Stanley Spencer (Text Only). Ken Pople

soldiers. Even Florence was complaining that his letters did not contain much news, to which Stanley replied with some asperity that it was not a fault in him, for nothing was happening. However, he had one piece of good news. Henry Lamb had arrived in Salonika as a medical officer with a Field Ambulance and ‘according to the place where he says he is, I must be quite near him’.

      Stanley was, he decided, a ‘different me’ again at Todorova, a more reflective, inward-turning ‘me’: ‘As far as Nature went, I felt on such a personal footing with it, and it had all seemed to have something to do with my individual self, that I forgot the war and the army, and continued to some degree my Cookham life, namely a feeling of integration with my surroundings.’⁶ The Burghclere frieze is obviously intended to convey something of Stanley’s summer calm and waiting, of men ‘forgetting the war and the army’. The figures, in the timeless way of all soldiers, occupy the empty hours by being given something to do. On the left of the picture a line of men pick away at a torrent bed, dislodging the brown and white pebbles of the limestone landscape in order to make a mosaic of regimental badges – the RAMC and Royal Berkshire badges are there – as well as a Red Cross air identity circle. In the river-bed, in the rock pools where Stanley swam when it flooded, more pebbles are collected, used no doubt in the army game of housey-housey played by the little group of men in the centre; it is a form of bingo, and the only gambling game then permitted in the army. Below them a pair of pack mules passes along the watercourse. The figure scrubbing his summer shorts forms a link with the man washing his shirt in the opposite frieze. On the right, an open-shirted orderly, his identity discs dangling about his neck, idly throws a stone at something in the stream. All are dressed in summer kit. These are the days, if not of wine, at least of army tea and roses. For Stanley they celebrate another ‘emergence’ into his precious world of spiritual peace and creativity, his world of harmony, of ‘my integration with my surroundings’.