WINE
The symbolic meanings of wine are generally attached to the red variety; it seems that a nice dry white or a sweet rosé carries no hidden mystery. Here are some things to think about next time you open a nice bottle of claret.
The red color means that wine is often linked to blood, particularly since the wine is the “blood” of the grape. Because it looks like blood, wine is often used in rituals where blood would otherwise be called for, and because ceremonial wine is often drunk from a shared chalice, it is seen, like bread, as a unifying principle. Wine is male, and bread is female. As a partner to bread in the ritual of the Eucharist, the consecrated wine is transformed into the blood of the Christ, a reminder of both sacrifice and immortal life, and it’s this transformative power that accords wine with much of its mystique. When the water is turned into wine in the story of the Marriage at Cana, what is really being shown here is the transformation of the mundane into the magical, the Earthly into the Heavenly. It is this magical process of fermentation at work that explains why wine is associated with Bacchus/Dionysus, and the intoxicating power of wine is symbolic of divine possession.
The phrase, “In vino veritas” links wine to the truth and is a reminder that those intoxicated by perhaps a little too much of that nice claret will be more likely to speak the truth than most, which can be good or bad, depending on the circumstances.
GLOBUS CRUCIGER
This is the globe surmounted by a cross, which is one of the Christian symbols of authority, and its symbolism is obvious. The orb represents the Earth, and the Cross, that major symbol of the faith, is Christ’s supremacy over it.
The Globus Cruciger is often depicted as an actual object but was also used purely as a symbol on Roman coins from the time when Christianity became the prominent religion, round about the fifth century AD. Prior to this, the lone orb had been used in the same way, to imply authority. The addition of the cross brought the well-known emblem into the Christian domain. In Britain, the Globus Cruciger appears as a physical object that is used during the coronation of the monarch. It is called the Orb and is part of the Royal Jewels.
GOAT OF MENDES
Also called the Sigil of Baphomet or the Sabbatic Goat, this sinister-looking symbol features an inverted pentagram containing the head of a goat, the upward V of the star framing the horns. This symbol has become an icon of modern occultism, believed to be the very representation of the Devil himself, which was exacerbated when Anton La Vey adopted it in the 1960s for his Church of Satan.
Sometimes the symbol is encircled with a double ring, containing the Hebrew letters spelling “Leviathan,” the mythical sea monster that features in the Old Testament.
GOPURA
The ornately elaborate gateway into the Hindu temples, the Gopura carry the same significance as the Japanese Torii, marking a transition between the world of matter and the world of spirit.
GRAY WOLF
Otherwise known as Lupus Mettalorum, in alchemy antimony is disguised as the gray wolf. This gray wolf is the penultimate stage in the making of the Philosopher’s Stone, so in terms of the spiritual and psychological development of man it symbolizes the condition that brings him very close to the enlightenment he seeks; however, both physically and metaphorically speaking, the final stage of making lead into gold is yet to come, so the gray wolf can symbolize either success or failure.
GREAT SEAL OF THE UNITED STATES OF AMERICA
See United States dollar bill.
GREEN MAN
The symbol of the Green Man could be said to lurk in the subconscious minds of anyone with an affinity for leafy, wooded, and bosky places, although the term was not coined in the UK until the 1930s. Such a character—latterly interpreted as being the raw spirit of Nature—exists not only in the British Isles but in India, Asia, and Arabic countries too.
With a head seemingly constructed of leaves and vines, the Green Man is sometimes depicted as human, and sometimes as an animal. Despite his popularity as a garden ornament and its proliferation in garden centers, one of the oldest Green Man symbols discovered thus far is a piece of stonework on an Irish obelisk that dates back to 300 BC. Irish myth features a character called a Derg Corra, meaning “man in the tree,” and it may well be the case that he and the Green Man are one and the same. See Part 5, “Sacred Geometry and Places of Pilgrimage,” for an example of the Green Man made into a living maze.
SIGNS AND SYMBOLS OF FREEMASONRY
Although many of the entries in this encyclopedia have an association with Freemasonry, many secret signs and sacred symbols belong specifically to this discipline, hence the need for a separate entry dedicated to the Craft.
The Catholic Encyclopedia describes Freemasonry as
a system of morality veiled in allegory and illustrated with symbols.
Many of the signs and symbols associated with this ancient brotherhood are necessarily to do with building and architecture, and the instruments of these disciplines are used to carry analogies. One of the central tenets of Freemasonry, however, is that there should be as little dogma as possible, and so the meanings of many of the associated symbols are deliberately oblique and can remain open to personal interpretation.
1. ACACIA
Represents the idea of initiation, and is also used in Masonic funerals as a symbol of rebirth. The martyred master mason who designed the Temple of Solomon at Jerusalem, Hiram Abiff, had his burial place marked with an acacia branch. See Acacia in Part 4.
2. BLAZING STAR
Freemasons give this name to the Pentagram. Freemasons, like Pythagoras, regard the number 5 as sacred.
3. COLUMN
Many of the symbols within Freemasonry take their inspiration from the Temple of Solomon, the first temple in Jerusalem.
The structure of the Masonic Hall generally has two columns at either side of its main door that relate to the original columns set by the architect, Hiram, in the porch of the temple. These original columns were made of brass or bronze. The pillars are known by their Hebrew names and are also referred to in the Kabbalah; on the right is Jachin (meaning stability) and the left is Boaz (meaning strength). The columns also have a male/female polarity, Jachin often painted red to symbolize the Sun and fiery qualities of the active male principle, and the female Boaz painted white for the Moon and the passive feminine virtues. In rites, the columns are used to denote the grade of mason. Apprentices stand before the red column, Masons stand in front of the white column, and the Master Masons in the central space between the two.
4. COMPASSES
One of the foremost symbols