by Talbot Rothwell
Keep Reading
Bibliography
Acknowledgements
About the Author
Also By
About the Publisher
THE CARRY ON CHRONOLOGY
|
FILMS
|
|
Sergeant
|
(1958)
|
|
Nurse
|
(1959)
|
|
Teacher
|
(1959)
|
|
Constable
|
(1960)
|
|
Regardless
|
(1961)
|
|
Cruising
|
(1962)
|
|
Cabby
|
(1963)
|
|
Jack
|
(1963)
|
|
Spying
|
(1964)
|
|
Cleo
|
(1964)
|
|
Cowboy
|
(1965)
|
|
Screaming!
|
(1966)
|
|
Don’t Lose Your Head
|
(1966)
|
|
Follow That Camel
|
(1967)
|
|
Doctor
|
(1968)
|
|
Up The Khyber
|
(1968)
|
|
Camping
|
(1969)
|
|
Again Doctor
|
(1969)
|
|
Up the Jungle
|
(1970)
|
|
Loving
|
(1970)
|
|
Henry
|
(1971)
|
|
At Your Convenience
|
(1971)
|
|
Matron
|
(1972)
|
|
Abroad
|
(1972)
|
|
Girls
|
(1973)
|
|
Dick
|
(1974)
|
|
Behind
|
(1975)
|
|
England
|
(1976)
|
|
That’s Carry On
|
(1977)
|
|
Emmannuelle
|
(1978)
|
|
Columbus
|
(1992)
|
|
London (still in production at time of compiling this chapter)
|
|
STAGE
|
|
London!
|
(1973–75)
|
|
Laughing – with The Slimming Factory
|
(1976)
|
|
Wot A Carry On in Blackpool
|
(1992)
|
|
TELEVISION
|
|
Christmas
|
(1969)
|
|
Again Christmas
|
(1970)
|
|
Christmas
|
(1972)
|
|
What A Carry On!
|
(1973)
|
|
Christmas
|
(1973)
|
|
|
|
|
CARRY ON LAUGHING series …
|
|
|
|
|
The Prisoner of Spenda
|
(1975)
|
|
The Baron Outlook
|
(1975)
|
|
The Sobbing Cavalier
|
(1975)
|
|
Orgy and Bess
|
(1975)
|
|
One in the Eye for Harold
|
(1975)
|
|
The Nine Old Cobblers
|
(1975)
|
|
The Case of the Screaming Winkles
|
(1975)
|
|
The Case of the Coughing Parrot
|
(1975)
|
|
Under the Round Table
|
(1975)
|
|
Short Knight, Long Daze
|
(1975)
|
|
And In My Lady’s Chamber
|
(1975)
|
|
Who Needs Kitchener?
|
(1975)
|
|
Lamp-posts of the Empire
|
(1975)
|
|
Carry On Laughing’s Christmas Classics
|
(1983)
|
INTRODUCTION
Values and attitudes are not immutable, particularly as the years slip by and society evolves, yet people’s views on the Carry On films remain seemingly constant through the generations. The unrestrainable Carry On franchise marches on, unaffected by changing fashions in an increasingly cynical world. Unashamed of its blatantly simplistic formula and unmoved in an atmosphere increasingly blinded by the political correctness brigade, the winning amalgam of sight gags, ludicrous
