This story was inspired by a Carabinieri raid on a warehouse in the Geneva Freeport in 1995 and their discovery within it of over ten thousand illegally excavated antiquities worth over $35 million. The resulting investigation implicated the mafia and raised questions over the role of some of the world’s largest museums, collectors and auction houses in the multi-million-dollar international trade in illicit cultural artefacts.
All descriptions and background information provided on works of art, artists, thefts, antiquities smuggling, ‘orphans’, illegal excavation practices, and architecture are accurate, apart from the Desposito Eroli in Rome, which I have altered to suit my purpose.
For more information on the author and on the fascinating history, people, places, art and artefacts that feature in The Geneva Deception and the other Tom Kirk novels, please visit www.jamestwining.com
Extract from the Amherst Papyrus, original court records from the reign of Ramses IX (-1110 BC); translated by J. H. Breasted, Ancient Records of Egypt, Book IV (1904)
We opened their coffins and their coverings in which they were. We found this august mummy of this king…Its coverings were wrought with gold and silver, within and without; inlaid with every splendid costly stone.
We stripped off the gold, which we found on the august mummy of this god, and its amulets and ornaments which were at its throat, and the coverings wherein it rested. [We] found the King’s wife likewise; we stripped off all that we found on her likewise. We set fire to their coverings. We stole their furniture, which we found with them, being vases of gold, silver, and bronze.
We divided, and made the gold which we found on these two gods, on their mummies, and the amulets, ornaments and coverings, into eight parts.
Extract from letter written by Thomas Bruce, the seventh Earl of Elgin, to Giovanni Lusieri, 1801
I should wish to have, of the Acropolis, examples in the actual object of each thing, and architectural ornament - of each cornice, each frieze, each capital of the decorated ceilings, of the fluted columns - specimens of the different architectural orders and of the variant forms of the orders - of metopes and the like, as much as possible. Finally everything in the way of sculpture, medals and curious marbles that can be discovered by means of assiduous and indefatigable excavation.
‘I see wars, terrible wars, and the Tiber foaming with blood’
Virgil, The Aeneid, Book VI, 86
Ponte Duca d’Aosta, Rome 15th March - 2.37 a.m.
The cold kiss roused him.