He was born in 1890 to a well-to-do evangelical family in Kendal who owned K Shoes, a prosperous boot-making company. At Cambridge he at first derided modern art, then adopted it. Similarly, he toyed with atheism, joining a society named the Heretics, and ‘for two years I strenuously refused to believe in God, especially in a revealed God’.1 Afterwards he felt there was something missing from his life, and felt that his atheist fellow students were ‘wallowing in an intellectual nowhere’. After a chance prayer-meeting he rediscovered his faith and became for a while a passionate evangelical. This mellowed into a steady religious faith that remained with him and informed all the major decisions of his life. It is almost as if the young Somervell had to experiment with opposites, push hard in contrary directions, before he could find his place in both art and religion. Perhaps the extreme horror of his war-time experiences swung him towards extreme faith.
I wanted to know how he began climbing. The 18-year-old Somervell had taken to solitary walking in his native Lake District, and one day saw a party of rock climbers. He followed them up their route on his own, and when he reached the top he was ticked off for climbing without either a companion or a rope. On buying one of the Abraham brothers’ guidebooks he was delighted to realise he’d done a climb described as ‘Difficult’. He continued going rock climbing, and this eventually led to the Alps, where one of his early climbs had an ecclesiastical flavour: he teamed up with a parson and the Bishop of Sierra Leone. Unfortunately, the bishop slipped off an overhang and dangled in mid-air, swinging like a pendulum. Somervell started to lower him but the noose around his waist was loose, the unfortunate cleric raised his arms and the rope slid off. He hung by his hands alone, and ‘certain death was beneath him if he could not hold on.’2 Somervell redoubled his lowering, and got the bishop to the safety of a snow-slope before his strength gave out. This calm rescue of another climber foreshadowed his rescue of porters on Everest in 1924.
Next came his experience of the army. After Gonville & Caius College, Cambridge, and qualification as a surgeon at University College Hospital, London, he joined up in early 1915 and went to the Front. This experience had a profound effect on him, as it did on other members of the Everest expeditions. His casualty-clearing station, the 34th, was on the Somme Front, at Vecquemont, between Amiens and Albert. Another Cambridge man, Second Lieutenant George Mallory of the 40th Siege Battery, was not far away at Pioneer Road, Albert. Mallory’s job as an artillery officer was to pound the enemy lines with high-explosive shells in preparation for the greatest British offensive of the war, when 300,000 men attacked the Germans on 1 July 1916.
It was a disaster. Somervell’s clearing station, with its two surgeons per six-hour shift, was expected to deal with a thousand casualties; instead, streams of motor-ambulances a mile long brought nearly 10,000 terribly wounded young men after the attack. The camp, in a field of five or six acres, was completely covered with stretchers. The surgery was a hut with only four tables, and Somervell had to walk among the victims and choose which they could try to save.
Occasionally, we made a brief look around to select from the thousands of patients those few fortunate ones whose life or limbs we had time to save. It was a terrible business. Even now I am haunted by the touching look of the young, bright, anxious eyes, as we passed along the rows of sufferers.
Hardly ever did any of them say a word, except to ask for water or relief from pain. I don’t remember any single man in all those thousands who even suggested that we should save him and not the fellow next to him … There, all around us, lying maimed and battered and dying, was the flower of Britain’s youth – a terrible sight if ever there was one, yet full of courage and unselfishness and beauty.3
Beauty seems an odd word to use about this most grotesque of wars, and it is worth being alert to it, as it is relevant to our subject. Somervell goes on to explain:
I know that, again and again, when, sick of casualties and the wilfulness of man that maims these poor bodies, I did see an unselfishness, a fine spirit, and a comradeship, that I have never seen in peace-time. But in spite of all that, the very gloriousness of the spirit of man is a call to the nations to renounce war and give love a chance to bring forth the best that is in mankind.4
Note the reference to the spirit of man. The Poet Laureate Robert Bridges chose The Spirit of Man as the title for an anthology of prose and poetry, published in 1915. It is a curious book, written during the war under the auspices of the War Propaganda Bureau, and full of exhortations to self-sacrifice. ‘We can therefore be happy in our sorrows,’ writes Bridges, ‘happy even in the death of our beloved who fall in the fight; for they die nobly, as heroes and saints die; with heart and hands unstained by hatred or wrong.’5 Mallory and Somervell were to read selections from the book as they lay in their shared tent on Everest in 1922.
It was not noble to die chopped up by a machine-gun or gassed. The Spirit of Man was an encouragement towards self-sacrifice. Like the older members of my family, these men had a culture of public-spiritedness and Christian unselfishness that would be inconceivable to most of today’s Everest climbers. I think it might have influenced the climbing choices that Mallory and Somervell made, and partly explains the extreme guilt they felt when seven Sherpas died in the accident that ended that expedition of 1922, a guilt I have rarely seen in the carnage of a modern Everest season.
The casualty work was exhausting, and on one occasion Somervell had to operate for two and a half days on end, without sleep. One day during the Somme campaign he went for a short walk on the battlefield and sat down on a sandbag. He saw a young lad asleep in front of him, looking very ill. After a while, with horror, he realised what he was looking at:
My God, he’s not breathing! He’s dead! I got a real shock. I sat there for half an hour gazing at that dead boy. About eighteen … For a moment he personified this madness called War … Who killed him? The politicians, the High Command, the merchants and financiers, or who? Christian nations had killed him by being un-Christian. That seemed to be the answer.
Somervell’s view was that the two world wars were simply one prolonged war, with the failure of the Versailles Treaty to curtail German aggression meaning that it reasserted itself during the 1930s. Somervell felt that if Germany had been occupied and stabilised, the horror and madness of the Third Reich could have been contained.
A few miles away, Mallory’s experience as an artillery officer was somewhat different, as he would not have seen as much of the bloody consequence of shelling as would a surgeon. Although the two men’s roles were different, the common experience of the Great War formed a similar outlook and cemented their later friendship.
It is difficult to exaggerate the effect the conflict would have had on those survivors of the Great War. Gas was used on the Somme on 18 July:
Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound’ring like a man in fire or lime …
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick