Toward ten in the evening, his coat collar turned up against the fine drizzle that pervaded the air, his hands in his pockets, his elbows gripping his sides, Sam Lewiston came up and silently took his place at the end of the line.
Unable to conduct his farm upon a paying basis at the time when Truslow, the "Great Bear," had sent the price of grain down to sixty-two cents a bushel, Lewiston had turned over his entire property to his creditors, and, leaving Kansas for good, had abandoned farming, and had left his wife at her sister's boarding-house in Topeka with the understanding that she was to join him in Chicago so soon as he had found a steady job. Then he had come to Chicago and had turned workman. His brother Joe conducted a small hat factory on Archer Avenue, and for a time he found there a meager employment. But difficulties had occurred, times were bad, the hat factory was involved in debts, the repealing of a certain import duty on manufactured felt overcrowded the home market with cheap Belgian and French products, and in the end his brother had assigned and gone to Milwaukee.
Thrown out of work, Lewiston drifted aimlessly about Chicago, from pillar to post, working a little, earning here a dollar, there a dime, but always sinking, sinking, till at last the ooze of the lowest bottom dragged at his feet and the rush of the great ebb went over him and engulfed him and shut him out from the light, and a park bench became his home and the "bread line" his chief makeshift of subsistence.
He stood now in the enfolding drizzle, sodden, stupefied with fatigue. Before and behind stretched the line. There was no talking. There was no sound. The street was empty. It was so still that the passing of a cable-car in the adjoining thoroughfare grated like prolonged rolling explosions, beginning and ending at immeasurable distances. The drizzle descended incessantly. After a long time midnight struck.
There was something ominous and gravely impressive in this interminable line of dark figures, close-pressed, soundless; a crowd, yet absolutely still; a close-packed, silent file, waiting, waiting in the vast deserted night-ridden street; waiting without a word, without a movement, there under the night and under the slow-moving mists of rain.
Few in the crowd were professional beggars. Most of them were workmen, long since out of work, forced into idleness by long-continued "hard times," by ill luck, by sickness. To them the "bread line" was a godsend. At least they could not starve. Between jobs here in the end was something to hold them up—a small platform, as it were, above the sweep of black water, where for a moment they might pause and take breath before the plunge.
The period of waiting on this night of rain seemed endless to those silent, hungry men; but at length there was a stir. The line moved. The side door opened. Ah, at last! They were going to hand out the bread.
But instead of the usual white-aproned under-cook with his crowded hampers there now appeared in the doorway a new man—a young fellow who looked like a bookkeeper's assistant. He bore in his hand a placard, which he tacked to the outside of the door. Then he disappeared within the bakery, locking the door after him.
A shudder of poignant despair, an unformed, inarticulate sense of calamity, seemed to run from end to end of the line. What had happened? Those in the rear, unable to read the placard, surged forward, a sense of bitter disappointment clutching at their hearts.
The line broke up, disintegrated into a shapeless throng—a throng that crowded forward and collected in front of the shut door whereon the placard was affixed. Lewiston, with the others, pushed forward. On the placard he read these words:
"Owing to the fact that the price of grain has been increased to two dollars a bushel, there will be no distribution of bread from this bakery until further notice."
Lewiston turned away, dumb, bewildered. Till morning he walked the streets, going on without purpose, without direction. But now at last his luck had turned. Overnight the wheel of his fortunes had creaked and swung upon its axis, and before noon he had found a job in the street-cleaning brigade. In the course of time he rose to be first shift-boss, then deputy inspector, then inspector, promoted to the dignity of driving in a red wagon with rubber tires and drawing a salary instead of mere wages. The wife was sent for and a new start made.
But Lewiston never forgot. Dimly he began to see the significance of things. Caught once in the cogs and wheels of a great and terrible engine, he had seen—none better—its workings. Of all the men who had vainly stood in the "bread line" on that rainy night in early summer, he, perhaps, had been the only one who had struggled up to the surface again. How many others had gone down in the great ebb? Grim question; he dared not think how many.
He had seen the two ends of a great wheat operation—a battle between Bear and Bull. The stories (subsequently published in the city's press) of Truslow's countermove in selling Hornung his own wheat, supplied the unseen section. The farmer—he who raised the wheat—was ruined upon one hand; the working-man—he who consumed it—was ruined upon the other. But between the two, the great operators, who never saw the wheat they traded in, bought and sold the world's food, gambled in the nourishment of entire nations, practised their tricks, their chicanery and oblique shifty "deals," were reconciled in their differences, and went on through their appointed way, jovial, contented, enthroned, and unassailable.
THE WIFE OF CHINO
I. CHINO'S WIFE
On the back porch of the "office," young Lockwood—his boots, stained with the mud of the mines and with candle-drippings, on the rail—sat smoking his pipe and looking off down the cañon.
It was early in the evening. Lockwood, because he had heard the laughter and horseplay of the men of the night shift as they went down the cañon from the bunk-house to the tunnel-mouth, knew that it was a little after seven. It would not be necessary to go indoors and begin work on the columns of figures of his pay-roll for another hour yet. He knocked the ashes out of his pipe, refilled and lighted it—stoppering with his match-box—and shot a wavering blue wreath out over the porch railing. Then he resettled himself in his tilted chair, hooked his thumbs into his belt, and fetched a long breath.
For the last few moments he had been considering, in that comfortable spirit of relaxed attention that comes with the after-dinner tobacco, two subjects: first, the beauty of the evening; second, the temperament, character, and appearance of Felice Zavalla.
As for the evening, there could be no two opinions about that. It was charming. The Hand-over-fist Gravel Mine, though not in the higher Sierras, was sufficiently above the level of the mere foot-hills to be in the sphere of influence of the greater mountains. Also, it was remote, difficult of access. Iowa Hill, the nearest post-office, was a good eight miles distant, by trail, across the Indian River. It was sixteen miles by stage from Iowa Hill to Colfax, on the line of the Overland Railroad, and all of a hundred miles from Colfax to San Francisco.
To Lockwood's mind this isolation was in itself an attraction. Tucked away in this fold of the Sierras, forgotten, remote, the little community of a hundred souls that comprised the personnel of the Hand-over-fist lived out its life with the completeness of an independent State, having its own government, its own institutions and customs. Besides all this, it had its own dramas as well—little complications that developed with the swiftness of whirlpools, and that trended toward culmination with true Western directness. Lockwood, college-bred—he was a graduate of the Columbia School of Mines—found the life interesting.
On this particular evening he sat over his pipe rather longer than usual, seduced by the beauty of the scene and the moment. It was very quiet. The prolonged rumble of the mine's stamp-mill came to his ears in a ceaseless diapason, but the sound was so much a matter of course that Lockwood no longer heard it. The millions of pines and redwoods that covered the flanks of the mountains were absolutely still. No wind was stirring in their needles. But the chorus of tree-toads, dry, staccato, was as incessant as the pounding of the mill. Far-off—thousands of miles, it seemed—an owl was hooting, three velvet-soft notes at exact intervals. A cow in the stable near at hand lay down with a long breath, while from the back veranda of Chino Zavalla's cabin came the clear voice of Felice singing "The Spanish Cavalier" while she washed the dishes.
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