Did Murdoch interfere in editorial policy? Donoughue disliked hearing that Murdoch thought his leader articles were too generous towards Tory ‘wets’ or Social Democrats.205 Evans chose to disregard the proprietor’s expressed hope that The Times would take a critical line on the Civil List.206 Although he certainly gave vent to uncompromising opinions when the conversation turned to political matters, Murdoch always maintained that he had never instructed Evans to take any line in his paper other than one of consistency – a steady course the proprietor claimed was lacking. Douglas-Home was incredulous that Evans could not tell the difference between Murdoch ‘sounding off’ as opposed to giving orders. In Douglas-Home’s experience, Murdoch ‘didn’t object to anyone standing up to him on policy issues’. Of course it was easier for the more robustly right-wing Douglas-Home to find this to be the case. But he went further, claiming that it was Evans who had endangered his own editorial independence by constantly ringing Murdoch for reassurance.207 No subsequent Times editor ever claimed undue pressure was applied by Murdoch on editorial policy. Murdoch did not prevent Frank Giles from pursuing a far more ‘wet’ political line at the Sunday Times, also a paper whose direction Mrs Thatcher might have been expected to take a keen interest in. Murdoch did not stop Giles from being sceptical about Britain seeking to retake the Falklands by force or from being overtly sympathetic towards the SDP in the 1983 general election. It was not for his politics that he was eventually replaced by Andrew Neil, an outsider whom Murdoch believed would breathe new energy into the Sunday title as he had once hoped Evans would do with the daily.
Understandably, Evans’s allegations confirmed the suspicions of all those on the political left who believed Murdoch was a malign influence on news reporting. They had seen it with the Sun and its crude caricature of the left. Now they had evidence that it was consuming The Times. Staged at the National Theatre, David Hare’s 1985 play Pravda – A Fleet Street Comedy was widely interpreted as an attack on Murdoch’s style of proprietorship. Co-written with Howard Brenton whose The Romans in Britain had caused outrage because of its overt depictions of Romans sodomizing Ancient Britons (apparently a metaphor for the British presence in Ulster), Pravda depicted the sorry tale of Lambert La Roux, a South African tabloid owner, buying a British Establishment broadsheet only to sack its editor just after he had received an Editor of the Year award. Anna Murdoch went to see the play. After this, her husband’s only comment on it was to suggest, with a wink, that Robert Maxwell might find it actionable.
But more seriously, if Evans felt he had been improperly treated by Murdoch he could have appealed to the independent national directors to adjudicate on the matter. Given the lengths to which he had gone to write these safeguards into the contract by which Murdoch bought the paper it was surprising that he did not avail himself of the opportunity to challenge the proprietor in this way. Perhaps he thought the independent directors would not support his case. Even Lord Robens, who had spoken supportively to him in an alcove of the Reform Club, was not so stalwart behind his back. According to Richard Searby, Robens promptly told Murdoch that he was the proprietor and if he thought Evans should be sacked, he should be sacked.208 Whatever his reasoning, Evans preferred to make his case in a book instead. The audience was certainly wider.
Deeply involved in the union negotiations and in attempting to overcome the production difficulties during Evans’s year in the chair, Bill O’Neill felt that the problem was not one of politics but of personalities. Evans ‘considered himself a creator, an editorial genius’, O’Neill maintained ‘and not someone who would be burdened with incidentals, like the huge losses the title he edited was running. You could not engage Evans in debate. He would agree with everything you put to him.’209 In his fourteen years as editor of the Sunday Times, Evans had benefited from supportive allies in Denis Hamilton and a proprietor, Roy Thomson, who was happy to invest heavily into ensuring Evans’s creative talents bore fruit. With his move to The Times, he had difficulty adapting to the culture shock of working for a new proprietor who, after initially encouraging further expansion, suddenly demanded urgent economies in order to keep the title afloat. Hamilton’s disillusion and departure also robbed him of a calming and understanding influence. Evans complained that ‘every single commercial decision of any importance was taken along the corridor in Murdoch’s office, while we went through our charades’ on the TNL board.210 But what did he expect? Who was writing the cheques? It was as if Evans had confused editing the newspaper with owning it. As Evans proved at the Sunday Times and in his subsequent career in New York (to where he and Tina Brown decamped), he was at his best when he had a generous benefactor prepared to underwrite his initiatives. Especially in the dark economic climate of 1981–2, Murdoch was not in the mood to be a benefactor.
Indeed, if Evans was a victim of Murdoch’s ruthless business sense, he was most of all a victim of the times. The dire situation of TNL’s finances meant Murdoch was frequently in Gray’s Inn Road and was particularly watchful over what was going on there. Furthermore, Murdoch and his senior management could hardly absolve themselves totally of their part in the chaos surrounding Evans’s final months in the chair. Murdoch had told Evans to bring in new blood and frequently suggested expensive serializations to run in the paper. When the costs of these changes reached the accounts department he then blamed Evans for his imprudence.211 The failure to agree with the editor a proper budget allocation compounded these problems, although Murdoch refuted Evans’s claims that he did not know what the financial situation was, maintaining he ‘got budgets all the time’.212 The swingeing cuts in TNL clerical staff had to be made, but the brinkmanship necessary to bring them about created a level of tension that clearly had negative effects on morale within the building. Murdoch’s own manner at this time, frequently swearing and being curt to senior staff, contributed to the unease and feeling of wretchedness.213 As the years rolled by with the financial and industrial problems of News International receding while he developed media interests elsewhere, so Murdoch spent less time living above the Times shop. Therefore, if Evans wanted to be left to his own devices, it was his misfortune to have accepted the paper’s editorship at the worst possible moment. Had he been appointed later, at a time when the paper was no longer enduring a daily fight for survival and justification of every expense was no