“Pinkney, Pinkney, my boy! how are you? And this is your little ‘prop’? your quarter-section, your country-seat, that we’ve been trespassing on, eh? A nice little spot, cool, sequestered, remote,—a trifle unimproved; carriage-road as yet unfinished. Ha, ha! But to think of our making a discovery of this inaccessible mountain, climbing it, sir, for two mortal hours, christening it ‘Sol’s Peak,’ getting up a flag-pole, unfurling our standard to the breeze, sir, and then, by Gad, winding up by finding Pinkney, the festive Pinkney, living on it at home!”
Completely surprised, but still perfectly good-humored, Rand shook the stranger’s right hand warmly, and received on his broad shoulders a welcoming thwack from the left, without question. “She don’t mind her friends making free with ME evidently,” said Rand to himself, as he tried to suggest that fact to the young lady in a meaning glance.
The stranger noted his glance, and suddenly passed his hand thoughtfully over his shaven cheeks. “No,” he said—“yes, surely, I forget—yes, I see; of course you don’t! Rosy,” turning to his wife, “of course Pinkney doesn’t know Phemie, eh?”
“No, nor ME either, Sol,” said that lady warningly.
“Certainly!” continued Sol. “It’s his misfortune. You weren’t with me at Gold Hill.—Allow me,” he said, turning to Rand, “to present Mrs. Sol Saunders, wife of the undersigned, and Miss Euphemia Neville, otherwise known as the ‘Marysville Pet,’ the best variety actress known on the provincial boards. Played Ophelia at Marysville, Friday; domestic drama at Gold Hill, Saturday; Sunday night, four songs in character, different dress each time, and a clog-dance. The best clog-dance on the Pacific Slope,” he added in a stage aside. “The minstrels are crazy to get her in ‘Frisco. But money can’t buy her—prefers the legitimate drama to this sort of thing.” Here he took a few steps of a jig, to which the “Marysville Pet” beat time with her feet, and concluded with a laugh and a wink—the combined expression of an artist’s admiration for her ability, and a man of the world’s scepticism of feminine ambition.
Miss Euphemia responded to the formal introduction by extending her hand frankly with a re-assuring smile to Rand, and an utter obliviousness of her former hauteur. Rand shook it warmly, and then dropped carelessly on a rock beside them.
“And you never told me you lived up here in the attic, you rascal!” continued Sol with a laugh.
“No,” replied Rand simply. “How could I? I never saw you before, that I remember.”
Miss Euphemia stared at Sol. Mrs. Sol looked up in her lord’s face, and folded her arms in a resigned expression. Sol rose to his feet again, and shaded his eyes with his hand, but this time quite seriously, and gazed at Rand’s smiling face.
“Good Lord! Do you mean to say your name isn’t Pinkney?” he asked, with a half embarrassed laugh.
“It IS Pinkney,” said Rand; “but I never met you before.”
“Didn’t you come to see a young lady that joined my troupe at Gold Hill last month, and say you’d meet me at Keeler’s Ferry in a day or two?”
“No-o-o,” said Rand, with a good-humored laugh. “I haven’t left this mountain for two months.”
He might have added more; but his attention was directed to Miss Euphemia, who during this short dialogue, having stuffed alternately her handkerchief, the corner of her mantle, and her gloves, into her mouth, restrained herself no longer, but gave way to an uncontrollable fit of laughter. “O Sol!” she gasped explanatorily, as she threw herself alternately against him, Mrs. Sol, and a bowlder, “you’ll kill me yet! O Lord! first we take possession of this man’s property, then we claim HIM.” The contemplation of this humorous climax affected her so that she was fain at last to walk away, and confide the rest of her speech to space.
Sol joined in the laugh until his wife plucked his sleeve, and whispered something in his ear. In an instant his face became at once mysterious and demure. “I owe you an apology,” he said, turning to Rand, but in a voice ostentatiously pitched high enough for Miss Euphemia to overhear: “I see I have made a mistake. A resemblance—only a mere resemblance, as I look at you now—led me astray. Of course you don’t know any young lady in the profession?”
“Of course he doesn’t, Sol,” said Miss Euphemia. “I could have told you that. He didn’t even know ME!”
The voice and mock-heroic attitude of the speaker was enough to relieve the general embarrassment with a laugh. Rand, now pleasantly conscious of only Miss Euphemia’s presence, again offered the hospitality of his cabin, with the polite recognition of her friends in the sentence, “and you might as well come along too.”
“But won’t we incommode the lady of the house?” said Mrs. Sol politely.
“What lady of the house”? said Rand almost angrily.
“Why, Ruth, you know!”
It was Rand’s turn to become hilarious. “Ruth,” he said, “is short for Rutherford, my brother.” His laugh, however, was echoed only by Euphemia.
“Then you have a brother?” said Mrs. Sol benignly.
“Yes,” said Rand: “he will be here soon.” A sudden thought dropped the color from his cheek. “Look here,” he said, turning impulsively upon Sol. “I have a brother, a twin-brother. It couldn’t be HIM—”
Sol was conscious of a significant feminine pressure on his right arm. He was equal to the emergency. “I think not,” he said dubiously, “unless your brother’s hair is much darker than yours. Yes! now I look at you, yours is brown. He has a mole on his right cheek hasn’t he?”
The red came quickly back to Rand’s boyish face. He laughed. “No, sir: my brother’s hair is, if any thing, a shade lighter than mine, and nary mole. Come along!”
And leading the way, Rand disclosed the narrow steps winding down to the shelf on which the cabin hung. “Be careful,” said Rand, taking the now unresisting hand of the “Marysville Pet” as they descended: “a step that way, and down you go two thousand feet on the top of a pine-tree.”
But the girl’s slight cry of alarm was presently changed to one of unaffected pleasure as they stood on the rocky platform. “It isn’t a house: it’s a NEST, and the loveliest!” said Euphemia breathlessly.
“It’s a scene, a perfect scene, sir!” said Sol, enraptured. “I shall take the liberty of bringing my scene-painter to sketch it some day. It would do for ‘The Mountaineer’s Bride’ superbly, or,” continued the little man, warming through the blue-black border of his face with professional enthusiasm, “it’s enough to make a play itself. ‘The Cot on the Crags.’ Last scene—moonlight—the struggle on the ledge! The Lady of the Crags throws herself from the beetling heights!—A shriek from the depths—a woman’s wail!”
“Dry up!” sharply interrupted Rand, to whom this speech recalled his brother’s half-forgotten strangeness. “Look at the prospect.”
In the full noon of a cloudless day, beneath them a tumultuous sea of pines surged, heaved, rode in giant crests, stretched and lost itself in the ghostly, snow-peaked horizon. The thronging woods choked every defile, swept every crest, filled every valley with its dark-green tilting spears, and left only Table Mountain sunlit and bare. Here and there were profound olive depths, over which the gray hawk hung lazily, and into which blue jays dipped. A faint, dull yellowish streak marked an occasional watercourse; a deeper reddish ribbon, the mountain road and its overhanging murky cloud of dust.
“Is it quite safe here?” asked Mrs. Sol, eying the little cabin. “I mean from storms?”
“It never blows up here,”