Sir Ector came bustling out with his greaves on back to front, and kissed the Wart on both cheeks. ‘Well, well, well,’ he exclaimed moistly. ‘Here we are again, hey? What the devil have we been doin’, hey? Settin’ the whole household upside down.’
But inside himself he was proud of the Wart for staying out after a hawk, and prouder still to see that he had got it, for all the while Hob held the bird in the air for everybody to see.
‘Oh, sir,’ said the Wart, ‘I have been on that quest you said for a tutor, and I have found him. Please, he is this gentleman here, and he is called Merlyn. He has got some badgers and hedgehogs and mice and ants and things on this white donkey here, because we could not leave them behind to starve. He is a great magician, and can make things come out of the air.’
‘Ah, a magician,’ said Sir Ector, putting on his glasses and looking closely at Merlyn. ‘White magic, I hope?’
‘Assuredly,’ said Merlyn, who stood patiently among the throng with his arms folded in his necromantic gown, while Archimedes sat very stiff and elongated on the top of his head.
‘Ought to have some testimonials,’ said Sir Ector doubtfully. ‘It’s usual.’
‘Testimonials,’ said Merlyn, holding out his hand.
Instantly there were some heavy tablets in it, signed by Aristotle, a parchment signed by Hecate, and some typewritten duplicates signed by the Master of Trinity, who could not remember having met him. All these gave Merlyn an excellent character.
‘He had ’em up his sleeve,’ said Sir Ector wisely. ‘Can you do anything else?’
‘Tree,’ said Merlyn. At once there was an enormous mulberry growing in the middle of the courtyard, with its luscious blue fruits ready to patter down. This was all the more remarkable, since mulberries only became popular in the days of Cromwell.
‘They do it with mirrors,’ said Sir Ector.
‘Snow,’ said Merlyn. ‘And an umbrella,’ he added hastily.
Before they could turn round, the copper sky of summer had assumed a cold and lowering bronze, while the biggest white flakes that ever were seen were floating about them and settling on the battlements. An inch of snow had fallen before they could speak, and all were trembling with the wintry blast. Sir Ector’s nose was blue, and had an icicle hanging from the end of it, while all except Merlyn had a ledge of snow upon their shoulders. Merlyn stood in the middle, holding his umbrella high because of the owl.
‘It’s done by hypnotism,’ said Sir Ector, with chattering teeth. ‘Like those wallahs from the Indies.
‘But that’ll do,’ he added hastily, ‘that’ll do very well. I’m sure you’ll make an excellent tutor for teachin’ these boys.’
The snow stopped immediately and the sun came out – ‘Enough to give a body a pewmonia,’ said the nurse, ‘or to frighten the elastic commissioners’ – while Merlyn folded up his umbrella and handed it back to the air, which received it.
‘Imagine the boy doin’ a quest like that by himself,’ exclaimed Sir Ector. ‘Well, well, well! Wonders never cease.’
‘I do not think much of it as a quest,’ said Kay. ‘He only went after the hawk, after all.’
‘And got the hawk, Master Kay,’ said Hob reprovingly.
‘Oh, well,’ said Kay, ‘I bet the old man caught it for him.’
‘Kay,’ said Merlyn, suddenly terrible, ‘thou wast ever a proud and ill-tongued speaker, and a misfortunate one. Thy sorrow will come from thine own mouth.’
At this everybody felt uncomfortable, and Kay, instead of flying into his usual passion, hung his head. He was not at all an unpleasant person really, but clever, quick, proud, passionate and ambitious. He was one of those people who would be neither a follower nor a leader, but only an aspiring heart, impatient in the failing body which imprisoned it. Merlyn repented of his rudeness at once. He made a little silver hunting knife come out of the air, which he gave him to put things right. The knob of the handle was made of the skull of a stoat, oiled and polished like ivory, and Kay loved it.
Sir Ector’s home was called The Castle of the Forest Sauvage. It was more like a town or a village than any one man’s home, and indeed it was the village during times of danger: for this part of the story is one which deals with troubled times. Whenever there was a raid or an invasion by some neighbouring tyrant, everybody on the estate hurried into the castle, driving the beasts before them into the courts, and there they remained until the danger was over. The wattle and daub cottages nearly always got burned, and had to be rebuilt afterwards with much profanity. For this reason it was not worth while to have a village church, as it would constantly be having to be replaced. The villagers went to church in the chapel of the castle. They wore their best clothes and trooped up the street with their most respectable gait on Sundays, looking with vague and dignified looks in all directions, as if reluctant to disclose their destination, and on week-days they came to Mass and vespers in their ordinary clothes, walking much more cheerfully. Everybody went to church in those days, and liked it.
The Castle of the Forest Sauvage is still standing, and you can see its lovely ruined walls with ivy on them, standing broached to the sun and wind. Some lizards live there now, and the starving sparrows keep warm on winter nights in the ivy, and a barn owl drives it methodically, hovering outside the frightened congregations and beating the ivy with its wings, to make them fly out. Most of the curtain wall is down, though you can trace the foundations of the twelve round towers which guarded it. They were round, and stuck out from the walls into the moat, so that the archers could shoot in all directions and command every part of the wall. Inside the towers there are circular stairs. These go round and round a central column, and this column is pierced with holes for shooting arrows. Even if the enemy had got inside the curtain wall and fought their way into the bottom of the towers, the defenders could retreat up the bends of the stairs and shoot at those who followed them up, inside, through these slits.
The stone part of the drawbridge with its barbican and the bartizans of the gatehouse are in good repair. These have many ingenious arrangements. Even if enemies got over the wooden bridge, which was pulled up so that they could not, there was a portcullis weighted with an enormous log which would squash them flat and pin them down as well. There was a large hidden trapdoor in the floor of the barbican, which would let them into the moat after all. At the other end of the barbican there was another portcullis, so that they could be trapped between the two and annihilated from above, while the bartizans, or hanging turrets, had holes in their floors through which the defenders could drop things on their heads. Finally, inside the gatehouse, there was a neat little hole in the middle of the vaulted ceiling, which had painted tracery and bosses. This hole led to the room above, where there was a big cauldron, for boiling lead or oil.
So much for the outer defences. Once you were inside the curtain wall, you found yourself in a kind of wide alleyway, probably full of frightened sheep, with another complete castle in front of you. This was the inner shell-keep, with its eight enormous round towers which still stand. It is lovely to climb the highest of them and to lie there looking out towards the Marches, from which some of these old dangers came, with nothing but the sun above you and the little tourists trotting about below, quite regardless of arrows and boiling oil. Think for how many centuries that unconquerable tower has withstood. It has changed hands by secession often, by siege once, by treachery twice, but never by assault. On this tower the look-out hoved. From here he kept the guard over the blue woods towards Wales. His clean old bones lie beneath the floor of the chapel now, so you must keep it for him.
If you look down and are not frightened of heights (the Society for the Preservation of This and That have put up some excellent railings to preserve you from tumbling over), you can see the whole anatomy of the inner court laid out beneath you like a map. You can see the chapel,