PETER RANSLEY
PLAGUE CHILD
Copyright
William Collins
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
Copyright © Peter Ransley 2011
Peter Ransley asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780007312351
Ebook Edition © 2011 ISBN: 9780007357208 Version: 2017-09-05
For Cynthia, Nicholas, Imogen, Rebecca and Lochlinn
Contents
Copyright
Prologue
Part One - At the Half-Moon
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Part Two - Highpoint
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Part Three - Edgehill
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Historical Note
Acknowledgements
BEHIND THE SCENES
CONSTRUCTION AND CREATION
AN IDEA, LIKE A GHOST
UNOPENED ON A SHELF
About the Author
About the Publisher
Prologue
One cloudy September evening in 1625 Matthew Neave drove the cart, loaded with the bodies he had collected, to the edge of the River Cherwell. Seven bodies: they would not pay him much for that.
While the horses drank he finished off the last of his bread and cheese. The bread was hard and dry and he softened it from his flask of beer as he waited for the light to go. He never went near the plague pit before dark.
In early summer, at the start of the plague in Oxford, relatives would lie in wait for the cart. Fear of the disease was overcome by the fear of hell that their loved ones (and they later) would suffer if they did not get a Christian burial in sanctified ground. Matthew was stabbed and nearly thrown into the pit in one fight before the watch was called.
But as people died or fled, and that remorseless hot summer reduced the remainder to a numb apathy, the disturbances petered out. Nevertheless, when he heard the sound of a galloping horse, Matthew put down his flask. Beer dribbled unnoticed down his stained fustian jacket as he stared over Christchurch Meadow.
He couldn’t make out the rider at first for the trees, but the horse was a black gelding, a gentleman’s horse. The horse cleared the trees. The rider was dressed in black. He was masked, although the day had not been hot. The mask might hold a nosegay of herbs to protect against the plague, but Matthew was taking no chances.
He picked up the knife with which he had cut the cheese and retreated to the cart –