THE AWFUL END OF PRINCE WILLIAM THE SILENT
The First Assassination of a Head of State with a Handgun
Lisa Jardine
Politics in a work of literature are a pistol-shot in the middle of a concert, something crude which it is impossible to ignore.
We are about to speak of very ugly matters.
Stendhal, The Charterhouse of Parma1
CONTENTS
Foreword: The Making History series
Introduction: Accidents of History
Map: The Netherlands in the Seventeenth Century
Family Tree: The House of Orange
1: How the Prince of Orange Came to Have a Price on his Head
4: The Wheel-Lock Pistol – Killing Conveniently
5: English Aftermath 1 – ‘She is a Chief Mark they Shoot at’
6: English Aftermath 2 – Pistols and Politics
When Prince William the Silent was gunned down in the hallway of his Delft residence in 1584, his death rocked the cause of Protestantism in the Low Countries. Without their charismatic leader, the Dutch opponents of the occupying Catholic forces of Philip II of Spain looked likely to be brought permanently under the domination of the Habsburgs.
In the event, the Dutch Protestant cause managed to carry on its opposition to the Habsburgs, and eventually succeeded in establishing an independent Dutch Republic. But the assassination of William of Orange with a small, concealed, self-igniting handgun had lasting repercussions across the face of Europe. William had been a marked man for many years, with a Catholic price on his head. Honour and riches had been publicly promised to anyone who could assassinate him. Yet in spite of elaborate security, a lone assassin armed with a hidden pistol was able to penetrate William’s ‘ring of steel’ and shoot him at point-blank range in his own home. After that, no head of state would ever feel safe again, and regimes across the Continent enacted legislation attempting to ban small hand-guns entirely, or to restrict their use in the vicinity of a prominent political figure or head of state.
The assassination of William the Silent, then, marked the moment when new technology intruded into the lives of public figures, emphasising their perpetual vulnerability to violent assault. The event was one of those milestones in history – a marker, a turning point, an epoch-making incident, a directional laser-beam of light from the past to the future – on which our understanding of the past depends. Lisa Jardine’s account highlights the extraordinary way in which events on the ground at key moments in history influence forever what comes after them.
The Awful End of Prince William the Silent is the second title in an exciting series of small books edited by Amanda Foreman and Lisa Jardine – ‘Making History’– each of which covers a ‘turning point’ in history. Each book in the series will take a moment at which an event or events made a lasting impact on the unfolding course of history. Such moments are of dramatically different character: from the unexpected outcome of a battle to a landmark invention; from an accidental decision taken in the heat of the moment to a considered programme intended to change the world. Each volume of ‘Making History’ will be guaranteed to make the reader sit up and think about Europe’s and America’s relationship to their past, and the key figures and incidents which moulded and formed its process.
Amanda Foreman Lisa Jardine
Accidents of History
William of Nassau, scion Of a Dutch and ancient line, I dedicate undying Faith to this land of mine. A prince I am, undaunted, Of Orange, ever free, To the king of Spain I’ve granted A lifelong loyalty.
(First verse of the Dutch national anthem, the ‘Wilhelmus’)2
FROM THE SIXTEENTH CENTURY