his patronage—a question that sometimes perplexes the tourist on arriving at a strange city. In Lynde's case the matter was considerably simplified by the circumstance that there was but a single aristocratic hotel in the place. He extracted this information from a small boy, begrimed with iron-dust, and looking as if he had just been cast at a neighboring foundry, who kindly acted as cicerone, and conducted the tired wayfarer to the doorstep of The Spread Eagle, under one of whose wings—to be at once figurative and literal—he was glad to nestle for the night.
II
IN WHICH THERE IS A FAMILY JAR
While Lynde is enjoying the refreshing sleep that easily overtook him after supper, we will reveal to the reader so much of the young man's private history as may be necessary to the narrative. In order to do this, the author, like Deacon Twombly's mare, feels it indispensable to back a little.
One morning, about three years previous to the day when Edward Lynde set forth on his aimless pilgrimage, Mr. Jenness Bowlsby, the president of the Nautilus Bank at Rivermouth, received the following letter from his wife's nephew, Mr. John Flemming, a young merchant in New York—
NEW YORK, May 28,1869.
MY DEAR UNCLE: In the course of a few days a friend of mine, Mr. Edward Lynde of this city, will call upon you and hand you a note of introduction from myself. I write this to secure for him in advance the liking and interest which I am persuaded you will not be able to withhold on closer acquaintance. I have been intimate with Edward Lynde for twelve years or more, first at the boarding-school at Flatbush, and afterwards at college. Though several years my junior, he was in the same classes with me, and, if the truth must be told, generally carried off all the honors. He is not only the most accomplished young fellow I know, but a fellow of inexhaustible modesty and amiability, and I think it was singularly malicious of destiny to pick him out as a victim, when there are so many worthless young men (the name of John Flemming will instantly occur to you) who deserve nothing better than rough treatment. You see, I am taking point-blank aim at your sympathy.
When Lynde was seven or eight years old he had the misfortune to lose his mother; his father was already dead. The child's nearest relative was an uncle, David Lynde, a rich merchant of New York, a bachelor, and a character. Old Lynde—I call him old Lynde not out of disrespect, but to distinguish him from young Lynde—was at that period in his sixtieth year, a gentleman of unsullied commercial reputation, and of regular if somewhat peculiar habits. He was at his counting-room precisely at eight in the morning, and was the last to leave in the evening, working as many hours each day as he had done in those first years when he entered as office-boy into the employment of Briggs & Livingstone—the firm at the time of which I am now writing was Lynde, Livingstone & Co. Mr. David Lynde lived in a set of chambers up town, and dined at his club, where he usually passed the evenings at chess with some brother antediluvian. A visit to the theatre, when some old English comedy or some new English ballet happened to be on the boards, was the periphery of