Eli stole a look at her, and the sight of her slammed him like a blow. She sat in that ornate white chair, wearing that simple, perfect turquoise gown and holding a goblet the same color. Something really was wrong with Merriman. Very wrong.
His breath stuck in his chest, but he got his question out with no change in tone. “He went to north Africa first?”
She nodded, and he watched her lips as she answered. “Morocco. Egypt. Tunisia. Algeria. Oh, yes. He spent time in all of them.”
“And then he went to Paris and met your grandmother…”
“Yes.” She didn’t elaborate, and Eli knew better than to push much further. Nathan Roth had always been vague about how he had met and married his wife. She had avoided the spotlight, even in the days her husband had gloried in it.
Still, Eli had to seem to try. “I’ve heard conflicting stories. That she wasn’t actually born in France. That her family came from Egypt? Algeria? Morocco?”
Emerson smiled vaguely. “That’s something you should ask her.”
He allowed himself to smile back. “Will she tell me?”
She raised the goblet to her mouth. “Perhaps.”
“Tell me,” he said, “when you were a child, what did you think of the paintings? Or is that too personal for you to say?”
The will-o’-the-wisp smile touched her lips again. “I thought they were squiggles. Pretty, but just squiggles. I didn’t know why people bought them.”
He nodded to encourage her. “Now you do. Because you sell them.”
“No. The dealer sells them. Gerald Krystol. He and I talk over the prices and so on. I’m only the agent.”
“What do you think of the paintings now?”
She sat a bit taller in the chair. A look of pride crossed her face. But there was something more, as well. He realized it might be love. “They’re great. They’re a national treasure.”
Suddenly, she rose. “Would you like to walk on the beach? It’s one of the Captain’s favorite places. This may be your only chance. The weather’s supposed to get worse the next few days.”
He gazed up at her, her gown rippling in the wind. His throat tightened. “Yes. I would.”
“Then come with me,” she said, moving toward the gate. She turned and glanced over her shoulder, then made a beckoning motion.
Suddenly he wondered if he really was the one in charge here. He followed her as if powerless to do otherwise.
COMING BACK from the beach, Merriman met Eli and the Roth woman on the path. He grinned, feeling uneasy. She was pretty, but in too flamboyant a way. He liked faces that were subtler; they were more interesting to him.
Besides, Emerson Roth struck him as too edgy. She and Eli had been engaged in a complex fencing match from the get-go. Eli might relish such games, but Merriman did not.
He said to Emerson, “I’d like to do some more exterior shots, but closer up. That okay with you?”
Her eyes went wary, but only for a split second. She gave him a nod of permission. “As long as there are no people. Not even the groundsman. And he’s been told not to talk to either of you.”
“I understand,” said Merriman, mentally adding Your Highness. He saw Eli looking her over, as if trying to figure out exactly who lived behind that glamorous face. Merriman shrugged a goodbye to them both, then trudged back up the path. The wind was rising, and the clouds rolling in thicker and darker.
The pool area had a garden next to it, and the garden lured him. He liked the lushness of its tropical flowers, their startling spectrum of colors.
But he stopped before reaching the house and glanced again at Eli and Emerson Roth. Their backs were to him. Beyond them, the sea stretched, colored like steel, and the sky had turned dark gray. Even the sand looked grayish.
Eli wore wheat-colored jeans and a red shirt. The woman was a splash of turquoise beside him. Except for the muted greens of a few plants, he and she offered the only bright colors; they caught the eye and held it.
To hell with it, he thought. Permission or no permission, he’d take a few shots. She couldn’t object to having her back photographed could she? He raised the camera and snapped them, one, two, three times.
Then he turned toward the house and let himself in through the iron gate. He sniffed the air and could scent the smell of oncoming rain mingling with the heavy fragrance of the flowers. He walked slowly through the garden until an unbelievable tree caught his interest.
The tree was huge, but looked as if dozens of smaller trees had grown together, fusing into one. From above it dropped dozens of new roots to the ground, so that it seemed like a one-tree jungle. It was surrounded by a colorful stand of other plants.
He tried to make his way around this bizarre tree, to see it more closely. But then a flower caught his eye, a peculiar flower of gold and purple and scarlet.
Momentarily distracted, he dropped to his knee and began to take shots of this odd blossom. Suddenly he heard a rustling in the foliage. It sounded like the rustling of something large.
Merriman went still as a stone, wondering if the Keys were so tropical that they harbored things like anacondas or man-eating pythons. He knew there were alligators or crocodiles, but would they come this near to a house?
The rustling came closer, and Merriman held his breath. Of course, alligators crept around buildings—weren’t there always horror stories in the paper about them eating pet poodles and the occasional hapless tourist?
He vaguely remembered, from watching Peter Pan, that alligators had yellow eyes and could move with lethal speed. Something made a scuttling sound, almost next to him now, and Merriman whirled and stared down—into a pair of glinting yellow eyes.
After a split second of horror, he was relieved to see that the eyes belonged to the fattest cat he’d ever seen. Blue-gray, with a white nose, breast and paws, it stared at him with a disdain as massive as its body.
Well, thought Merriman, if he couldn’t snap the family, he could snap the family cat. This rotund beast had a fancy collar, and a tag shaped like a mouse. Say cheese, thought Merriman, looking through the lens.
Then, from behind his tree, Merriman heard light footsteps. The cat heard them, too, and cocked its head in that direction. It hunkered lower to the ground, as if trying to hide.
“Bunbury! It’s no good. I see you.”
The voice was feminine and breathless—and nearby. More rustling, and the animal cringed lower, its ears flattening. A pair of slender hands struggled to grab the cat by its fat middle.
Merriman found himself looking into a young woman’s face. Her eyes widened, and her mouth formed a small, perfect O of shock.
“Oh, goodness,” she breathed, and she looked paralyzed, crouched there, her hands motionless on the cat’s gray fur.
Merriman lowered his camera. The sight of her was like a kick in his chest. She was lovely. Her hair was the dark golden brown of honey, and so were her eyes. Her skin was a paler shade of honey, and she wore a T-shirt that matched her hair.
A woman made out of honey, Merriman thought illogically, but his system, ignoring logic, said Yum.
She seemed in dismay, almost terror. “You can’t take my picture.”
“I—I wasn’t,” he stammered. “Just the cat’s.”
“You can’t take the cat’s picture.” Her voice was panicky.
“I’m sorry,” Merriman said with all the sincerity he could muster. He meant it. She was such an appealing creature,