Up front the battle is on, war is being waged. Two kilometres to go now, and four riders are chasing one who has launched a decisive attack. Attacks must be 100 per cent, especially at this point in a stage. The best road racers in the world are fighting for the biggest road racing prize. Attacks in this company at this point must stick. If they fail, the rest will blow right by and the attacker will lose time, and probably any chance of winning the Tour de France this year.
But this attack looks good. This rider is on top of his game, at full stretch but totally in control, making a superhuman effort he can keep all the way to the finish line. His legs are on fire, but his will to win overrides them. Total concentration, his pain-face some call it, not strained, just set: a steely glare ahead. One kilometre to go, keep it going, this is good; this will work.
Push, push. At this point a rider might feel everything around him starting to fade. His peripheral vision is slowly fading, even the colours he sees become muted. His muscles are demanding so much oxygen that his body sends everything to them. His eyes can wait; his legs, lungs and heart can’t. They must have oxygen now.
But there it is: the last corner, the final straight, the finish line. The noise is just as loud now as it was lower down, but crowds are corralled behind barriers for the final kilometres. Safety and space, the riders need both. He will win. The others aren’t far behind, but they aren’t closing, and they have started watching each other. They have lost time to one man, but can’t afford to lose to another.
The leader knows now; he punches the air, still low over his bike, still absolutely on it. Pushing as hard as he can, determined to gain every precious second he can. Attacks like this cannot be mounted every day, so he has to make it count.
At last the stage is his, and depending on how much his attack has gained, the Tour de France might be too. Across the line, under the banner; a salute, two hands off the handlebars, but only briefly – he’s given too much for joy to sustain him any longer. He falls into the arms of a team helper, a carer who has waited with colleagues from other teams, all looking for their man. They are the confessors of cycling, the first person a rider sees after a race, the person to whom they confide their unmitigated joy, or their disappointment, before they tone either down and put on a different face for the press and other team personnel.
That’s road racing at its highest level: a sensory feast; a battle, raw and beautiful. It can even be noble at times, but it’s always intensely human. This book tells its story, good and bad, from the first ever road race to road racing today, and seeks to explain its language and the way it works.
There’s some debate about when the first ever bike race was held. Many quote a race in Parc St Cloud, Paris, on 31 May 1868. It was won by an Englishman, James Moore, but it was part of a series of races in the same park on the same day. The names of the other winners were lost, and only Moore’s survived.
It’s possible that other races pre-date the St Cloud meeting, although it can’t have been by much. The first bike with pedals – the act of pedalling is what I think defines cycling – was made in 1864, and the first patent for a pedal-powered bicycle given in 1866. So there wasn’t much time between those dates and the Parc St Cloud races.
But because they were held on a 2-kilometre lap of prepared cinder paths inside the park, not on the open road, they weren’t the first ever road races. The first proper road race of which there is a record happened in November 1869. It went from Paris to Rouen on normal roads. But since James Moore also won that race, he is the father of road racing.
The first mass-produced bikes were called ‘boneshakers’ in Britain and vélocipèdes in France. They were made from wrought iron, had wooden wheels with iron bands around their circumference to reduce wear, and one rudimentary brake. The pedals were attached to the front wheel, so these early bikes were direct drive; one revolution of the pedals meant one revolution of the wheel. And because wheels with greater circumference cover more ground per pedal revolution, the front wheels of early bikes were slightly bigger than the rear.
A Paris blacksmith and coach builder called Pierre Michaux was the man who put pedals on a two-wheeled running machine of the type that had become very popular in Germany, France and Britain. Or it may have been his son, Ernest. Again, there are conflicting accounts. But by creating the first ever pedal cycle, Pierre and/or Ernest Michaux made France the birthplace of cycling. By 1869 there were around sixty bicycle manufacturers in Paris, and about fifteen in the provinces. But the possibilities of this new invention were quickly being discovered on both sides of the English Channel.
Young men rode these early bikes around parks, doing tricks on them and generally showing off. But soon they started exploring the countryside by bike, and the capacity to cover great distances on two wheels became a statement of masculinity. In February 1869 John Mayall set himself the personal challenge of riding non-stop between London and Brighton. He completed the 83 kilometres in around twelve hours, attracting a lot of interest during what was a mini boom for the bicycle.
The first newspaper dedicated to cycling was born in 1869 in France. It was called Le Vélocipède Illustré, and although there had been news sheets about bikes before, Le Vélocipède Illustré was professionally produced, lavishly illustrated and lavishly written. This is what the editor, Richard Lesclide, also known by his pen name of Le Grand Jacques, wrote at the beginning of the first issue, which was published on 1 April 1869:
The Vélocipède is rapidly entering our lives, and that is the only justification we need for starting this new magazine. And yet never has the famous phrase: ‘People began to feel the need for a special organ devoted to a fashionable conveyance’ been so appropriate.
Indeed the Vélocipède is gaining ground at amazing speed, spreading from France to the rest of Europe, from Europe to Asia and Africa. Not to mention America, which has outstripped us and now has the advantage of us in the race for further improvements.
The Vélocipède is a more serious plaything than people realise. As well as the great fun it offers, it is indisputably a functional article. It is one of the signs of the times; it is a personal affirmation of human strength, translated into speed by means of ingenious agents.
The Vélocipède is a step forward along the road traversed by the genius of man. It replaces collective, brutish, unintelligent speed with individual speed, rational speed, avoiding obstacles, adapting itself to the circumstance, and obeying man’s will. This horse in wood and steel fills a gap in modern living; it does not merely answer a need, it fulfils people’s aspirations.
The Vélocipède is not a mere flash in the pan, here today and gone tomorrow. As you can see from the fact that, as it obtains a footing in the fashionable world, the government and the major public services are using it for special duties. It has now won complete acceptance in France, and we are founding a magazine under its patronage in order to bring together, in the same fellowship, its adherents and believers.
His piece set the timbre of cycling journalism, or at least French cycling journalism, for the next 100 years. A few months after Lesclide wrote those words, the long association between the cycling press and race promotion began when Le Vélocipède Illustré organised that Paris to Rouen race. Or Paris–Rouen, following the accepted protocol that the ‘to’ in the names of place-to-place road races is always replaced by a dash.
The date was 7 November 1869, and Paris–Rouen set a pattern of place-to-place road races that was copied and developed over the years as the template for some of cycling’s